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Author: John Crace
Publisher: Random House
ISBN: 147354193X
Category : Humor
Languages : en
Pages : 146
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Book Description
Cease I say, cantankerous old fools / Thy deeds hath made our streets a no go zone / No more shall Montagues and Capulets / Enact their West Side Story Sharks and Jets / Or else shall pay the forfeit of the peace.To celebrate the 400th anniversary of Shakespeare's death, this is the second of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable footnotes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam. This ebook has a large amount of footnotes and is best viewed on a device that supports pop-up text.
Author: John Crace
Publisher: Random House
ISBN: 147354193X
Category : Humor
Languages : en
Pages : 146
Get Book Here
Book Description
Cease I say, cantankerous old fools / Thy deeds hath made our streets a no go zone / No more shall Montagues and Capulets / Enact their West Side Story Sharks and Jets / Or else shall pay the forfeit of the peace.To celebrate the 400th anniversary of Shakespeare's death, this is the second of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable footnotes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam. This ebook has a large amount of footnotes and is best viewed on a device that supports pop-up text.
Author: MacDonald P. Jackson
Publisher: OUP Oxford
ISBN: 0191009520
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Editors of Shakespeare's Complete Works must decide what to include. Although not in the First Folio collection of 1623, The Two Noble Kinsmen and Edward III have now entered the canon as plays co-authored by Shakespeare. Determining the Shakespeare Canon makes the case for lifting Arden of Faversham, first published in 1592, over the same threshold. A wealth of evidence indicates that Shakespeare was wholly or largely responsible for several of its central scenes (constituting Act III in editions divided into acts), and that the domestic tragedy can thus be added to the mounting list of his dramatic collaborations. Shakespeare's beginnings as a playwright are due for reconsideration. The second half of this volume provides solid grounds for accepting that publisher Thomas Thorpe's inclusion of A Lover's Complaint within the 1609 quarto of Shakespeare Sonnets was justified. While A Lover's Complaint has long been part of the Shakespeare canon, according to most editors, the poem's authenticity has been vigorously challenged in recent years. Its status is crucial to how critics assess the authority of the quarto's ordering of sonnets and interpret the structure of the sequence as a whole. These two problems of attribution are each addressed in five separate chapters that describe the converging results of different approaches and rebut counter-arguments. Stylometric techniques, using the resources of computers and electronic databases, are applied and the research methodologies of other scholars explained and evaluated. Quantitative tests are supplemented with traditional literary-critical analysis.
Author: Michael Neill
Publisher: Oxford University Press
ISBN: 0198724195
Category : Literary Criticism
Languages : en
Pages : 993
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Book Description
The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experiencedactor. The collection is organised in five sections. The opening section places the plays in a variety of illuminating contexts, exploring questions of genre, and examining ways in which later generations ofcritics have shaped our idea of 'Shakespearean' tragedy. The second section is devoted to current textual issues; while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section seeks to expand readers' awareness of Shakespeare'sglobal reach, tracing histories of criticism and performance across the world. Offering the richest and most diverse collection of approaches to Shakespearean tragedy currently available, the Handbookwill be an indispensable resource for students both undergraduate and graduate levels, while the lively and provocative character of its essays make will it required reading for teachers of Shakespeare everywhere.
Author: Emma Whipday
Publisher: Bloomsbury Publishing
ISBN: 1350304441
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
What is (a) play? How do Shakespeare's plays engage with and represent early modern modes of play – from jests and games to music, spectacle, movement, animal-baiting and dance? How have we played with Shakespeare in the centuries since? And how does the structure of the plays experienced in the early modern playhouse shape our understanding of Shakespeare plays today? Shakespeare / Play brings together established and emerging scholars to respond to these questions, using approaches spanning theatre and dance history, cultural history, critical race studies, performance studies, disability studies, archaeology, affect studies, music history, material history and literary and dramaturgical analysis. Ranging across Shakespeare's dramatic oeuvre as well as early modern lost plays, dance notation, conduct books, jest books and contemporary theatre and film, it includes consideration of Measure for Measure, A Midsummer Night's Dream, Macbeth, Titus Andronicus, Merchant of Venice, Twelfth Night, Romeo and Juliet, Othello, King Lear and The Merry Wives of Windsor, among others. The subject of this volume is reflected in its structure: Shakespeare / Play features substantial new essays across 5 'acts', interwoven with 7 shorter, playful pieces (a 'prologue', 4 'act breaks', a 'jig' and a 'curtain call'), to offer new directions for research on Shakespearean playing, playmaking and performance. In so doing, this volume interrogates the conceptions of playing of/in Shakespeare that shape how we perform, read, teach and analyze Shakespeare today.
