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Author: Kyle A. Hammonds
Publisher: Rowman & Littlefield
ISBN: 1666930873
Category : Social Science
Languages : en
Pages : 243
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Book Description
Interpreting and Transmitting Kynicism in Joker: The Dark Side of Film Fandom focuses on fan discourse and discussion surrounding Todd Phillips’s Joker (2019), analyzing how white nationalist movie fans code racist, sexist, ableist, and otherwise marginalizing logics into seemingly innocuous speech. Kyle A. Hammonds posits that, by arguing that their communication is “just their interpretation” of a movie, rather than explicitly political speech, white nationalists can communicate bigoted, extremist rhetoric under the pretext of good-faith film criticism. Hammonds leverages hermeneutic traditions often overlooked in communication and fan studies research to argue that interpretation is the key element of fan communication processes in struggles for authority over the meaning of texts—and that fan communities have a civic duty to identify and delegitimize exclusionary interpretations of pop culture in their fandom.
Author: Kyle A. Hammonds
Publisher: Rowman & Littlefield
ISBN: 1666930873
Category : Social Science
Languages : en
Pages : 243
Get Book Here
Book Description
Interpreting and Transmitting Kynicism in Joker: The Dark Side of Film Fandom focuses on fan discourse and discussion surrounding Todd Phillips’s Joker (2019), analyzing how white nationalist movie fans code racist, sexist, ableist, and otherwise marginalizing logics into seemingly innocuous speech. Kyle A. Hammonds posits that, by arguing that their communication is “just their interpretation” of a movie, rather than explicitly political speech, white nationalists can communicate bigoted, extremist rhetoric under the pretext of good-faith film criticism. Hammonds leverages hermeneutic traditions often overlooked in communication and fan studies research to argue that interpretation is the key element of fan communication processes in struggles for authority over the meaning of texts—and that fan communities have a civic duty to identify and delegitimize exclusionary interpretations of pop culture in their fandom.
Author: Kyle A. Hammonds
Publisher:
ISBN: 9781666930863
Category : Art
Languages : en
Pages : 0
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Book Description
This book focuses on fan discourse and discussion surrounding Todd Phillips's Joker (2019), analyzing how far-right ideologues covertly propagate bigoted, extremist rhetoric under the pretext of offering film criticism.
Author: Mark Naumovich Lipovet͡skiĭ
Publisher: Cultural Revolutions: Russia i
ISBN: 9781934843451
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Through an analysis of the representation of tricksters in soviet and post-soviet culture, Lipovetsky attempts to draw a virtual map of cynical reason: to identify its symbols, discourses, contradictions, and by these means, its historical development from the 1920s to the 2000s.
Author: YYZ (Gallery)
Publisher: Pleasure Dome
ISBN:
Category : Experimental films
Languages : en
Pages : 384
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Book Description
Become immersed in the most innovative and vital in recent Canadian and international experimental film and video. Using the exhibition history of the Toronto screening group Pleasure Dome as a starting point to survey the work of independent film and videomakers during the 1990s, Lux delves into the work of these experimental artists with unprecedented depth and insight. The result is an anthology that provides an extensive overview of the period and also zooms in on the specific themes, oeuvres, styles and individual works that characterize the decade.
Author: Angelique Haugerud
Publisher: Stanford University Press
ISBN: 0804786313
Category : Social Science
Languages : en
Pages : 289
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Book Description
Growing economic inequality, corporate influence in politics, an eroding middle class. Many Americans leave it to politicians and the media to debate these topics in the public sphere. Yet other seemingly ordinary Americans have decided to enter the conversation of wealth in America by donning ball gowns, tiaras, tuxedos, and top hats and taking on the imagined roles of wealthy, powerful, and completely fictional characters. Why? In No Billionaire Left Behind, Angelique Haugerud, who embedded herself within the "Billionaires" and was granted the name "Ivana Itall," explores the inner workings of these faux billionaires and mines the depths of democracy's relationship to political humor, satire, and irony. No Billionaire Left Behind is a compelling investigation into how satirical activists tackle two of the most contentious topics in contemporary American political culture: the increasingly profound division of wealth in America, and the role of big money in electoral politics. Anthropologist and author Angelique Haugerud deftly charts the evolution of a group named the Billionaires—a prominent network of satirists and activists who make a mockery of wealth in America—along with other satirical groups and figures to puzzle out their impact on politics and public opinion. In the spirit of popular programs like The Colbert Report and The Daily Show, the Billionaires demonstrate a sophisticated knowledge of economics and public affairs through the lens of satire and humor. Through participant observation, interviews, and archival research, Haugerud provides the first ethnographic study of the power and limitations of this evolving form of political organizing in this witty exploration of one group's efforts to raise hope and inspire action in America's current political climate.
