In Michelangelo's Mirror

In Michelangelo's Mirror PDF Author: Morten Steen Hansen
Publisher: Penn State Press
ISBN: 0271056401
Category : Art
Languages : en
Pages : 238

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Book Description
"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.

In Michelangelo's Mirror

In Michelangelo's Mirror PDF Author: Morten Steen Hansen
Publisher: Penn State Press
ISBN: 0271056401
Category : Art
Languages : en
Pages : 238

Get Book

Book Description
"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.

Michelangelo Pistoletto

Michelangelo Pistoletto PDF Author: Michelangelo Pistoletto
Publisher: Walther Konig Verlag
ISBN: 9783863350543
Category : Installations (Art)
Languages : en
Pages : 0

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Book Description
For his 2011 exhibition at the Serpentine Gallery, recorded in this volume, Arte Povera veteran Michelangelo Pistoletto (born 1933) devised a chest-high labyrinth made of cardboard, to draw visitors through the galleries and steer them into encounters with various sculptures.

The Mirror and the Palette

The Mirror and the Palette PDF Author: Jennifer Higgie
Publisher: Simon and Schuster
ISBN: 1643138049
Category : Art
Languages : en
Pages : 336

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Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.

Sebastiano Del Piombo and Michelangelo

Sebastiano Del Piombo and Michelangelo PDF Author: Matthias Wivel
Publisher: Brepols Publishers
ISBN: 9782503580265
Category : Art, Renaissance
Languages : en
Pages : 0

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Book Description
The collaboration between Michelangelo Buonarroti (1475-1564) and Sebastiano del Piombo (1485-1547), is among the most extraordinary artistic partnerships of the early modern period. It produced works of startling originality, crucial to the development of the so-called High Renaissance in the first decades of the sixteenth century. It was arguably Michelangelo's most creative collaboration, helping him refine motifs and narrative strategies, and it proved determining for Sebastianos development of a monumental, spiritually invested idiom whose influence became a touchstone for religious art deep into the following century, and for principles of painterly abstraction beyond. Inspired by the exhibition Michelangelo & Sebastiano, mounted at The National Gallery in London in 2017, this book unites a group of international scholars in reflection on the two artists, their collaboration and its wider significance.

Tell Them of Battles, Kings, and Elephants

Tell Them of Battles, Kings, and Elephants PDF Author: Mathias Énard
Publisher: New Directions Publishing
ISBN: 0811227057
Category : Fiction
Languages : en
Pages : 157

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Book Description
Michelangelo’s adventure in Constantinople, from the “mesmerizing” (New Yorker) and “masterful” (Washington Post) author of Compass In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, along with an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.” Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants—constructed from real historical fragments—is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched fragments, seen from the opposite sides of civilization, can mirror one another.

Michelangelo's Inner Anatomies

Michelangelo's Inner Anatomies PDF Author: Christian K. Kleinbub
Publisher: Penn State University Press
ISBN: 9780271083780
Category : Anatomy
Languages : en
Pages : 0

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Book Description
The liver and desire -- The heart under siege -- The love of the heart -- Faith in the heart -- The brain, judgment, and movement.

Michelangelo Pistoletto

Michelangelo Pistoletto PDF Author: Michelangelo Pistoletto
Publisher:
ISBN: 9783775726962
Category : Artists
Languages : en
Pages : 0

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Book Description
Michelangelo Pistoletto is one of Arte Povera's most significant protagonists, and his iconic Mirror Paintings earned him rapid and lasting international recognition, encapsulating his dual interest in conceptualism and figurative representation. This book seeks to evaluate his Mirror Paintings from the last four years in both a contemporary context.

Michalangelo

Michalangelo PDF Author: Matthias Wivel
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 280

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Book Description
Published to accompany the Credit Suisse exhibition Michelangelo & Sebastiano held at the National Gallery in London, March 15 through June 25, 2017.

Michelangelo Pistoletto

Michelangelo Pistoletto PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 44

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Book Description


Michelangelo's Art of Devotion in the Age of Reform

Michelangelo's Art of Devotion in the Age of Reform PDF Author: Emily A. Fenichel
Publisher: Cambridge University Press
ISBN: 1009314386
Category : Art
Languages : en
Pages : 389

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Book Description
In this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era.