Author: Richard Brent Turner
Publisher: Indiana University Press
ISBN: 9780253343239
Category : African Americans
Languages : en
Pages : 358
Book Description
The involvement of African Americans with Islam reaches back to the earliest days of the African presence in North America. This book explores these roots in the Middle East, West Africa and antebellum America.
Islam in the African-American Experience
Author: Richard Brent Turner
Publisher: Indiana University Press
ISBN: 9780253343239
Category : African Americans
Languages : en
Pages : 358
Book Description
The involvement of African Americans with Islam reaches back to the earliest days of the African presence in North America. This book explores these roots in the Middle East, West Africa and antebellum America.
Publisher: Indiana University Press
ISBN: 9780253343239
Category : African Americans
Languages : en
Pages : 358
Book Description
The involvement of African Americans with Islam reaches back to the earliest days of the African presence in North America. This book explores these roots in the Middle East, West Africa and antebellum America.
Islam in the African-American Experience, Second Edition
Author: Richard Brent Turner
Publisher: Indiana University Press
ISBN: 9780253216304
Category : Religion
Languages : en
Pages : 356
Book Description
" Sure to become] a classic in the field. Highly recommended." --Library Journal "... full of surprises and intrigues and written in a beautiful style.... a breath of fresh air on the African-Islamic-American connection." --Journal of the American Academy of Religion The involvement of black Americans with Islam reaches back to the earliest days of the African presence in North America. Part I of the book explores these roots in the Middle East, West Africa, and antebellum America. Part II tells the story of the "Prophets of the City"--the leaders of the new urban-based African American Muslim movements in the 20th century. Turner places the study of Islam in the context of the racial, ethical, and political relations that influenced the reception of successive presentations of Islam, including the West African Islam of slaves, the Ahmadiyya Movement from India, the orthodox Sunni practice of later immigrants, and the Nation of Islam. This second edition features a new introduction, which discusses developments since the earlier edition, including Islam in a post-9/11 America.
Publisher: Indiana University Press
ISBN: 9780253216304
Category : Religion
Languages : en
Pages : 356
Book Description
" Sure to become] a classic in the field. Highly recommended." --Library Journal "... full of surprises and intrigues and written in a beautiful style.... a breath of fresh air on the African-Islamic-American connection." --Journal of the American Academy of Religion The involvement of black Americans with Islam reaches back to the earliest days of the African presence in North America. Part I of the book explores these roots in the Middle East, West Africa, and antebellum America. Part II tells the story of the "Prophets of the City"--the leaders of the new urban-based African American Muslim movements in the 20th century. Turner places the study of Islam in the context of the racial, ethical, and political relations that influenced the reception of successive presentations of Islam, including the West African Islam of slaves, the Ahmadiyya Movement from India, the orthodox Sunni practice of later immigrants, and the Nation of Islam. This second edition features a new introduction, which discusses developments since the earlier edition, including Islam in a post-9/11 America.
African American Islam
Author: Aminah Beverly McCloud
Publisher: Psychology Press
ISBN: 9780415907866
Category : Religion
Languages : en
Pages : 224
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780415907866
Category : Religion
Languages : en
Pages : 224
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Islam in the African-American Experience
Author: Richard Brent Turner
Publisher:
ISBN:
Category : History
Languages : en
Pages : 316
Book Description
Malcolm X and, more recently, Louis Farrakhan are two of the more visible signs of Islam's influence in the lives and culture of African Americans. Yet, as Richard Brent Turner shows, the involvement of black American with Islam reaches back to the earliest days of the African presence in North America. Part I of the book explores these roots in the Middle East, West Africa, and antebellum America. Part II tells the story of the 'Prophets of the City'--the leaders of the new urban-based African-American Muslim movements in the twentieth century.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 316
Book Description
Malcolm X and, more recently, Louis Farrakhan are two of the more visible signs of Islam's influence in the lives and culture of African Americans. Yet, as Richard Brent Turner shows, the involvement of black American with Islam reaches back to the earliest days of the African presence in North America. Part I of the book explores these roots in the Middle East, West Africa, and antebellum America. Part II tells the story of the 'Prophets of the City'--the leaders of the new urban-based African-American Muslim movements in the twentieth century.
Black Crescent
Author: Michael A. Gomez
Publisher: Cambridge University Press
ISBN: 9780521840958
Category : History
Languages : en
Pages : 408
Book Description
Beginning with Latin America in the fifteenth century, this book, first published in 2005, is a social history of the experiences of African Muslims and their descendants throughout the Americas, including the Caribbean. The record under slavery is examined, as is the post-slavery period into the twentieth century. The experiences vary, arguably due to some extent to the Old World context. Muslim revolts in Brazil are also discussed, especially in 1835, by way of a nuanced analysis. The second part of the book looks at the emergence of Islam among the African-descended in the United States in the twentieth century, with successive chapters on Noble Drew Ali, Elijah Muhammad, and Malcolm X, with a view to explaining how orthodoxy arose from varied unorthodox roots.
Publisher: Cambridge University Press
ISBN: 9780521840958
Category : History
Languages : en
Pages : 408
Book Description
Beginning with Latin America in the fifteenth century, this book, first published in 2005, is a social history of the experiences of African Muslims and their descendants throughout the Americas, including the Caribbean. The record under slavery is examined, as is the post-slavery period into the twentieth century. The experiences vary, arguably due to some extent to the Old World context. Muslim revolts in Brazil are also discussed, especially in 1835, by way of a nuanced analysis. The second part of the book looks at the emergence of Islam among the African-descended in the United States in the twentieth century, with successive chapters on Noble Drew Ali, Elijah Muhammad, and Malcolm X, with a view to explaining how orthodoxy arose from varied unorthodox roots.
