Famous Italian Opera Arias PDF Download
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Author: Ellen H. Bleiler
Publisher: Courier Corporation
ISBN: 0486157407
Category : Music
Languages : en
Pages : 127
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Book Description
Original Italian texts with English translations of 145 arias from 50 operas, including Rigoletto, The Marriage of Figaro, Lucia di Lammermoor, Madama Butterfly, La Bohème, and more. Introduction.
Author: Ellen H. Bleiler
Publisher: Courier Corporation
ISBN: 0486157407
Category : Music
Languages : en
Pages : 127
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Book Description
Original Italian texts with English translations of 145 arias from 50 operas, including Rigoletto, The Marriage of Figaro, Lucia di Lammermoor, Madama Butterfly, La Bohème, and more. Introduction.
Author: Gioacchino Rossini
Publisher: Taylor & Francis
ISBN: 9780815313724
Category : Music
Languages : en
Pages : 520
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Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Giacomo Puccini
Publisher: Courier Corporation
ISBN: 0486246078
Category : Music
Languages : en
Pages : 98
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Book Description
Next to Verdi's Ada, Giacomo Puccini's La Bohme is the most popular opera ever written. Performances of Ada, La Bohme, Carmen, and Don Giovanni ? the four operas most often performed ? constitute approximately 75 percent of the yearly schedule of operas throughout the world. This volume contains everything the opera goer needs to derive full satisfaction from La Bohme except the musical score itself. Most important, it provides the complete text of the Italian libretto, just as it is actually sung; that is, where a singer repeats a phrase several times, each of the repetitions is given here. And facing the Italian text is a completely new translation of the libretto into modern, idiomatic English. In addition to the libretto and English translation, this edition provides a careful, concise summary of the plot of La Bohme and a complete list of the opera's characters. There is also a brief, highly informative introduction by the translator that traces Puccini's masterpiece back to its source in Henry Murger's autobiographical novel La Vie Bohme, illuminating the early history of the opera and its later development. Opera lovers can use this book with their own recordings of the opera, read it before attending a performance, or can easily take it along to the performance itself. Those who have regretted the lack of a good, authentic, readable edition of the Italian libretto of La Bohme, and have complained of the stodginess of existing English translations, will recognize in this book a first-rate aid to the understanding of one of Puccini's most celebrated operas.
Author: John Graziano
Publisher: Routledge
ISBN: 1135552304
Category : Music
Languages : en
Pages : 381
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Book Description
First Published in 1994. This is volume 3 of a 16-volume series providing comprehensive set of works from a full century of musical theatre in the United States of America. The work in this volume represents Italian opera in English though the works have British origins and strong French influences. This volume discusses various operatic interpretations of the Cinderella story, from its French operatic debut in 1810 to the most famous operas from Perrault and Rossini.
Author: David R. B. Kimbell
Publisher: Cambridge University Press
ISBN: 9780521466431
Category : Music
Languages : en
Pages : 708
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Book Description
David Kimbell traces the history of Italian opera from the Renaissance to the early twentieth century.
Author: Giuseppe Verdi
Publisher: W. W. Norton & Company
ISBN: 9780393008524
Category : Music
Languages : en
Pages : 548
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Book Description
Verdi, like most great opera composers, attached supreme importance to the words he was setting to music.
Author: Giuseppe Verdi
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 80
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Book Description
Author: Richard M. Berrong
Publisher: Excalibur Publishing (NY)
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 340
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Book Description
Finally -- a complete Italian grammar course that addresses the specific needs of singers translating opera librettos, with their archaic forms and poetic syntax! In Grammar and Translation for the Italian Libretto, Professor Berrong guides you through examples from numerous librettos as you build your expertise. Each chapter includes a short vocabulary list and translation exercises to self-test. You will be empowered to speak and understand Italian more masterfully and to translate Italian opera without having to depend on others to do it for you!
Author: Adriana Şerban
Publisher: John Benjamins Publishing Company
ISBN: 9027260788
Category : Language Arts & Disciplines
Languages : en
Pages : 379
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Book Description
This volume covers aspects of opera translation within the Western world and in Asia, as well as some of opera’s many travels between continents, countries, languages and cultures—and also between genres and media. The concept of ‘adaptation’ is a thread running through the sixteen contributions, which encompass a variety of composers, operas, periods and national traditions. Sung translation, libretto translation, surtitling, subtitling are discussed from a range of theoretical and methodological perspectives. Exploration of aspects such as the relationship between language and music, multimodality, intertextuality, cultural and linguistic transfer, multilingualism, humour, identity and stereotype, political ideology, the translator’s voice and the role of the audience is driven by a shared motivation: a love of opera and of the beauty it has never ceased to provide through the centuries, and admiration for the people who write, compose, perform, direct, translate, or otherwise contribute to making the joy of opera a part of our lives.
Author: Raymond Fearn
Publisher: Routledge
ISBN: 113441918X
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
First published in 1988. Italy, the birthplace of opera in the late sixteenth century, has in recent decades seen remarkable and vital musical growth, with composers as diverse as Luciano Berio and Nino Rota, Luigi Nono and Sylvano Bussotti, Giacomo Manzoni, Bruno Maderna and Salvatore Sciarrino. The musical theatre has figured prominently in the work of Italian composers during this period, ranging from operas conceived in a traditional mode to works of a Music Theatre variety, and in style from popular to avant-garde. In this book Raymond Fearn surveys this Italian musico-theatrical phenomenon in the period since the Second World War, examining a wide range of works such as Nono's Intolleranza and Al Gran Sole Carico d'Amore, Berio's Passaggio and Un re in ascolto, Manzoni's Atomtod and La Sentenza and Castiglioni's Oberon and The King's Masque, and places these developments within a cultural and theatrical context