Author: Luca Bandirali
Publisher: Rowman & Littlefield
ISBN: 1498597572
Category : Philosophy
Languages : en
Pages : 135
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Book Description
What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.
Author: Simon Critchley
Publisher: Hayward Gallery Publishing
ISBN: 9781853322662
Category : Anecdotes
Languages : en
Pages : 0
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Book Description
Text by Mami Kataoka, Simon Critchley.
Author: Mark Wheeler
Publisher: Rowman & Littlefield
ISBN: 1498596134
Category : Political Science
Languages : en
Pages : 193
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Book Description
William Friedkin’s film Sorcerer (1977) has been subject to a major re-evaluation in the last decade. A dark re-imagining of the French Director H.G. Clouzot’s Le Salaire de la Peur (The Wages of Fear) (1953) (based on George Arnaud’s novel); the film was a major critical and commercial failure on its initial release. Friedkin’s work was castigated as an example of directorial hubris as it was a notoriously difficult production which went wildly over-budget. It was viewed at the time as th end of New Hollywood. However, within recent years, the film has emerged in the popular and scholarly consciousness from enjoying a minor, cult status to becoming subject to a full-blown critical reconsideration in which it has been praised a major work by a key American filmmaker.
Author: The Colonial Williamsburg Foundation
Publisher: Rowman & Littlefield
ISBN: 1493044524
Category : Photography
Languages : en
Pages : 193
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Book Description
“Christmas is come, hang on the pot, Let spits turn round, and ovens be hot; Beef, pork, and poultry, now provide, To feast thy neighbours at this tide; Then wash all down with good wine and beer, And so with mirth conclude the YEAR.” So wrote an anonymous poet in the 1765 edition of the Virginia Almanack, published in Williamsburg. Drawing on eighteenth-century traditions, Colonial Williamsburg has become famous for its celebrations of the Christmas season. In Colonial Williamsburg’s Historic Area—and in the pages of this lavishly illustrated book—you’ll find wreaths and roping crafted from greenery, fruit, and other natural materials; boards groaning under the weight of holiday fare; cressets warming the streets and candles flickering in the windows of the town’s homes and taverns; fireworks lighting up such iconic buildings as the Capitol and the Governor’s Palace. In colonial times and today, Christmas in Williamsburg not a day but a season—and one this book lets you experience throughout the year.
Author: Maria Borges
Publisher: Bloomsbury Publishing
ISBN: 1350078387
Category : Philosophy
Languages : en
Pages : 221
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Book Description
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Though Kant never used the word 'emotion' in his writings, it is of vital significance to understanding his philosophy. This book offers a captivating argument for reading Kant considering the importance of emotion, taking into account its many manifestations in his work including affect and passion. Emotion, Reason, and Action in Kant explores how, in Kant's world view, our actions are informed, contextualized and dependent on the tension between emotion and reason. On the one hand, there are positive moral emotions that can and should be cultivated. On the other hand, affects and passions are considered illnesses of the mind, in that they lead to the weakness of the will, in the case of affects, and evil, in the case of passions. Seeing the role of these emotions enriches our understanding of Kant's moral theory. Exploring the full range of negative and positive emotions in Kant's work, including anger, compassion and sympathy, as well as moral feeling, Borges shows how Kant's theory of emotion includes both physiological and cognitive aspects. This is an important new contribution to Kant Studies, suitable for students of Kant, ethics, and moral psychology.
