Irishness and Womanhood in Nineteenth-Century British Writing PDF Download
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Author: Thomas Tracy
Publisher: Routledge
ISBN: 1351155261
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
In The Wild Irish Girl, the powerful Irish heroine's marriage to a heroic Englishman symbolizes the Anglo-Irish novelist Lady Morgan's re-imagining of the relationship between Ireland and Britain and between men and women. Using this most influential of pro-union novels as his point of departure, the author argues that nineteenth-century debates over what constitutes British national identity often revolved around representations of Irishness, especially Irish womanhood. He maps out the genealogy of this development, from Edgeworth's Castle Rackrent through Trollope's Irish novels, focusing on the pivotal period from 1806 through the 1870s. The author's model enables him to elaborate the ways in which gender ideals are specifically contested in fiction, the discourses of political debate and social reform, and the popular press, for the purpose of defining not only the place of the Irish in the union with Great Britain, but the nature of Britishness itself.
Author: Thomas Tracy
Publisher: Routledge
ISBN: 1351155261
Category : Literary Criticism
Languages : en
Pages : 205
Get Book Here
Book Description
In The Wild Irish Girl, the powerful Irish heroine's marriage to a heroic Englishman symbolizes the Anglo-Irish novelist Lady Morgan's re-imagining of the relationship between Ireland and Britain and between men and women. Using this most influential of pro-union novels as his point of departure, the author argues that nineteenth-century debates over what constitutes British national identity often revolved around representations of Irishness, especially Irish womanhood. He maps out the genealogy of this development, from Edgeworth's Castle Rackrent through Trollope's Irish novels, focusing on the pivotal period from 1806 through the 1870s. The author's model enables him to elaborate the ways in which gender ideals are specifically contested in fiction, the discourses of political debate and social reform, and the popular press, for the purpose of defining not only the place of the Irish in the union with Great Britain, but the nature of Britishness itself.
Author: John McCourt
Publisher: OUP Oxford
ISBN: 019104590X
Category : Literary Collections
Languages : en
Pages : 326
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Book Description
Writing the Frontier: Anthony Trollope between Britain and Ireland is the first book-length study of the great Victorian novelist's relationship with Ireland, the country which became his second home and was the location of his first personal and professional success. It offers an in-depth exploration of Trollope's time in Ireland as a rising Post Office official, contextualising his considerable output of Irish novels and short stories and his ongoing interest in the country, its people, and its always complicated relationship with Britain. Trollope's Irish novels were long neglected but are vital to any understanding of his entire oeuvre and when given their just place alter our overall view of the writer and his take on the world. Uniquely among his fellow English novelists, Trollope consciously occupied a mediating position, believing he knew Ireland better than any other Englishman and better than most Irishmen and used his novels to represent that Ireland to an English public. Trollope's Irish works constitute a vital and distinct group of works, add significantly to our vision of the writer, change the prevalent view that he is always safe and "English", and represent a rich and underestimated contribution to the canon of the nineteenth century Irish novel tout court, complicating the sometimes arbitrary divisions that are drawn between the English and the Irish traditions.
Author: Ellen McWilliams
Publisher: Springer Nature
ISBN: 1137537884
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
This book examines ideas of Irishness in the writing of Mary McCarthy, Maeve Brennan, Alice McDermott, Alice Munro, Jane Urquhart, and Emma Donoghue. Individual chapters engage in detail with questions central to the social or literary history of Irish women in North America and pay special attention to the following: discourses of Irish femininity in twentieth-century American and Canadian literature; mythologies of Irishness in an American and Canadian context; transatlantic literary exchanges and the influence of canonical Irish writers; and ideas of exile in the work of diasporic women writers.
Author: Patrick R. O'Malley
Publisher: Oxford University Press
ISBN: 0198790414
Category : History
Languages : en
Pages : 282
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Book Description
Patrick R. O'Malley explores two competing modes of political historiography that emerge within Irish literature and culture: one that eludes the unresolved wounds of Ireland's violent history, and one that locates its roots in an account of colonial and specifically sectarian bloodshed and insists upon the moral necessity of naming that history.
Author: James MacDowell
Publisher: Edinburgh University Press
ISBN: 0748680209
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
This wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemp
Author: Graeme Morton
Publisher: Edinburgh University Press
ISBN: 0748685650
Category : History
Languages : en
Pages : 194
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Book Description
A deconstruction of the national biography and mythology of William Wallace. Freed from the historian's bedrock of empiricism by a lack of corroborative sources, the biography of this short-lived late-medieval patriot has long been incorporated into the i
Author: Richard Salmon
Publisher: Routledge
ISBN: 1317045645
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
An intense fascination with the experience of time has long been recognised as a distinctive feature of the writing of William Makepeace Thackeray (1811–1863). This collection of essays, however, represents the first sustained critical examination of Thackeray's 'time consciousness' in all its varied manifestations. Encompassing the full chronological span of the author's career and a wide range of literary forms and genres in which he worked, Thackeray in Time repositions Thackeray's temporal and historical self-consciousness in relation to the broader socio-cultural contexts of Victorian modernity. The first part of the collection focusses on some of the characteristic temporal modes of professional authorship and print culture in the mid-nineteenth century, including periodical journalism and the Christmas book market. Secondly, the volume offers fresh approaches to Thackeray's acknowledged status as a major exponent of historical fiction, reconsidering questions of historiography and the representation of place in such novels as Vanity Fair and Henry Esmond. The final part of the collection develops the central Thackerayan theme of memory within four very different but complementary contexts. Thackeray's absorption by memories of childhood in later life leads on to his own subsequent memorialisation by familial descendants and to the potential of digital technology for preserving and enhancing Thackeray's print archive in the future, and finally to the critical legacy perpetuated by generations of literary scholars since his death.
Author: Claire Connolly
Publisher: Cambridge University Press
ISBN: 1139503227
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.
Author: Deborah Denenholz Morse
Publisher: Routledge
ISBN: 1317044134
Category : Literary Criticism
Languages : en
Pages : 929
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Book Description
Bringing together leading and newly emerging scholars, The Routledge Research Companion to Anthony Trollope offers a comprehensive overview of Trollope scholarship and suggests new directions in Trollope studies. The first volume designed especially for advanced graduate students and scholars, the collection features essays on virtually every topic relevant to Trollope research, including the law, gender, politics, evolution, race, anti-Semitism, biography, philosophy, illustration, aging, sport, emigration, and the global and regional worlds.
Author: Katie Halsey
Publisher: Springer
ISBN: 113757853X
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
This book examines conceptions of authority for and in Shakespeare, and the construction of Shakespeare as literary and cultural authority. The first section, Defining and Redefining Authority, begins by re-defining the concept of Shakespeare’s sources, suggesting that ‘authorities’ and ‘resources’ are more appropriate terms. Building on this conceptual framework, the remainder of this section explores linguistic and discursive authority more broadly. The second section, Shakespearean Authority, considers the construction, performance and questioning of authority in Shakespeare’s plays. Essays here range from examinations of monarchical authority to discussions of household authority, literary authority and linguistic ownership. The final part, Shakespeare as Authority, then traces the increasing establishment of Shakespeare as an authority from the eighteenth to the twenty-first century in a series of essays that explore Shakespearean authority for editors, actors, critics, authors, readers and audiences. The volume concludes with two essays that reassess Shakespeare as an authority for visual culture – in the cinema and in contemporary art.
