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Author: Patrick Russell
Publisher: Bloomsbury Publishing
ISBN: 1838718133
Category : Performing Arts
Languages : en
Pages : 446
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Book Description
Britain emerged from war a changed country, facing new social, industrial and cultural challenges. Its documentary film tradition – established in the 1930s and 1940s around legendary figures such as Grierson, Rotha and Jennings – continued evolving, utilising technical advances, displaying robust aesthetic concerns, and benefiting from the entry into the industry of wealthy commercial sponsors. Thousands of films were seen by millions worldwide. Received wisdom has been that British documentary went into swift decline after the war, resurrected only by Free Cinema and the arrival of television documentary. Shadows of Progress demolishes these simplistic assumptions, presenting instead a complex and nuanced picture of the sponsored documentary in flux. Patrick Russell and James Piers Taylor explore the reasons for the period's critical neglect, and address the sponsorship, production, distribution and key themes of British documentary. They paint a vivid picture of institutions – from public bodies to multinational industries – constantly redefining their relationships with film as a form of enlightened public relations. Many of the issues that these films addressed could not be more topical today: the rise of environmentalism; the balance of state and industry, individual and community; a nation and a world travelling from bust to boom and back again. In the second part of the book, contributors from the curatorial and academic world provide career biographies of key film-makers of the period. From Lindsay Anderson's lesser-known early career to neglected film-makers like John Krish, Sarah Erulkar, Eric Marquis and Derrick Knight, a kaleidoscopic picture is built up of the myriad relationships of artist and sponsor.
Author: Patrick Russell
Publisher: Bloomsbury Publishing
ISBN: 1838718133
Category : Performing Arts
Languages : en
Pages : 446
Get Book Here
Book Description
Britain emerged from war a changed country, facing new social, industrial and cultural challenges. Its documentary film tradition – established in the 1930s and 1940s around legendary figures such as Grierson, Rotha and Jennings – continued evolving, utilising technical advances, displaying robust aesthetic concerns, and benefiting from the entry into the industry of wealthy commercial sponsors. Thousands of films were seen by millions worldwide. Received wisdom has been that British documentary went into swift decline after the war, resurrected only by Free Cinema and the arrival of television documentary. Shadows of Progress demolishes these simplistic assumptions, presenting instead a complex and nuanced picture of the sponsored documentary in flux. Patrick Russell and James Piers Taylor explore the reasons for the period's critical neglect, and address the sponsorship, production, distribution and key themes of British documentary. They paint a vivid picture of institutions – from public bodies to multinational industries – constantly redefining their relationships with film as a form of enlightened public relations. Many of the issues that these films addressed could not be more topical today: the rise of environmentalism; the balance of state and industry, individual and community; a nation and a world travelling from bust to boom and back again. In the second part of the book, contributors from the curatorial and academic world provide career biographies of key film-makers of the period. From Lindsay Anderson's lesser-known early career to neglected film-makers like John Krish, Sarah Erulkar, Eric Marquis and Derrick Knight, a kaleidoscopic picture is built up of the myriad relationships of artist and sponsor.
Author: Patrick Russell
Publisher: Bloomsbury Publishing
ISBN: 1838718125
Category : Performing Arts
Languages : en
Pages : 567
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Book Description
Britain emerged from war a changed country, facing new social, industrial and cultural challenges. Its documentary film tradition – established in the 1930s and 1940s around legendary figures such as Grierson, Rotha and Jennings – continued evolving, utilising technical advances, displaying robust aesthetic concerns, and benefiting from the entry into the industry of wealthy commercial sponsors. Thousands of films were seen by millions worldwide. Received wisdom has been that British documentary went into swift decline after the war, resurrected only by Free Cinema and the arrival of television documentary. Shadows of Progress demolishes these simplistic assumptions, presenting instead a complex and nuanced picture of the sponsored documentary in flux. Patrick Russell and James Piers Taylor explore the reasons for the period's critical neglect, and address the sponsorship, production, distribution and key themes of British documentary. They paint a vivid picture of institutions – from public bodies to multinational industries – constantly redefining their relationships with film as a form of enlightened public relations. Many of the issues that these films addressed could not be more topical today: the rise of environmentalism; the balance of state and industry, individual and community; a nation and a world travelling from bust to boom and back again. In the second part of the book, contributors from the curatorial and academic world provide career biographies of key film-makers of the period. From Lindsay Anderson's lesser-known early career to neglected film-makers like John Krish, Sarah Erulkar, Eric Marquis and Derrick Knight, a kaleidoscopic picture is built up of the myriad relationships of artist and sponsor.