Author: Donna Murphy
Publisher: Cambridge Scholars Publishing
ISBN: 1443882275
Category : Language Arts & Disciplines
Languages : en
Pages : 250
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Book Description
For those who doubt that the actor from Stratford, William Shakspere, wrote the works of Shakespeare, the brilliant poet and playwright Christopher Marlowe has always been the professional candidate. In this book, which argues that a chronological approach is essential, Donna N. Murphy employs a variety of tools to document a Marlowe-Shakespeare continuum (with her proposed dates of first-version authorship) in The Taming of the Shrew, c. 1590; II and III Henry VI, c. 1590; Edward III c. 1590–1; Titus Andronicus c. 1591–3; Thomas of Woodstock c. 1593; Romeo and Juliet c. 1595–6; and I Henry IV, c. 1596–7. Her research firmly supports the theory that Christopher Marlowe, living on after he supposedly died, was the main hand behind the works of Shakespeare.
Author: Doug Moston
Publisher: Routledge
ISBN: 1136769722
Category : Performing Arts
Languages : en
Pages : 964
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Book Description
For the first time, a photographic facsimile of the First Folio of Shakespeare's plays is available in one affordable volume. Mr. William Shakespeares Comedies, Histories, and Tragedies gives actors, directors, and anyone interested in Shakespeare access to the plays as Shakespeare envisioned them. In returning to the original text, actors and directors can find answers to the many problems they find preparing a play of Shakespeare. Included is the introduction to acting from the First Folio and its accompanying acting guide and glossary, making this the most valuable tool for all who love the Bard.
Author: Robert S. Miola
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711698
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. Shakespeare's Reading explores Shakespeare's marvelous reshaping of sources into new creations. Beginning with a discussion of how and what Elizabethans read--manuscripts, popular pamphlets, and books--Robert S. Miola examines Shakespeare's use of specific texts such as Holinshed's Chronicles, Plutarch's Lives, and Chaucer's The Canterbury Tales. As well as reshaping other writers' work, Shakespeare transformed traditions--the inherited expectations, tropes, and strategies about character, action and genre. For example, the tradition of Italian love poetry, especially Petrarch, shapes Romeo and Juliet as well as the sonnets; the Vice figure finds new life in Richard III and Falstaff. Employing a traditional understanding of sources as well as more recent developments in intertextuality, this book traces Shakespeare's reading throughout his career, as it inspires his poetry, histories, comedies, tragedies, and romances. Repeated references to the plays in performance enliven and enrich the account.
Author: Leonidas Donskis
Publisher: Peter Lang
ISBN: 9781433101250
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Classical and modern literature often reveal more about the organized world's forms of power and authority structures than do works of political philosophy. What are the origins of political consciousness? How does our understanding of political power and its exercise originate in literature? Why do the early manifestations of political and religious tolerance appear in utopian literature, rather than in philosophical treatises? Is it possible to do fictionally what others tend to do academically and theoretically? Exploring these questions allows Leonidas Donskis to analyze the relationship between power and imagination, politics and literature, and the principles of reality and imagination.
Author: Sarah Johnson
Publisher: Bloomsbury Publishing
ISBN: 1350272426
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Extreme violence scarred the early modern period. Contemporary commentators grappled to find language to categorize the massacres, genocides, assassinations, enslavements, sacks, rapes, riots and regicides that characterized the period. Some used 'outrages', others 'cruelties', but, significantly, the term 'atrocity' that we use today gained the most currency. Atrocity in Early Modern English Drama intervenes in the broad field of violence and early modern drama by placing acts of atrocity at its centre. In doing so, this essay collection offers the first book-length examination of atrocities and early modern English drama. The volume considers atrocity in early theatre, its varied representations in contemporary Shakespeare performance, and strategies for teaching early modern atrocity drama. Contributors introduce us to atrocity in the works of Shakespeare, John Fletcher, William Rowley, Thomas Dekker and Thomas Middleton across a range of forms including comedy, tragedy, revenge, cinematic adaptation, documentary film and contemporary theatre. The collection addresses the intersections of atrocities through class, crime, gender, race and the natural world. Together, the chapters interrogate how early modern English drama reflects upon and shapes understandings of the historically contingent, politically loaded and culturally contentious phenomena of atrocity.
Author: Matthias Bauer
Publisher: Bloomsbury Publishing
ISBN: 1350436380
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
This wide-ranging collection reflects on the various motivations that caused the Folio to come into being in 1623, 7 years after Shakespeare's death, and on how the now iconic book has been continually reimagined after its initial publication to the present day. In honour of its original publication, Shakespeare's First Folio 1623-2023: Text and Afterlives brings together a remarkable set of ground-breaking essays by an international group of scholars. From the beginning, the publication that came to be called the 'First Folio' was defined by the tension between the book as text and the book as a material object. In this volume, the individual contributions move between these two meaningsin that they consider precursors to the First Folio in the form of reader-assembled volumes; the poetic identity of Shakespeare; and how misfortunes and successes in the early modern printing house shaped Shakespeare's text. Chapters examine the unpredictable and often surprising subsequent histories of the book that has even been given a sacred status and become the basis of Shakespeare's unique position in the history of literature. They consider: the afterlife of the text, in relation to the reception of Shakespeare's First Folio in Spain; its presence in and influence on James Joyce's Ulysses; the role that Meisei University of Japan's Shakespeare Collection has played in the education and research of the institution; and what the collection of 82 copies at the Folger Shakespeare Library in Washington, DC, tells us about the ongoing role of these books within the study of Shakespeare and the early modern period.
