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Author: Karen Ralls-MacLeod
Publisher: Routledge
ISBN: 1351562894
Category : Music
Languages : en
Pages : 252
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Book Description
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise this volume discuss the musics performed by a wide variety of peoples as an integral part of their cultural traditions. These include examinations of the various styles of Maori, Inuit and Australian Aboriginal musics, and the role of music in Korean Shaman rituals. Indeed, music forms a key component of many such rituals and belief systems and examples of these are explored amongst the peoples of Uganda, Amazonia and Africa. Through analysis of these rituals and the part music plays in them, the essays also open up further themes including social groupings and gender divisions, and engage with issues and debates on how we define and approach the study of indigeneity, religiosity and music. With downloadable resources featuring some of the music discussed in the book and further information on other available recordings, this is a book which gives readers the opportunity to gain a richer experience of the lived realities of indigenous religious musics.
Author: Karen Ralls-MacLeod
Publisher: Routledge
ISBN: 1351562894
Category : Music
Languages : en
Pages : 252
Get Book Here
Book Description
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise this volume discuss the musics performed by a wide variety of peoples as an integral part of their cultural traditions. These include examinations of the various styles of Maori, Inuit and Australian Aboriginal musics, and the role of music in Korean Shaman rituals. Indeed, music forms a key component of many such rituals and belief systems and examples of these are explored amongst the peoples of Uganda, Amazonia and Africa. Through analysis of these rituals and the part music plays in them, the essays also open up further themes including social groupings and gender divisions, and engage with issues and debates on how we define and approach the study of indigeneity, religiosity and music. With downloadable resources featuring some of the music discussed in the book and further information on other available recordings, this is a book which gives readers the opportunity to gain a richer experience of the lived realities of indigenous religious musics.
Author: Georgia Curran
Publisher: Berghahn Books
ISBN: 1789206073
Category : Social Science
Languages : en
Pages : 205
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Book Description
As an ethnography of Central Australian singing traditions and ceremonial contexts, this book asks questions about the vitality of the cultural knowledge and practices highly valued by Warlpiri people and fundamental to their cultural heritage. Set against a discussion of the contemporary vitality of Aboriginal musical traditions in Australia and embedded in the historical background of this region, the book lays out the features of Warlpiri songs and ceremonies, and centers on a focal case study of the Warlpiri Kurdiji ceremony to illustrate the modes in which core cultural themes are being passed on through song to future generations.
Author: Ron Macaulay
Publisher: GRIN Verlag
ISBN: 3389051732
Category : Religion
Languages : en
Pages : 273
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Book Description
Doctoral Thesis / Dissertation from the year 2024 in the subject Didactics - Theology, Religion Pedagogy, grade: 3.95 (A), University of Ghana, Legon (Selinus University of Sciences and Literature), course: Theology and Ethics, language: English, abstract: Africans have the capability to express their primal knowledge to enrich their Christian faith. Their primal spiritual knowledge is expressed through oral means such as singing accompanied by drumming and dancing. The expression of their primal spirituality helps them to present their spirit, soul and body wholly to God. This primal condition of being spiritual is the personal quality prior to any other religious beliefs, such as Christianity. Therefore, African Christianity is how to live the Christian faith and worship God within the African way of life, and not necessarily syncretising different systems of religious beliefs, but the expression of the soundness of Africanness. Hence, the thesis has been grounded in The Concept of Africanness in African Christianity, which is how Christianity would communicate with African cultural heritage. A distinct way of expressing Africanness can be noticed when Agbadza and Bᴐbᴐbᴐ music and the lyrics that are akin to Scripture are engaged in some African churches to worship God. This primal expression is functionally identical in the Apostles Revelation Society, and some branches of the Global Evangelical Church (hereinafter called the ARS and GEC, respectively). Nevertheless, while Agbadza is culturally considered as war music among the Anlo-EƲe, Bᴐbᴐbᴐ music among the EƲedome is also seen as immoral and frown upon. Notwithstanding these mixed feelings towards Agbadza and Bᴐbᴐbᴐ cultural music, majority of Christians get exceedingly excited about the engagements between these cultural music and Christian faith in their churches. The main objectives of the study are to find out why they get excited when these cultural music are being engaged in the churches, and the war and immoral nature of these music. In addition, the theological and ethical thoughts on some selected lyrics are considered. Finally, what would the ARS and GEC do differently to lay bare the impact these cultural music should have on their communities, which guarantee their future and sustainability in the churches. In order to achieve the objectives of the study, theological, ethical, and phenomenological methods are blended as qualitative technique has been adopted in data collection and analysis. The reason why the worshippers get excited about these cultural music had been explored, and the theological and ethical thoughts on the practice were examined.
