Innovation and Experience in the Early Baroque in the Southern Netherlands PDF Download
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Author: Piet Lombaerde
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 270
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Book Description
During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context."
Author: Piet Lombaerde
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 270
Get Book Here
Book Description
During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context."
Author: Ad J. Meskens
Publisher: BRILL
ISBN: 9004447903
Category : Education
Languages : en
Pages : 307
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Book Description
This book offers an analysis of the ground breaking mathematical work of Gregorio a San Vicente and his student and shows that the Flemish Jesuit Mathematics School had profound influence on mathematics in the seventeenth century.
Author: Piet Lombaerde
Publisher: ASP / VUBPRESS / UPA
ISBN: 9054875828
Category : Architecture
Languages : en
Pages : 93
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Book Description
ADS is currently in its tenth year and preparing to publish its 20th issue. This jubilee issue is wholly devoted to the doctorates being awarded to young researchers and professors associated with the Faculty Association of Design Sciences at the University College of Antwerp. It comprises a wide range of topics, all embedded in the specific study programmes of the various fields associated with the Faculty Association of Design Sciences (University College of Antwerp). --Book Jacket.
Author: Piet Lombaerde
Publisher: ASP / VUBPRESS / UPA
ISBN: 9054876301
Category : Architecture
Languages : en
Pages : 369
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Book Description
This book is published on the occasion of the emeritus status awarded to Professor Richard Foque, ir. arch, MSc. His successful career as founder and partner of an architect firm, professor in design theory and Head of the Department of Design Science has provided opportunities to meet colleagues both at home and abroad. --
Author:
Publisher: BRILL
ISBN: 9004361499
Category : History
Languages : en
Pages : 387
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Book Description
Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History. Contributors: Nadia Baadj, Piers Baker-Bates, Elena Calvillo, Ana Gonsalez Mozo, Anna Kim, Helen Langdon, Johanna Beate Lohff, Judith Mann, Christopher Nygren, Suzanne Wegmann, and Giulia Martina Weston.
Author: Markus Friedrich
Publisher: Princeton University Press
ISBN: 0691180121
Category : History
Languages : en
Pages : 872
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Book Description
"Since its founding by Ignatius of Loyola in 1540, the Society of Jesus ("The Jesuits") has been intimately involved in the unfolding of the modern world. The young Jesuit order played a crucial role in the Counter Reformation, especially in Poland, southern Germany, and several other parts of Europe. The Jesuits were also participants in the establishment and spread of European empires, engaging in missionary activity in east and south Asia in the 16th and 17th centuries, and becoming central to the spreading of Christianity in the New World. At the same time, Jesuits often tangled with the Roman curia and the Pope, leading to the suppression of the Jesuits in 1773. After the subsequent restoration of the order in 1814, the Jesuits continued to be leaders in Catholic education and theology. In 2013 Jorge Bergoglio became the first Jesuit Pope, taking the name Pope Francis I. In this book, Markus Friedrich presents the first comprehensive account of the Jesuits from a non-Catholic perspective. Drawing on his expertise as a historian of the early modern world, Friedrich situates the Jesuit order within the wider perspective of European history. In particular, he places the Jesuits in the context of social, cultural, and imperial history, showing that the Jesuits were not monolithic but rather were very sensitive to local context and that the order's core texts, especially Ignatius's Spiritual Exercises, were templates to engage with, rather than instructions manuals to be followed slavishly"--
Author: Bert De Munck
Publisher: Routledge
ISBN: 0429808437
Category : History
Languages : en
Pages : 416
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Book Description
Knowledge and the Early Modern City uses case studies from the sixteenth to the eighteenth centuries to examine the relationships between knowledge and the city and how these changed in a period when the nature and conception of both was drastically transformed. Both knowledge formation and the European city were increasingly caught up in broader institutional structures and regional and global networks of trade and exchange during the early modern period. Moreover, new ideas about the relationship between nature and the transcendent, as well as technological transformations, impacted upon both considerably. This book addresses the entanglement between knowledge production and the early modern urban environment while incorporating approaches to the city and knowledge in which both are seen as emerging from hybrid networks in which human and non-human elements continually interact and acquire meaning. It highlights how new forms of knowledge and new conceptions of the urban co-emerged in highly contingent practices, shedding a new light on present-day ideas about the impact of cities on knowledge production and innovation. Providing the ideal starting point for those seeking to understand the role of urban institutions, actors and spaces in the production of knowledge and the development of the so-called ‘modern’ knowledge society, this is the perfect resource for students and scholars of early modern history and knowledge.
Author: Hentie Louw
Publisher: Cambridge Scholars Publishing
ISBN: 1036402487
Category : Architecture
Languages : en
Pages : 620
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Book Description
This book explores the transformation of the window during the Early Modern Period in Europe. Following the Italian Renaissance, new stylistic norms for modern ‘classical windows’ had to be invented. Building a new classical repertoire drew on existing traditions in fenestration as local builders throughout Europe struggled with the constraints of varying climatic conditions, customs and physical resources in pursuit of a broader vision of an international classical revival. With the Renaissance, the architectural emphasis shifted towards secular design and, as the classical revival gained momentum, a quest for a cultured lifestyle commensurate with the new architecture increased demand for sophisticated fenestration systems in civil architecture. The movement coincided with a period of dramatic climate change, the so-called Little Ice Age (c. 1450 – c.1850), adding urgency to the campaign for transforming fenestration practice. By the late seventeenth century, Northern European builders had developed appropriate indigenous ‘classical’ window forms for their respective societies – functional products sophisticated enough to form the basis of new architectural styles: northern classical traditions that rivalled (and in some respects, surpassed) those created in Italy. Their achievement was embodied in the two flagships of the movement: the Franco-Italian folding casement (the ‘French window’), and the English mechanical sliding window (the ‘sash window’).
![The [Oxford] Handbook of the Jesuits PDF](https://books.google.com/books/content/images/frontcover/dguXDwAAQBAJ?fife=w80-h100)
Author: Ines G. Zupanov
Publisher: Oxford University Press
ISBN: 0190924985
Category :
Languages : en
Pages :
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Book Description
Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.
Author: MiaM. Mochizuki
Publisher: Routledge
ISBN: 1351541994
Category : Art
Languages : en
Pages : 424
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Book Description
Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this