Soundtrack to a Movement
Author: Richard Brent Turner
Publisher: NYU Press
ISBN: 1479800368
Category : Religion
Languages : en
Pages : 323
Book Description
**FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
Publisher: NYU Press
ISBN: 1479800368
Category : Religion
Languages : en
Pages : 323
Book Description
**FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
Black Pilgrimage to Islam
Author: Robert Dannin
Publisher:
ISBN: 9780195300246
Category : Religion
Languages : en
Pages : 372
Book Description
Islam has become an increasingly attractive option for many African-Americans. This book offers an ethnographic study of this phenomenon & asks what attraction the Qur'an has for them & how the Islamic lifestyle accommodates mainstream US values.
Publisher:
ISBN: 9780195300246
Category : Religion
Languages : en
Pages : 372
Book Description
Islam has become an increasingly attractive option for many African-Americans. This book offers an ethnographic study of this phenomenon & asks what attraction the Qur'an has for them & how the Islamic lifestyle accommodates mainstream US values.
Islam in Black America
Author: Edward E. Curtis IV
Publisher: State University of New York Press
ISBN: 0791488594
Category : Religion
Languages : en
Pages : 187
Book Description
Many of the most prominent figures in African-American Islam have been dismissed as Muslim heretics and cultists. Focusing on the works of five of these notable figures—Edward W. Blyden, Noble Drew Ali, Elijah Muhammad, Malcolm X, and Wallace D. Muhammad—author Edward E. Curtis IV examines the origin and development of modern African-American Islamic thought. Curtis notes that intellectual tensions in African-American Islam parallel those of Islam throughout its history—most notably, whether Islam is a religion for a particular group of people or whether it is a religion for all people. In the African-American context, such tensions reflect the struggle for black liberation and the continuing reconstruction of black identity. Ultimately, Curtis argues, the interplay of particular and universal interpretations of the faith can allow African-American Islam a vision that embraces both a specific group of people and all people.
Publisher: State University of New York Press
ISBN: 0791488594
Category : Religion
Languages : en
Pages : 187
Book Description
Many of the most prominent figures in African-American Islam have been dismissed as Muslim heretics and cultists. Focusing on the works of five of these notable figures—Edward W. Blyden, Noble Drew Ali, Elijah Muhammad, Malcolm X, and Wallace D. Muhammad—author Edward E. Curtis IV examines the origin and development of modern African-American Islamic thought. Curtis notes that intellectual tensions in African-American Islam parallel those of Islam throughout its history—most notably, whether Islam is a religion for a particular group of people or whether it is a religion for all people. In the African-American context, such tensions reflect the struggle for black liberation and the continuing reconstruction of black identity. Ultimately, Curtis argues, the interplay of particular and universal interpretations of the faith can allow African-American Islam a vision that embraces both a specific group of people and all people.
Muslim Cool
Author: Su'ad Abdul Khabeer
Publisher: NYU Press
ISBN: 1479894508
Category : Music
Languages : en
Pages : 285
Book Description
Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.
Publisher: NYU Press
ISBN: 1479894508
Category : Music
Languages : en
Pages : 285
Book Description
Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.
Black Mecca
Author: Zain Abdullah
Publisher: Oxford University Press
ISBN: 0199813612
Category : Religion
Languages : en
Pages : 306
Book Description
The changes to U.S. immigration law that were instituted in 1965 have led to an influx of West African immigrants to New York, creating an enclave Harlem residents now call ''Little Africa.'' These immigrants are immediately recognizable as African in their wide-sleeved robes and tasseled hats, but most native-born members of the community are unaware of the crucial role Islam plays in immigrants' lives. Zain Abdullah takes us inside the lives of these new immigrants and shows how they deal with being a double minority in a country where both blacks and Muslims are stigmatized. Dealing with this dual identity, Abdullah discovers, is extraordinarily complex. Some longtime residents embrace these immigrants and see their arrival as an opportunity to reclaim their African heritage, while others see the immigrants as scornful invaders. In turn, African immigrants often take a particularly harsh view of their new neighbors, buying into the worst stereotypes about American-born blacks being lazy and incorrigible. And while there has long been a large Muslim presence in Harlem, and residents often see Islam as a force for social good, African-born Muslims see their Islamic identity disregarded by most of their neighbors. Abdullah weaves together the stories of these African Muslims to paint a fascinating portrait of a community's efforts to carve out space for itself in a new country.
Publisher: Oxford University Press
ISBN: 0199813612
Category : Religion
Languages : en
Pages : 306
Book Description
The changes to U.S. immigration law that were instituted in 1965 have led to an influx of West African immigrants to New York, creating an enclave Harlem residents now call ''Little Africa.'' These immigrants are immediately recognizable as African in their wide-sleeved robes and tasseled hats, but most native-born members of the community are unaware of the crucial role Islam plays in immigrants' lives. Zain Abdullah takes us inside the lives of these new immigrants and shows how they deal with being a double minority in a country where both blacks and Muslims are stigmatized. Dealing with this dual identity, Abdullah discovers, is extraordinarily complex. Some longtime residents embrace these immigrants and see their arrival as an opportunity to reclaim their African heritage, while others see the immigrants as scornful invaders. In turn, African immigrants often take a particularly harsh view of their new neighbors, buying into the worst stereotypes about American-born blacks being lazy and incorrigible. And while there has long been a large Muslim presence in Harlem, and residents often see Islam as a force for social good, African-born Muslims see their Islamic identity disregarded by most of their neighbors. Abdullah weaves together the stories of these African Muslims to paint a fascinating portrait of a community's efforts to carve out space for itself in a new country.