Author: Andrew Midian
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 138
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Book Description
Author: Greg Johnson
Publisher: BRILL
ISBN: 9004346716
Category : Religion
Languages : en
Pages : 418
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Book Description
Extremely distant and distinct indigenous communities have over recent decades become more like themselves and more like each other – a paradox prevalent globally but inadequately explained by established analytical frames, particularly with regard to religion. Addressing this rich and unfolding context, the Handbook of Indigenous Religion(s) engages a wide variety of locations and perspectives. Drawing upon the efforts of a diverse group of scholars working at the intersection of indigenous studies and religious studies, this volume includes a programmatic introduction that argues for new ways of conceptualizing the field of indigenous religion(s), numerous case study-based examples, and an Afterword by Thomas Tweed.
Author: Doug Good Feather
Publisher: Hay House, Inc
ISBN: 1401956165
Category : Body, Mind & Spirit
Languages : en
Pages : 177
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Book Description
A guide to integrating indigenous thinking into modern life for a more interconnected and spiritual relationship with our fellow beings, Mother Earth, and the natural ways of the universe. There is a natural law—a spiritual intelligence that we are all born with that lies within our hearts. Lakota spiritual leader Doug Good Feather shares the authentic knowledge that has been handed down through the Lakota generations to help you make and recognize this divine connection, centered around the Seven Sacred Directions in the Hoop of Life: Wiyóhinyanpata—East: New Beginnings Itókagata—South: The Breath of Life Wiyóhpeyata—West: The Healing Powers Wazíyata—North: Earth Medicine Wankátakáb—Above: The Great Mystery Khúta—Below: The Source of Life Hóchoka—Center: The Center of Life Once you begin to understand and recognize these strands, you can integrate them into modern life through the Threefold Path: The Way of the Seven Generations—Conscious living The Way of the Buffalo—Mindful consumption The Way of the Community—Collective impact
Author: ShzrEe Tan
Publisher: Routledge
ISBN: 1351574094
Category : Music
Languages : en
Pages : 312
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Book Description
Taiwan aboriginal song has received extensive media coverage since the launch and settlement of a copyright lawsuit following pop group Enigma's allegedly unauthorized use of Amis voices in the 1996 Olympics hit, Return To Innocence. Taking as her starting point the ripple effects of this case, Shzr Ee Tan explores the relationship of this song culture to contemporary Amis society. She presents Amis song in its multiple manifestations as an ecosystem, symbiotic components of which interact and feed back upon one another in cross-cutting platforms of village life, festival celebration, cultural performance, popular song, art music and Christian hymnody. Tan's investigation hinges upon drawing a conceptual line between ladhiw, the Amis term for 'song' - a word vested with connotations of life-force, tradition, ritual and taboo - and the foreign term of yinyue ('music' - borrowed from Mandarin). This difference forms the basis of how Amis song is (re)constructed through processes of modernization, Christianization and politico-economic change. A single Amis melody, for example, can exist in several guises that are contextually exclusive but functionally mutually-supportive. Thus, a weeding song (ladhiw), which may have lost its traditional context of existence following advancements in farming technology, becomes sustained within a larger ecosystem, finding new life on the interacting platforms of Amis Catholic hymnody, karaoke and tourist shows. The latter genres (collectively, yinyue) may not rely on traditional livelihoods for survival, but thrive on a traditional melody's deeper associations to local memory and idealized Amis identities. While these new and old genres are stylistically separate, they feed into each other and back into themselves - through transforming contexts and cross-referenced memes - in organic and developing cycles of song activity. Drawing from fieldwork conducted from 2000-2010 as well as a background in ethnomusicology and journalism, Ta
Author: Gary Tomlinson
Publisher: Cambridge University Press
ISBN: 0521873916
Category : Music
Languages : en
Pages : 194
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Book Description
A study of indigenous music-making in New World societies, including the Aztecs and the Incas.
Author: Joshua Tucker
Publisher: University of Chicago Press
ISBN: 022660733X
Category : Music
Languages : en
Pages : 291
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Book Description
When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.
Author: Craig Harris
Publisher: U of Nebraska Press
ISBN: 1496237935
Category : Music
Languages : en
Pages : 345
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Book Description
Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.