Author: Eric Cohen
Publisher: ReadHowYouWant.com
ISBN: 1458765628
Category : Science
Languages : en
Pages : 278
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Book Description
We live in an age of unprecedented human mastery - over birth and death, body and mind, nature and human nature. In every realm of life, science and technology have brought remarkable advances and improvements: we are healthier, wealthier, and more comfortable than ever before. But our gratitude for the benefits of progress increasingly mixes with concern about the meaning and consequences of our newfound powers. If we can dream about a new age of genetic medicine, we can also shudder at a new age of weapons of mass destruction. As we welcome longer lives, we wonder if we will still value human life as we should. In the Shadow of Progress is a deep and lively reflection on the moral challenges of the technological age. Eric Cohen, a leading voice in America's bioethics debates, offers a tour of the complex dilemmas at the intersection of science and morality, moving seamlessly from contemporary subjects like stem-cells and evolution to classic texts like the Hebrew Bible and Francis Bacon's ''New Atlantis.'' Why are the wealthiest people in human history the least likely to want children? What kind of civilization will we become if we seek cures for the sick by destroying human embryos? What is lost when we relieve human sadness by altering the chemical balance of the brain, or enhance human performance by altering the biological workings of the body? In this age of scientific wonders, have we forgotten what sets human beings apart from everything else in the natural world? Can the fruits of modern science ever satisfy our deepest longings - for love, for virtue, and for transcendence? In the end, Cohen argues, there are no easy answers. Our challenge is to live simultaneously with gratitude and fear, pride and shame, sobriety and hope, in this new age of technology.
Author: Jac Jemc
Publisher: FSG Originals
ISBN: 0374716072
Category : Fiction
Languages : en
Pages : 241
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Book Description
Finalist for the Chicago Review of Books Fiction Award, Dan Chaon's Best of 2017 pick in Publishers Weekly, one of Vol. 1 Brooklyn's Best Books of 2017, a BOMB Magazine "Looking Back on 2017: Literature" Pick, and one of Vulture's 10 Best Thriller Books of 2017. Jac Jemc's The Grip of It is a chilling literary horror novel about a young couple haunted by their newly purchased home Touring their prospective suburban home, Julie and James are stopped by a noise. Deep and vibrating, like throat singing. Ancient, husky, and rasping, but underwater. “That’s just the house settling,” the real estate agent assures them with a smile. He is wrong. The move—prompted by James’s penchant for gambling and his general inability to keep his impulses in check—is quick and seamless; both Julie and James are happy to start afresh. But this house, which sits between a lake and a forest, has its own plans for the unsuspecting couple. As Julie and James try to establish a sense of normalcy, the home and its surrounding terrain become the locus of increasingly strange happenings. The framework— claustrophobic, riddled with hidden rooms within rooms—becomes unrecognizable, decaying before their eyes. Stains are animated on the wall—contracting, expanding—and map themselves onto Julie’s body in the form of painful, grisly bruises. Like the house that torments the troubled married couple living within its walls, The Grip of It oozes with palpable terror and skin-prickling dread. Its architect, Jac Jemc, meticulously traces Julie and James’s unsettling journey through the depths of their new home as they fight to free themselves from its crushing grip.
Author: Vaddey Ratner
Publisher: Simon and Schuster
ISBN: 1849837619
Category : Fiction
Languages : en
Pages : 436
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Book Description
A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday
Author: Paul Griffiths
Publisher: Cambridge University Press
ISBN: 9780521281997
Category : Biography & Autobiography
Languages : en
Pages : 128
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Book Description
The Rake's Progress is Stravinsky's biggest work and one of the few great operas written since the 1920s, rare too for the unusual quality of its libretto, by Auden and Kallman. Its importance is undisputed, but so too are the problems it raises: problems of both performance and understanding, caused by the irony with which it is so thoroughly permeated. In aspects of style and operatic convention it looks back to the eighteenth century, and in particular to the operas of Mozart and da Ponte, while making references also to other periods, to operas from Monteverdi to Verdi. Yet at the same time it is wholly a work of the twentieth-century, and indeed it is centrally concerned with the impossibility of return, artistic, psychological or actual, as well as with the nature and limitation of human free will. The Rake's Progress is not one of unbridled dissipation but rather, more interestingly, one of attachment to naive notions of freedom and choice, and his tragedy is that he can never go back.
Author: Douglass C. North
Publisher: Cambridge University Press
ISBN: 1107014212
Category : Business & Economics
Languages : en
Pages : 377
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Book Description
This book explains how political control of economic privileges is used to limit violence and coordinate coalitions of powerful organizations.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
Author: afterwards FISHER BUCKLEY (Arabella Burton)
Publisher:
ISBN:
Category :
Languages : en
Pages : 506
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Book Description
Author: Ezio Camatini
Publisher: Springer Science & Business Media
ISBN: 1468427903
Category : Science
Languages : en
Pages : 222
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Book Description
Advances in systems technology are creating the need for alphanumeric displays and component technology to satisfy this need. The field of alphanumeric displays covers appli cations from the single character lift indicator to the thousand-plus character computer read out. A survey of the state of alphanumeric displays helps the user of display devices to make a choice, for a particular application, between the various devices available now or in the near future. It is essential to consider the circuits and the display device together in order to obtain a clear picture of the economics of the different techniques. In general, a display module is controlled by binary input signals at normal logic pow ers and may be subdivided into five basic elements: 1) data memory, 2) character generator, 3) driving circuits, 4) scanning circuits, and 5) display device. The data memory is essential to make the display module independent of the system. Normally, this will be an electronic memory, but in some cases, the display device will have an inherent memory. The character generator must perform two functions: 1) convert the binary code to a 'lout of n' form to select the chosen character out of the on' available, and 2) create the character format, although in some cases this is inherent in the display device.
