Inventing the Romantic Don Quixote in France PDF Download
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Author: Clark Colahan
Publisher: Taylor & Francis
ISBN: 1000864278
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Cervantes’ now mythical character of Don Quixote began as a far different figure than the altruistic righter of wrongs we know today. The transformation from mad highway robber to secular saint took place in the Romantic Era, but how and where it began has just begun to be understood. Germany and England played major roles, but, contrary to earlier literary historians, Pascal, Racine, Rousseau and the Jansenists scooped Henry and Sarah Fielding. Jansenism, a persecuted puritanical and intellectual movement linked to Pascal, identified itself with Don Quixote’s virtues, excused his vices, and wrote a game-changing sequel mediated by the transformative powers of a sorcerer from Commedia dell’Arte. As an early Romantic, Rousseau was attracted to the hero’s fertile imagination and tender love for Dulcinea, foregrounding the would-be knight’s quest in a play and his best-selling novel, Julie. Sarah Fielding reacted similarly, basing her utopian novel David Simple on the Jansenist concept of quixotic trust in others. Colahan here reproduces and explains for the first time the extremely rare original illustrations of the French sequel to Cervantes’ novel, and documents the fortunes in French culture of the magician at the heart of the Romantic Quixote.
Author: Clark Colahan
Publisher: Taylor & Francis
ISBN: 1000864278
Category : Literary Criticism
Languages : en
Pages : 243
Get Book Here
Book Description
Cervantes’ now mythical character of Don Quixote began as a far different figure than the altruistic righter of wrongs we know today. The transformation from mad highway robber to secular saint took place in the Romantic Era, but how and where it began has just begun to be understood. Germany and England played major roles, but, contrary to earlier literary historians, Pascal, Racine, Rousseau and the Jansenists scooped Henry and Sarah Fielding. Jansenism, a persecuted puritanical and intellectual movement linked to Pascal, identified itself with Don Quixote’s virtues, excused his vices, and wrote a game-changing sequel mediated by the transformative powers of a sorcerer from Commedia dell’Arte. As an early Romantic, Rousseau was attracted to the hero’s fertile imagination and tender love for Dulcinea, foregrounding the would-be knight’s quest in a play and his best-selling novel, Julie. Sarah Fielding reacted similarly, basing her utopian novel David Simple on the Jansenist concept of quixotic trust in others. Colahan here reproduces and explains for the first time the extremely rare original illustrations of the French sequel to Cervantes’ novel, and documents the fortunes in French culture of the magician at the heart of the Romantic Quixote.
Author: William Franke
Publisher: Taylor & Francis
ISBN: 1040089348
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage.
Author: Roberto González Echevarría
Publisher: Yale University Press
ISBN: 0300198647
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
The novel Don Quixote, written in the late sixteenth and early seventeenth century by Miguel de Cervantes Saavedra, is widely considered to be one of the greatest fictional works in the entire canon of Western literature. At once farcical and deeply philosophical, Cervantes' novel and its characters have become integrated into the cultures of the Western Hemisphere, influencing language and modern thought while inspiring art and artists such as Richard Strauss and Pablo Picasso. Based on Professor Roberto González Echevarría's popular open course at Yale University, this essential guide to the enduring Spanish classic facilitates a close reading of Don Quixote in the artistic and historical context of renaissance and baroque Spain while exploring why Cervantes' masterwork is still widely read and relevant today. González Echevarría addresses the novel's major themes and demonstrates how the story of an aging, deluded would-be knight-errant embodies that most modern of predicaments: the individual's dissatisfaction with the world in which he lives, and his struggle to make that world mesh with his desires.
Author: Saul Bellow
Publisher: Turtleback Books
ISBN: 9780613172745
Category : Genealogy
Languages : en
Pages : 0
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Book Description
A middle-age American millionaire goes to Africa in search of a more meaningful life and receives the adoration of an African tribe that believes he has a gift for rainmaking
Author: Luca Vercelloni
Publisher: Routledge
ISBN: 1000183572
Category : Social Science
Languages : en
Pages : 219
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Book Description
The Invention of Taste provides a detailed overview of the development of taste, from ancient times to the present. At the heart of the book is an intriguing question: why did the sensory attribute of human taste become a social metaphor and aesthetic value for judging cultural qualities of art, fashion, cuisine and other social constructions? Unique amongst the senses, taste is at once a biologically derived sense, private, personal and individual, yet also a sensibility which can be acquired, shared, and communicated. Exploring the many factors that defined the evolution of taste – from medieval morals and medicine to social and cultural philosophy, the rise of aesthetics, birth of fashion, branding trends, and luxury worship in the age of mass consumption – Luca Vercelloni’s ambitious text provides readers with an outstanding introduction to the subject, making it the cultural history of taste.Now available for the first time in English, Taste features a new final chapter and a preface by series editor David Howes. Rich in detail and examples, this interdisciplinary work is an important read for students and researchers in sensory studies, philosophy, sociology and cultural studies, as well as gastronomy, fashion, design, and branding.
Author: Edmund Gordon
Publisher: Oxford University Press
ISBN: 0190626844
Category : Biography & Autobiography
Languages : en
Pages : 561
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Book Description
The much-anticipated biography of one of the most beguiling and influential writers of the twentieth-century. With unprecedented access to its subject's personal records and informed by fresh, unvarnished anecdotes from family, friends, and colleagues, Edmund Gordon's biography provides the first full account of Angela Carter's amazing life and enduring work.
Author: McClurg, Firm, Booksellers, Chicago
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
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Book Description
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Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 824
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Book Description
Author: Velma Bourgeois Richmond
Publisher: McFarland
ISBN: 147663243X
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Cervantes is regarded as the author of the first novel and the inventor of fiction. From its publication in 1605, Don Quixote--recently named the world's best book by authors from 54 countries--has been widely translated and imitated. Among its less acknowledged imitations are stories in children's literature. In context of English adaptation and critical response this book explores the noble and "mad" adventures retold for children by distinguished writers and artists in Edwardian books, collections, home libraries, schoolbooks and picture books. More recent adaptations including comics and graphic novels deviate from traditional retellings. All speak to the knight-errant's lasting influence and appeal to children.
Author: Steven Moore
Publisher: Bloomsbury Publishing USA
ISBN: 1623565197
Category : Literary Criticism
Languages : en
Pages : 1025
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Book Description
Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).
