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Author: Marta-Laura Cenedese
Publisher: Springer Nature
ISBN: 3030442039
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a “meeting of artistic minds” that includesaffective, ethical, and creative encounters between writers, readers, and researchers.
Author: Marta-Laura Cenedese
Publisher: Springer Nature
ISBN: 3030442039
Category : Literary Criticism
Languages : en
Pages : 223
Get Book Here
Book Description
This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a “meeting of artistic minds” that includesaffective, ethical, and creative encounters between writers, readers, and researchers.
Author: Marta-Laura Cenedese
Publisher:
ISBN: 9783030442040
Category :
Languages : en
Pages : 0
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Book Description
This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a "meeting of artistic minds" that includes affective, ethical, and creative encounters between writers, readers, and researchers.
Author: Jonathan M. Weiss
Publisher: Stanford University Press
ISBN: 9780804754811
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
This short critical biography by an expert on contemporary French literature is a fine introduction to the work of Irene Nemirovsky, author of "Suite Fran aise," who died in Auschwitz in 1942.
Author: Marta Laura Cenedese
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Olivier Philipponnat
Publisher: Random House
ISBN: 1409078809
Category : Biography & Autobiography
Languages : en
Pages : 498
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Book Description
Irène Némirovsky's own life was as dramatic as any fiction. Few writers enjoy posthumous success as astonishing as hers after the international triumph of Suite Française. She was born in 1903 in Kiev to a well-off Jewish family. They fled the Russian revolution, eventually settling in France where, with the publication of David Golder in 1929 - delivered to a publisher just before the birth of her first daughter - Irène swiftly became an acclaimed and successful writer. When France fell to the Nazis, Irène and her family took refuge in a small Burgundy village, but in July 1942 she was arrested by the French police and deported to Auschwitz. Irène died a month later, aged only thirty-nine. Her biographers take advantage of access to diaries, unpublished documents and surviving family members to examine Irène's remarkable life, from pogroms in Ukraine to gilded holidays in Biarritz, and her troubled relationship with her vain, difficult mother. The result is a brilliant portrait of an exceptional writer and of a turbulent period of European history.
Author: Irene Nemirovsky
Publisher: Vintage Canada
ISBN: 0307371204
Category : Fiction
Languages : en
Pages : 450
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Book Description
By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity. Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.
Author: Maria Rubins
Publisher: Springer
ISBN: 1137508019
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
This book reassesses the role of Russian Montparnasse writers in the articulation of transnational modernism generated by exile. Examining their production from a comparative perspective, it demonstrates that their response to urban modernity transcended the Russian master narrative and resonated with broader aesthetic trends in interwar Europe.
Author: Lucy Beam Hoffman
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659564239
Category :
Languages : en
Pages : 96
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Book Description
Many critics have maintained that the Jewish Russian writer, Irene Nemirovsky, was an anti-Semite. Writing in the interwar period of the early 20th century, Nemirovsky often used stereotypical Jewish characters in her early writing. As her writing progressed, her subject was often on immigrants and their lifestyle choices in a foreign country. As a Jew, Nemirovsky maintained that she could not be an anti-Semite. What forces in her life influenced her style of writing and was she against her own ethnicity? How did her formative relationships affect her style of writing? What was happening in France and Europe during this era to encourage Nemirovsky to write with such complexity? Nemirovsky's seminal relationships were influential in her lack of connection to her Jewish roots. Moreover, growing anti-Semitism in Europe affected her ambiguous beliefs. Finally, her style of writing fit smoothly into the emerging style of modernism, which offered a reflection of life in opposition to the previous romantic styles; writers left behind the romantic writing of the earlier era and began to include life with all its ugliness. Nemirovsky was a combination of her upbringing.
Author: Angela Kershaw
Publisher: Routledge
ISBN: 1135254826
Category : Literary Collections
Languages : en
Pages : 242
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Book Description
Kershaw analyses Irene Némirovsky’s literary production in its relationship to the literary and cultural context of the inter-war period in France, exploring the cultural exchange between France and Russia and the political implications of Némirovsky’s fiction--particularly the enthusiastic reception of her work in far-right anti-Semitic journals.
Author: Elisabeth Gille
Publisher: New York Review of Books
ISBN: 1590174445
Category : Fiction
Languages : en
Pages : 257
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Book Description
A New York Review Books Original Separated from her mother—the famed author of Suite Française—during World War II, Irène Némirovsky’s daughter offers a “nuanced, eloquent portrait of a complicated woman” in a series of memoirs that reimagine her mother’s life (The Washington Post) Élisabeth Gille was only five when the Gestapo arrested her mother, and she grew up remembering next to nothing of her. Her mother was a figure, a name, Irène Némirovsky, a once popular novelist, a Russian émigré from an immensely rich family, a Jew who didn’t consider herself one and who even contributed to collaborationist periodicals, and a woman who died in Auschwitz because she was a Jew. To her daughter she was a tragic enigma and a stranger. It was to come to terms with that stranger that Gille wrote, in The Mirador, her mother’s memoirs. The first part of the book, dated 1929, the year David Golder made Némirovsky famous, takes us back to her difficult childhood in Kiev and St. Petersburg. Her father is doting, her mother a beautiful monster, while Irene herself is bookish and self-absorbed. There are pogroms and riots, parties and excursions, then revolution, from which the family flees to France, a country of “moderation, freedom, and generosity,” where at last she is happy. Some thirteen years later Irène picks up her pen again. Everything has changed. Abandoned by friends and colleagues, she lives in the countryside and waits for the knock on the door. Written a decade before the publication of Suite Française made Irène Némirovsky famous once more (something Gille did not live to see), The Mirador is a haunted and a haunting book, an unflinching reckoning with the tragic past, and a triumph not only of the imagination but of love.
