Author: Ted Merwin
Publisher: Rutgers University Press
ISBN: 9780813538099
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
The Jazz Age of the 1920s is an era remembered for illegal liquor, innovative music and dance styles, and burgeoning ideas of social equality. It was also the period during which second-generation Jews began to emerge as a significant demographic in New York City. In TheirOwn Image examines thegrowing cultural visibility of Jewish life amid this vibrant scene. From the vaudeville routines of Fanny Brice, Eddie Cantor, George Jessel, and Sophie Tucker, to the slew of Broadway comedies about Jewish life and the silent films that showed immigrant families struggling to leave the ghetto, images and representations of Jews became staples of interwar popular culture. Through the performing arts, Jews expressed highly ambivalent feelings about their identification with Jewish and American cultures. Ted Merwin shows how they became American by producing and consuming not images of another group, but images of themselves. As a result, they humanized Jewish stereotypes, softened anti-Semitic attitudes, and laid the groundwork for today's Jewish comedians. An entertaining look at the role popular culture plays in promoting the acculturation of an ethnic group, In Their Own Image enhances our understanding of American Jewish history and provides a model for the study of other groups and their integration into mainstream society.
In Their Own Image
Author: Ted Merwin
Publisher: Rutgers University Press
ISBN: 9780813538099
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
The Jazz Age of the 1920s is an era remembered for illegal liquor, innovative music and dance styles, and burgeoning ideas of social equality. It was also the period during which second-generation Jews began to emerge as a significant demographic in New York City. In TheirOwn Image examines thegrowing cultural visibility of Jewish life amid this vibrant scene. From the vaudeville routines of Fanny Brice, Eddie Cantor, George Jessel, and Sophie Tucker, to the slew of Broadway comedies about Jewish life and the silent films that showed immigrant families struggling to leave the ghetto, images and representations of Jews became staples of interwar popular culture. Through the performing arts, Jews expressed highly ambivalent feelings about their identification with Jewish and American cultures. Ted Merwin shows how they became American by producing and consuming not images of another group, but images of themselves. As a result, they humanized Jewish stereotypes, softened anti-Semitic attitudes, and laid the groundwork for today's Jewish comedians. An entertaining look at the role popular culture plays in promoting the acculturation of an ethnic group, In Their Own Image enhances our understanding of American Jewish history and provides a model for the study of other groups and their integration into mainstream society.
Publisher: Rutgers University Press
ISBN: 9780813538099
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
The Jazz Age of the 1920s is an era remembered for illegal liquor, innovative music and dance styles, and burgeoning ideas of social equality. It was also the period during which second-generation Jews began to emerge as a significant demographic in New York City. In TheirOwn Image examines thegrowing cultural visibility of Jewish life amid this vibrant scene. From the vaudeville routines of Fanny Brice, Eddie Cantor, George Jessel, and Sophie Tucker, to the slew of Broadway comedies about Jewish life and the silent films that showed immigrant families struggling to leave the ghetto, images and representations of Jews became staples of interwar popular culture. Through the performing arts, Jews expressed highly ambivalent feelings about their identification with Jewish and American cultures. Ted Merwin shows how they became American by producing and consuming not images of another group, but images of themselves. As a result, they humanized Jewish stereotypes, softened anti-Semitic attitudes, and laid the groundwork for today's Jewish comedians. An entertaining look at the role popular culture plays in promoting the acculturation of an ethnic group, In Their Own Image enhances our understanding of American Jewish history and provides a model for the study of other groups and their integration into mainstream society.
The Image of the City
Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
The First Book of Moses, Called Genesis
Author:
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
The Telling Image
Author: Lois Farfel Stark
Publisher: Greenleaf Book Group
ISBN: 1626344728
Category : Art
Languages : en
Pages : 202
Book Description
Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.
Publisher: Greenleaf Book Group
ISBN: 1626344728
Category : Art
Languages : en
Pages : 202
Book Description
Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.
Identity and Idolatry
Author: Richard Lints
Publisher: InterVarsity Press
ISBN: 0830898492
Category : Religion
Languages : en
Pages : 197
Book Description
In this New Studies in Biblical Theology volume, Richard Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. He shows how the narrative of human identity runs from creation to fall to redemption in Christ, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."
Publisher: InterVarsity Press
ISBN: 0830898492
Category : Religion
Languages : en
Pages : 197
Book Description
In this New Studies in Biblical Theology volume, Richard Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. He shows how the narrative of human identity runs from creation to fall to redemption in Christ, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."
