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Author: Alfred Perceval Graves
Publisher:
ISBN:
Category : Irish poetry
Languages : en
Pages : 240
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Book Description
Author: Alfred Perceval 1846-1931 Graves
Publisher: Wentworth Press
ISBN: 9781374081499
Category : History
Languages : en
Pages : 256
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Alfred Perceval Graves
Publisher: London : Scribner
ISBN:
Category : English poetry
Languages : en
Pages : 258
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Book Description
Author: Thomas MacDonagh
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 284
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Book Description
Author: Alfred Perceval Graves
Publisher:
ISBN:
Category :
Languages : fr
Pages : 240
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Book Description
Author: Harry White
Publisher: OUP Oxford
ISBN: 0191609439
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.
Author: Harry White
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
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Book Description
Author: Gerard Gillen
Publisher: Irish Musical Studies
ISBN:
Category : History
Languages : en
Pages : 248
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Book Description
Publisher and editors change over the course of the series.
Author: Alfred Perceval Graves
Publisher:
ISBN: 9781331296980
Category : History
Languages : en
Pages : 256
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Book Description
Excerpt from Irish Literary and Musical Studies The Irish Literary and Musical Studies contained in this volume consist of revised versions of lectures delivered from time to time before the Irish Literary Society of London, the Royal Literary Society, the National Literary Society of Dublin, the National Eisteddfod at Carnarvon, the students of Alexandra College, Dublin, and the Belfast Philosophical Society; also of revised versions of articles and reviews in The Contemporary Review ("Celtic Nature Poetry"), The Dublin Review ("Early Irish Religious Poetry" and "The Preternatural in Early Irish Poetry"), The Cornhill Magazine("Tennyson in Ireland" and "James Clarence Mangan"), The Spectator ("The English Spoken in Ireland," "The Religious Songs of Connacht," "An Irish Wonder Book" and "Edward Bunting"), and A Treasury of Irish Literature in the English Tongue ("Sir Samuel Ferguson"), published by Smith, Elder and Co., to whose editors and publishers I gratefully acknowledge permission to republish them. My original verse translations from the Irish contained in the articles on "Celtic Nature Poetry," Early Irish Religious Poetry, and The Preternatural in Early Irish Poetry, and many others, by my own and other hands, will appear in an anthology of English verse renderings of Irish Poetry entitled Harpstrings of the Irish Gael, with some twenty illustrations in colour, Celtic capital letters, and a cover of Celtic design by George Morrow, to be published coincidently with this volume by the Devin-Adair Company of 437, Fifth Avenue, New York. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Áine Mangaoang
Publisher: Routledge
ISBN: 0429811853
Category : Music
Languages : en
Pages : 361
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Book Description
Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.
Author: Dr John O'Flynn
Publisher: Ashgate Publishing, Ltd.
ISBN: 147240968X
Category : Music
Languages : en
Pages : 341
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Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ‘music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ‘Historical Perspectives’, ‘Recent and Contemporary Production’ and ‘Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ‘moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold Bax and Morrissey.
