Imagination and Art: Explorations in Contemporary Theory

Imagination and Art: Explorations in Contemporary Theory PDF Author: Keith Moser
Publisher: BRILL
ISBN: 9004436359
Category : Philosophy
Languages : en
Pages : 810

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Book Description
This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise Imagination and Art propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms.

Imagination and Art: Explorations in Contemporary Theory

Imagination and Art: Explorations in Contemporary Theory PDF Author: Keith Moser
Publisher: BRILL
ISBN: 9004436359
Category : Philosophy
Languages : en
Pages : 810

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Book Description
This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise Imagination and Art propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms.

Journal of Critical Studies in Language and Literature Vol. 2, No. 2 (2021)

Journal of Critical Studies in Language and Literature Vol. 2, No. 2 (2021) PDF Author: Editor
Publisher: Global Talent Academy Ltd
ISBN: 1008992895
Category : Art
Languages : en
Pages : 62

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Book Description
Journal of Critical Studies in Language and Literature (JCSLL) is a bimonthly double-blind peer-reviewed "Premier" open access journal that represents an interdisciplinary and critical forum for analysing and discussing the various dimensions in the interplay between language, literature, and translation. It locates at the intersection of disciplines including linguistics, discourse studies, stylistic analysis, linguistic analysis of literature, comparative literature, literary criticism, translation studies, literary translation and related areas. It focuses mainly on the empirically and critically founded research on the role of language, literature, and translation in all social processes and dynamics. Articles submitted to JCSLL should bring together critical theories and concepts and in-depth, empirical, language- and literary-oriented analysis. They have to be problem-oriented and rely on well-informed contemporary as well as historical contextualisation of the analysed texts and contexts. Methodologies can be qualitative, quantitative or mixed, but must in any case be systematic and anchored in relevant linguistic, literary, and translation disciplines.

Moving Imagination

Moving Imagination PDF Author: Helena De Preester
Publisher: John Benjamins Publishing
ISBN: 902727200X
Category : Social Science
Languages : en
Pages : 328

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Book Description
This volume brings together contributions by philosophers, art historians and artists who discuss, interpret and analyse the moving and gesturing body in the arts. Broadly inspired by phenomenology, and taking into account insights from cognitive science, the contribution of the motor body in watching a film, attending a dance or theatre performance, looking at paintings or drawings, and listening to music is explored from a diversity of perspectives. This volume is intended for both the specialist and non-specialist in the fields of art, philosophy and cognitive science, and testifies to the burgeoning interest for the moving and gesturing body, not only in the creation but also in the perception of works of art. Imagination is tied to our capacity to silently resonate with the way a work of art has been or is created.

The Image in Mind

The Image in Mind PDF Author: Charles Taliaferro
Publisher: Bloomsbury Publishing
ISBN: 1441148825
Category : Religion
Languages : en
Pages : 339

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Book Description
A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.

Art and the City

Art and the City PDF Author: Sarah Schrank
Publisher: University of Pennsylvania Press
ISBN: 0812204107
Category : Art
Languages : en
Pages : 226

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Book Description
"Art and the City" explores the contentious relationship between civic politics and visual culture in Los Angeles. Struggles between civic leaders and modernist artists to define civic identity and control public space highlight the significance of the arts as a site of political contest in the twentieth century.

Fiction and Art

Fiction and Art PDF Author: Ananta Ch. Sukla
Publisher: Bloomsbury Publishing
ISBN: 1472575067
Category : Philosophy
Languages : en
Pages : 642

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Book Description
The nature of fiction has long been debated across the humanities, and is of considerable importance for philosophical aesthetics, literary theory, narratology and the history of ideas. This volume offers something entirely new: a selection of multidisciplinary perspectives on fiction written by an international team of contributors at the forefront of their fields, providing a spectrum of approaches to compare and contrast. This volume, divided between historical, cognitive, aesthetic and non-western approaches, targets a wide range of topics, including mathematics, history, religion and metaphysics. This is a seminal volume on one of the most important topics in the humanities.

An Introduction to the Philosophy of Art

An Introduction to the Philosophy of Art PDF Author: Richard Eldridge
Publisher: Cambridge University Press
ISBN: 9780521805216
Category : Art
Languages : en
Pages : 300

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Book Description
Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, he explores the representational, expressive, and formal dimensions of art, and he argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest. His accessible study will be invaluable to students and to all readers who are interested in the relation between thought and art.

Art Theory as Visual Epistemology

Art Theory as Visual Epistemology PDF Author: Harald Klinke
Publisher: Cambridge Scholars Publishing
ISBN: 1443862517
Category : Art
Languages : en
Pages : 155

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Book Description
How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collective search for truth? Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general. Thus, the history of art theory can contribute much to recent discussions in Visual Studies and Bildwissenschaften by showing the historic dimension of arguments about what images are or should be. “What is knowledge?” is as much a philosophic question as “What is an image?” Visual epistemology is a new and promising research field that is best investigated using an interdisciplinary approach that addresses a range of interconnected areas, such as internal and external images and the interplay of producer and perceiver of images. This publication outlines this territory by gathering together several approaches to visual epistemology by many distinguished authors.

The Philosophical Imagination

The Philosophical Imagination PDF Author: Richard Moran
Publisher: Oxford University Press
ISBN: 0190633778
Category : Art
Languages : en
Pages : 345

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Book Description
A collection of philosophical articles on subjects ranging from aesthetics, the philosophy of mind and action, the first person, to engagements with various contemporary philosophers.

Seeing More

Seeing More PDF Author: Samantha Matherne
Publisher: Oxford University Press
ISBN: 0198898290
Category : Philosophy
Languages : en
Pages : 448

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Book Description
Samantha Matherne defends a systematic interpretation of the philosopher Immanuel Kant's theory of imagination. To this end, she offers an account of what kind of mental capacity Kant takes imagination to be in general, as well as an account of the way in which we use this capacity in theoretical, aesthetic, and practical contexts. In contrast with more traditional theories of imagination, as a kind of fantasy that we exercise only in relation to objects that are not real or not present, Matherne argues that Kant theorizes imagination as something that we exercise just as much in relation to objects that are real and present. Thus she attributes to Kant a view of imagining as something that pervades our lives. In order to bring out this pervasiveness, Matherne explores Kant's account of how we exercise our imagination in perception, ordinary experience, the appreciation of beauty and sublimity, the production of art, the pursuit of happiness, and the pursuit of morality. However, she also argues that Kant's analysis of this wide range of phenomena is underwritten by a unified theory of what imagination is, as a remarkably flexible cognitive capacity that we can exercise in constrained and creative, playful and serious ways.