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Author: PEMBERTON JOHN
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
This volume, which grew from a 1996 symposium at Amherst College in Massachusetts, focuses on the rituals and associated objects of divination in central and western Africa, with consideration of three over-riding themes: the study of the rituals themselves; the nature and use of the objects, both as instruments and works of art; and methodological issues of cross-cultural inquiry. The 14 well- illustrated essays are by curators and professors of African art, and professors of anthropology, philosophy, and ethnic studies. The editor is professor of religious studies at Amherst. Annotation copyrighted by Book News Inc., Portland, OR
Author: PEMBERTON JOHN
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
This volume, which grew from a 1996 symposium at Amherst College in Massachusetts, focuses on the rituals and associated objects of divination in central and western Africa, with consideration of three over-riding themes: the study of the rituals themselves; the nature and use of the objects, both as instruments and works of art; and methodological issues of cross-cultural inquiry. The 14 well- illustrated essays are by curators and professors of African art, and professors of anthropology, philosophy, and ethnic studies. The editor is professor of religious studies at Amherst. Annotation copyrighted by Book News Inc., Portland, OR
![African Studies Association Annual Meeting. [Program] PDF](https://books.google.com/books/content/images/frontcover/b5QtAQAAIAAJ?fife=w80-h100)
Author: African Studies Association
Publisher: African Studies Association
ISBN:
Category :
Languages : en
Pages : 92
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Author: Christopher B. Donnan
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1950446026
Category : Crafts & Hobbies
Languages : en
Pages : 208
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Book Description
Moche civilization flourished on the north coast of Peru from AD 200 to 800. Although the Moche had no writing system, they left a vivid artistic record of their beliefs and activities on intricately painted ceramic vessels, several thousand of which are scattered in museums and private collections throughout the world today. Unfortunately, nearly all were looted by grave robbers so their origin and context are unknown. In recent years, however, through a combination of archaeological excavation and stylistic analysis, it has been possible to identify more than 250 painted vessels from the site of San Jose de Moro. To date, this is the largest sample of Moche art from a single place and time. Thus it provides a unique opportunity to identify a distinct sub-style of Moche ceramics, and to assess its range of artistic and technological variation. Moreover, within the sample it is possible to identify multiple paintings by 18 different artists, thus elucidating the range of subject matter that an artist would paint, as well as the variation in the way he would portray the same scene. By discussing and illustrating more than 200 painted vessels from San Jose de Moro, this volume provides insights about a community of ancient Peruvian potters who shared a distinctive painting style and left a fascinating record of their achievement.
Author:
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 780
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Author:
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 146
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Author: Andrew W.M. Smith
Publisher: UCL Press
ISBN: 1911307738
Category : History
Languages : en
Pages : 254
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Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power. Praise for Britain, France and the Decolonization of Africa '…this ambitious volume represents a significant step forward for the field. As is often the case with rich and stimulating work, the volume gestures towards more themes than I have space to properly address in this review. These include shifting terrains of temporality, spatial Scales, and state sovereignty, which together raise important questions about the relationship between decolonization and globalization. By bringing all of these crucial issues into the same frame,Britain, France and the Decolonization of Africa is sure to inspire new thought-provoking research.' - H-France vol. 17, issue 205
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
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Publisher:
ISBN:
Category : Power resources
Languages : en
Pages : 1200
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Author: Bonnie Effros
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770617
Category : Political Science
Languages : en
Pages : 501
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Book Description
This volume addresses the entanglement between archaeology, imperialism, colonialism, capitalism, and war. Popular sentiment in the West has tended to embrace the adventure rather than ponder the legacy of archaeological explorers; allegations by imperial powers of "discovering" archaeological sites or "saving" world heritage from neglect or destruction have often provided the pretext for expanding political influence. Consequently, citizens have often fallen victim to the imperial war machine, seeing their lands confiscated, their artifacts looted, and the ancient remains in their midst commercialized. Spanning the globe with case studies from East Asia, Siberia, Australia, North and South America, Europe, and Africa, sixteen contributions written by archaeologists, art historians, and historians from four continents offer unusual breadth and depth in the assessment of various claims to patrimonial heritage, contextualized by the imperial and colonial ventures of the last two centuries and their postcolonial legacy.
Author: Telkom (Firm : South Africa)
Publisher:
ISBN:
Category : Johannesburg (South Africa)
Languages : en
Pages : 1070
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