'Photos of the Gods'
Author: Christopher Pinney
Publisher: Reaktion Books
ISBN: 9781861891846
Category : Art
Languages : en
Pages : 254
Book Description
Chris Pinney demonstrates how printed images were pivotal to India's struggle for national and religious independence. He also provides a history of printing in India.
Publisher: Reaktion Books
ISBN: 9781861891846
Category : Art
Languages : en
Pages : 254
Book Description
Chris Pinney demonstrates how printed images were pivotal to India's struggle for national and religious independence. He also provides a history of printing in India.
The Surviving Image
Author: Georges Didi-Huberman
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Confronting Images
Author: Georges Didi-Huberman
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354
Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354
Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Image and Pilgrimage in Christian Culture
Author: Victor Witter Turner
Publisher: Columbia University Press
ISBN: 0231157916
Category : Art
Languages : en
Pages : 358
Book Description
Originally published: 1978, in series: Lectures on the history of religions; new ser., no. 11. With new introd.
Publisher: Columbia University Press
ISBN: 0231157916
Category : Art
Languages : en
Pages : 358
Book Description
Originally published: 1978, in series: Lectures on the history of religions; new ser., no. 11. With new introd.
The Passive Eye
Author: Branka Arsi?
Publisher: Stanford University Press
ISBN: 9780804746434
Category : Philosophy
Languages : en
Pages : 228
Book Description
The Passive Eye is a revolutionary and historically rich account of Berkeley's theory of vision. In this formidable work, the author considers the theory of the embodied subject and its passions in light of a highly dynamic conception of infinity. Arsic shows the profound affinities between Berkeley and Spinoza, and offers a highly textual reading of Berkeley on the concept of an "exhausted subjectivity." The author begins by following the Renaissance universe of vision, particularly the paradoxical elusive nature of mirrors, then shows how this conception of vision was translated into the optical devices and in what way the various ways of deception could be conceived. Reading Berkeley against the backdrop of competing theories, in relation to Leibniz, Spinoza, Newton, Malebranche, Hume, Locke, Molyneux and others, this book gives a meticulous historic reconstruction of Berkeley's theory. This excellent scholarly work presents Berkeley's theory in a new and radical light. The book, presented in three parts, begins by presenting the conceptions of vision prior to Berkeley's intervention. In the second part, the author moves through a careful study of Descartes' theory of vision to arrive at Berkeley. The third part addresses the author's version of Berkeley in which the eye and the image become inseparable due to the collapse of the universe of representation. The problem of vision becomes not that of representation, but of presentation. Through an erudite historic reading of Berkeley's theory and astute comparative assessments, the author uncovers Berkeley's place as a contemporary theoretician, corresponding with such thinkers as Deleuze, Lacan, Foucault, and Derrida.
Publisher: Stanford University Press
ISBN: 9780804746434
Category : Philosophy
Languages : en
Pages : 228
Book Description
The Passive Eye is a revolutionary and historically rich account of Berkeley's theory of vision. In this formidable work, the author considers the theory of the embodied subject and its passions in light of a highly dynamic conception of infinity. Arsic shows the profound affinities between Berkeley and Spinoza, and offers a highly textual reading of Berkeley on the concept of an "exhausted subjectivity." The author begins by following the Renaissance universe of vision, particularly the paradoxical elusive nature of mirrors, then shows how this conception of vision was translated into the optical devices and in what way the various ways of deception could be conceived. Reading Berkeley against the backdrop of competing theories, in relation to Leibniz, Spinoza, Newton, Malebranche, Hume, Locke, Molyneux and others, this book gives a meticulous historic reconstruction of Berkeley's theory. This excellent scholarly work presents Berkeley's theory in a new and radical light. The book, presented in three parts, begins by presenting the conceptions of vision prior to Berkeley's intervention. In the second part, the author moves through a careful study of Descartes' theory of vision to arrive at Berkeley. The third part addresses the author's version of Berkeley in which the eye and the image become inseparable due to the collapse of the universe of representation. The problem of vision becomes not that of representation, but of presentation. Through an erudite historic reading of Berkeley's theory and astute comparative assessments, the author uncovers Berkeley's place as a contemporary theoretician, corresponding with such thinkers as Deleuze, Lacan, Foucault, and Derrida.