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Author: Amina Okada
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Amina Okada
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 248
Get Book Here
Book Description
Author: J. M. Rogers
Publisher: Interlink Books
ISBN: 9781566566582
Category : Art
Languages : en
Pages : 0
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Book Description
The Mughal school of miniature painting flourished in northern India in the sixteenth and seventeenth centuries, chiefly under the patronage of the emperors Akbar, Jahangir and Shah Jahan. Rooted in a diversity of cultural, religious and artistic traditions, it became one of the richest and most productive schools in the whole history of Islamic art. In this beautifully illustrated book the author surveys the development of Mughal painting, from its early beginnings to the masterpieces created by the court studios for the books and albums of their demanding imperial patrons. He describes the historical setting in which the Mughal artists worked and the materials and techniques they used to create their brilliant effects. The paintings reproduced here cover the whole range of Mughal miniature art, from manuscript illustrations of biographical, historical or mythological works to courtly portrait albums, with both human and animal subject.
Author: Anjan Chakraverty
Publisher: Roli Books Private Limited
ISBN: 9788174363343
Category : Art
Languages : en
Pages : 156
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Book Description
This book journeys through the development and decline of the schools of Indian miniature painting. The represented masterpieces bear testimony to the genius of the painters. Of special interest is the context, portrayed through contemporary literature and chronicles that throw light on the lives of these master artists.
Author: Kavita Singh
Publisher: Getty Publications
ISBN: 1606065181
Category : Art
Languages : en
Pages : 120
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Book Description
Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.
Author: Stuart Cary Welch
Publisher: Metropolitan Museum of Art
ISBN: 0870994999
Category : Calligraphy, Islamic
Languages : en
Pages : 320
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Book Description
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Author: Amina Okada
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
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Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author: John William Seyller
Publisher: Paul Holberton Publishing
ISBN: 9783907077481
Category : Deccani painting
Languages : en
Pages : 0
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Book Description
Accompanying an exhibition at the Museum Rietberg, this catalogue of 60 works drawn from one of the most important private collections in Europe provides an excellent survey of Indian painting from 1575-1850 from two of the most important sources: the court of the north Indian Mughal rulers and the ateliers in the Deccan farther south. The works present a wide variety of styles and themes and invite close examination. Mughal culture was one of the richest the world has ever seen. The magnificence of the Mughal palaces and tombs, the pomp of the court, the lavish ceremonies and feasts, the fame of the court poets, intellectuals, painters and musicians, the sumptuousness of the courtiers' attire--all these came together to create an aristocratic culture of extraordinary wealth and grandeur. Books--and above all books lavishly decorated with exquisite miniatures--had a role and a status in Mughal culture which is almost unimaginable today. They were among the most valuable and certainly the most prized objects in the imperial treasury and were used systematically and effectively to propagate the political goals of the ruler. Whereas Mughal artists depict the real world, record historical events, and portray their patrons in realistic likenesses, Deccanni painters, instead, aim at evoking lyrical moods. They invent paradisal dreamworlds bathed in fantastic, flamboyant colors, sparkling with gold. When they represent their rulers, they create idealized, introspective figures lost in the quiet enchantment of love, or music, or merely the perfume of a beautiful flower.
Author: Zaheda Khanam
Publisher:
ISBN: 9788124604854
Category : Animals in art
Languages : en
Pages : 0
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Book Description
The depiction of flora and fauna has been an intrinsic part of Indian painting traditions. The Mughals in their turn, in their fascinating paintings, used the bird and animal imagery to lend a special quality to their art of painting. This book, with over 70 illustrations, is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. With historical details, it shows that the depiction of various kinds of birds and animals played a significant role in conformity with the context or the demands of the narratives. The artists painted both wild and domestic animals with equal competence. Outlining the differences in the paintings under the Mughal rulers themselves with regard to depiction of fauna, it notes that while Akbar was interested in historical, mythological or anecdotal events, Jahangir introduced album paintings and evinced interest in individual portrait studies of fauna. In all, it showcases the meticulous depiction of fauna in Mughal art and its persevering beauty. It mentions the names of a host of artists who executed the paintings and the many illustrated manuscripts mythological, historical and on popular fables that saw lavish use of paintings with faunal imagery. The book will interest historians especially those studying art history of the medieval period.
Author: Jeremiah P. Losty
Publisher:
ISBN: 9789389136630
Category : Art
Languages : en
Pages : 0
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Book Description
Features in-depth commentary on 90 superb paintings by the eminent art historian J.P. Losty - Many of the paintings offer fascinating insights into Indian attire and fabrics, as they were acquired for the textiles and costumes they illustrate - Showcasing a curated selection of Indian miniature paintings, this book is a feast for the eye for lovers of Indian painting Court & Courtship: Indian Miniatures in the TAPI Collection is a study of Indian paintings in which the author J.P. Losty explores the well-trod highways and the lesser-known byways of miniature paintings, put together by the well-known textile collectors, Praful and Shilpa Shah. Starting with a splendid 16th-century painting from the early Rajput Bhagvata Purana, readers will savor the variety of Mughal and other portraits of emperors, princes, courtiers, and of royal elephants and horses. Courtly pictures include several from the Deccan, Rajasthan, Central India, and the northern hills. Resplendent ladies in 18th and 19th-century attire adorn the pages, as do paintings acquired for the textiles and costumes they illustrate - jamas, paijamas, angarkhas, turbans, odhnis, patkas, canopies, and qanats. Representing the classic texts of Sanskrit and Hindi literature are stunning examples from a 17th-century ragamala, the Shangri Ramayana, the Gita Govinda, Harivamsha, and Rasikapriya. Two of the most impressive paintings ever to come out of Nathdwara are featured here, from the hands of master artists Sukhdev Gaur and Ghasiram Sharma. Showcasing 90 superb images, this collection is sure to be of interest to lovers of Indian art.
