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Author: Myunghwa Jang
Publisher: GRIN Verlag
ISBN: 3656150745
Category : Music
Languages : en
Pages : 29
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Book Description
Research Paper (undergraduate) from the year 2012 in the subject Musicology, The University of Malaya, language: English, abstract: In the world of music, Claude Debussy became the foremost composer of the new musical impressionism. His aim was to express "the inexpressible," in a manner that would ultimately reinvent music drama as "drama in music." Through his only completed opera, Pelléas et Mélisande, Debussy created a new technique designed to "convey the état d'âme of the characters and the maze of unconscious conflicts between them." Debussy chose to set the poetry of Materlinck's drama, Pelléas et Mélisande, possibly because of the importance of nature within the drama, a quality that appealed to both artists' impressionist in expressing the changing aspects of nature, especially of light. Debussy began composition on the work in August 1893, starting with the climactic love scene in the fourth act. Throughout the process of composition, Debussy worked to create a new original technique away from the prevailing contemporary German and Italian style, although he found it difficult to fight the influence of Wagner. The general subdued character of Debussy's score is evident due to its subtlety, restraint, and understatement, resulting from his radically revised approach to text-setting and employment of the orchestra. The use of aria and recitative in their conventional forms is abandoned. Debussy's vocal line carries the text in long, soft declamation that sets one syllable to one note.
Author: Myunghwa Jang
Publisher: GRIN Verlag
ISBN: 3656150745
Category : Music
Languages : en
Pages : 29
Get Book Here
Book Description
Research Paper (undergraduate) from the year 2012 in the subject Musicology, The University of Malaya, language: English, abstract: In the world of music, Claude Debussy became the foremost composer of the new musical impressionism. His aim was to express "the inexpressible," in a manner that would ultimately reinvent music drama as "drama in music." Through his only completed opera, Pelléas et Mélisande, Debussy created a new technique designed to "convey the état d'âme of the characters and the maze of unconscious conflicts between them." Debussy chose to set the poetry of Materlinck's drama, Pelléas et Mélisande, possibly because of the importance of nature within the drama, a quality that appealed to both artists' impressionist in expressing the changing aspects of nature, especially of light. Debussy began composition on the work in August 1893, starting with the climactic love scene in the fourth act. Throughout the process of composition, Debussy worked to create a new original technique away from the prevailing contemporary German and Italian style, although he found it difficult to fight the influence of Wagner. The general subdued character of Debussy's score is evident due to its subtlety, restraint, and understatement, resulting from his radically revised approach to text-setting and employment of the orchestra. The use of aria and recitative in their conventional forms is abandoned. Debussy's vocal line carries the text in long, soft declamation that sets one syllable to one note.
Author: Lawrence Gilman
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 65
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Book Description
DigiCat Publishing presents to you this special edition of "Debussy's Pelléas et Mélisande" (A Guide to the Opera with Musical Examples from the Score) by Lawrence Gilman. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Maurice Maeterlinck
Publisher: New York : Barse & Hopkins, [19--]
ISBN:
Category : Drama
Languages : en
Pages : 238
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Book Description
Author: Lawrence Gilman
Publisher: Nabu Press
ISBN: 9781293730997
Category :
Languages : en
Pages : 104
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Debussy's Pelleas Et Melisande, A Guide To The Opera: With Musical Examples From The Score Lawrence Gilman G. Schirmer, 1907 Music; Genres & Styles; Classical; History / General; Music / Genres & Styles / Classical
Author: Roger Nichols
Publisher: Cambridge University Press
ISBN: 9780521314466
Category : Music
Languages : en
Pages : 224
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Book Description
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.
Author: Lawrence Gilman
Publisher: Nabu Press
ISBN: 9781295791057
Category :
Languages : en
Pages : 104
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: David A. Grayson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
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Book Description
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 0976103591
Category :
Languages : en
Pages : 25
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Book Description
A comprehensive guide featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a complete newly translated Libretto with foreign language and english side-by-side, an in depth Commentary and Analysis, selected Discogaphy and Videography, and a Dictionary of Opera and Musical Terms.
Author: Lawrence Gilman
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
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Book Description
With the production at Paris in the spring of 1902 of Claude Debussy's Pelléas et Mélisande, based on the play of Maeterlinck, the history of music turned a new and surprising page. "It is necessary," declared an acute French critic, M. Jean Marnold, writing shortly after the event, "to go back perhaps to Tristan to find in the opera house an event so important in certain respects for the evolution of musical art." The assertion strikes one to-day, five years after, as, if anything, over-cautious. Pelléas et Mélisande exhibited not simply a new manner of writing opera, but a new kind of music--a new way of evolving and combining tones, a new order of harmonic, melodic and rhythmic structure.
Author: Maurice Maeterlinck
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 79
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Book Description
This is a book based on Maurice Polydore's play. From 1932, Marie Bernard Maeterlinck was known as Count Maeterlinck. He was a Fleming-born Belgian dramatist, poet, and writer who wrote in French. Charles Alfred Byrne has translated this work. The narrative begins when Golaud discovers Mélisande on the side of a wooded river. He had lost his crown in the ocean but refused to retrieve it. They married, and he soon gained the heart of Arkl, Golaud's grandpa and sick King of Allemonde. He becomes interested in Pelleas, Golaud's brother. They came together by the fountain, where Mélisande had misplaced her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and tracks them down when they are petting, where he murders Pelléas and injures Mélisande. She died later after giving birth to an odd baby girl.
