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Author: Adrian Rifkin
Publisher: Routledge
ISBN: 1134918720
Category : Art
Languages : en
Pages : 176
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Book Description
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.
Author: Adrian Rifkin
Publisher: Routledge
ISBN: 1134918720
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.
Author: Sarah E. Betzer
Publisher: University of Pennsylvania Press
ISBN: 9780271048758
Category : Portrait painting
Languages : en
Pages : 332
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Book Description
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
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Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author:
Publisher: Penn State Press
ISBN: 9780271047584
Category : Art
Languages : en
Pages : 314
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Book Description
In an unprecedented collaboration, two scholars investigate these masterpieces in their broad cultural context. This book is an illustrated, extensively documented, analytical tour de force.
![Ingres, 1780-1867 [par] Francis Jourdain PDF](https://books.google.com/books/content/images/frontcover/QgOCvAEACAAJ?fife=w80-h100)
Author: Jean-Auguste-Dominique Ingres
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455791
Category : History
Languages : en
Pages : 1303
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Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Author: Carol Ockman
Publisher:
ISBN: 9780300059618
Category : Art
Languages : en
Pages : 178
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Book Description
This provocative book - the first full-length feminist and sociohistorical study of Ingres's art - explores the meanings behind the fluid, distorted, and sensualized bodies that populate these works. Carol Ockman traces the shift in late eighteenth-century French art from the neoclassical representation of the heroic male to the sensualized, homoerotic male nude to the nineteenth-century emphasis on the female nude. She then explores the problems posed by the increasing identification of the sensual with the female body, demonstrating that both neoclassicism and modernism sanction an ideal that conjoins the sensual and feminine with the deformed and bestial.
Author: Jay McKean Fisher
Publisher: Pennsylvania State University Press
ISBN: 0271026820
Category : Art
Languages : en
Pages : 389
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Book Description
Rarely seen drawings and watercolors by some of the most influential French artists of the nineteenth century are the subject of this richly illustrated publication from The Baltimore Museum of Art and the Walters Art Museum. From revealing preparatory sketches to exquisite finished watercolors, more than 100 works by artists such as Eugene Delacroix, Honore Daumier, Paul Cezanne, and Edgar Degas illuminate the range of French art over the course of a century of innovation. The BMA and the Walters have combined holdings of more than 900 French drawings from the nineteenth century, one of the nation's strongest and richest collections of French art from this period. The publication also includes works from the Peabody Institute Art Collection of the Maryland State Archives. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The catalogue includes essays by Jay McKean Fisher, William R. Johnston, and Cheryl K. Snay that provide insights into the artistic, commercial, and social functions that drawings served for their creators and collectors, as well as how collecting patterns influenced the development of modernism. Conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes in technique as well as style. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and the Walters Art Museum, this book presents a panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online database of more than 900 nineteenth-century French drawings in the holdings of these Baltimore museums.
Author: Jean-Auguste-Dominique Ingres
Publisher: Forgotten Books
ISBN: 9781396644856
Category : Art
Languages : en
Pages : 144
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Book Description
Excerpt from Ingres Most of the pictures executed after he had ceased to be an inmate of the Villa Medici, says the Vicomte Henri Delaborde, even those which are now the glory of public or private collections, remained in his studio at Rome vainly awaiting a purchaser. If by chance some stranger passing through the Eternal City came and bought one of those despised canvases, the bargain, concluded by the expenditure of some few hundred francs, was at the actual moment as unprofitable to the seller as it was in the future to prove advantageous to the other party witness that Great Odalisque, judged in 1820 to be almost valueless, and now become so famous since the day when it was sold for a price sixty times greater than the terms of its first acquisition - about 1000 francs. When Ingres sent his works to the Paris exhibitions the reception usually accorded to them was not of a nature to compensate him for the indifference or injustice to which he was subject in Rome. Professional connoisseurs, the official counsellors of public opinion, vied with one another as to who could pour most open ridicule, sometimes on the 'unfortunate audacities, ' sometimes on the 'deplorable mania for archaism, ' of an artist who wanted to set back art for several centuries and resuscitate the style of john of Bruges. Dominique Ingres continued all the while to hope for more justice from his compatriots; he was fond of quoting Beethoven, who when writing of the want of comprehension shown by his contemporaries said: I am not anxious as to the fate of my compositions, because I know that in my art God is nearer to me than to other men. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Susan L. Siegfried
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative - in his classical literary, historical, and religious subjects - was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history.
