Author: Jacques Baud
Publisher: Max Milo
ISBN: 2315013070
Category : Political Science
Languages : en
Pages : 304
Book Description
Pourquoi l’Ukraine est en train de perdre la guerre contre la Russie ? Comment les deux camps pensent et mènent leurs opérations ? Quelles ont été les erreurs de part et d’autre ? Comment l’Occident a contribué à la défaite ukrainienne ?... Pour répondre à ces questions et à bien d’autres, Jacques Baud s’appuie sur des informations officielles, des documents américains, occidentaux et russes. Il explique la manière dont la Russie comprend et conduit la guerre. Il montre combien l’incapacité des Occidentaux à comprendre cette réalité et leur détermination à affaiblir la Russie s’est retournée contre l’Ukraine. Après les best-sellers Poutine, le maître du jeu ?, Opération Z et Ukraine entre guerre et paix dont le travail d’analyse a été salué dans le monde entier et dont les ouvrages ont été traduits dans plusieurs pays, l’auteur revient sur la guerre en Ukraine. Il expose la manière dont la Russie l’a menée et comment l’image qu’en ont donné les Occidentaux a conduit l’Ukraine vers l’échec.
L'art de la guerre russe
Author: Jacques Baud
Publisher: Max Milo
ISBN: 2315013070
Category : Political Science
Languages : en
Pages : 304
Book Description
Pourquoi l’Ukraine est en train de perdre la guerre contre la Russie ? Comment les deux camps pensent et mènent leurs opérations ? Quelles ont été les erreurs de part et d’autre ? Comment l’Occident a contribué à la défaite ukrainienne ?... Pour répondre à ces questions et à bien d’autres, Jacques Baud s’appuie sur des informations officielles, des documents américains, occidentaux et russes. Il explique la manière dont la Russie comprend et conduit la guerre. Il montre combien l’incapacité des Occidentaux à comprendre cette réalité et leur détermination à affaiblir la Russie s’est retournée contre l’Ukraine. Après les best-sellers Poutine, le maître du jeu ?, Opération Z et Ukraine entre guerre et paix dont le travail d’analyse a été salué dans le monde entier et dont les ouvrages ont été traduits dans plusieurs pays, l’auteur revient sur la guerre en Ukraine. Il expose la manière dont la Russie l’a menée et comment l’image qu’en ont donné les Occidentaux a conduit l’Ukraine vers l’échec.
Publisher: Max Milo
ISBN: 2315013070
Category : Political Science
Languages : en
Pages : 304
Book Description
Pourquoi l’Ukraine est en train de perdre la guerre contre la Russie ? Comment les deux camps pensent et mènent leurs opérations ? Quelles ont été les erreurs de part et d’autre ? Comment l’Occident a contribué à la défaite ukrainienne ?... Pour répondre à ces questions et à bien d’autres, Jacques Baud s’appuie sur des informations officielles, des documents américains, occidentaux et russes. Il explique la manière dont la Russie comprend et conduit la guerre. Il montre combien l’incapacité des Occidentaux à comprendre cette réalité et leur détermination à affaiblir la Russie s’est retournée contre l’Ukraine. Après les best-sellers Poutine, le maître du jeu ?, Opération Z et Ukraine entre guerre et paix dont le travail d’analyse a été salué dans le monde entier et dont les ouvrages ont été traduits dans plusieurs pays, l’auteur revient sur la guerre en Ukraine. Il expose la manière dont la Russie l’a menée et comment l’image qu’en ont donné les Occidentaux a conduit l’Ukraine vers l’échec.
Festschrift
Author: Royston Oscar Jones
Publisher: Tamesis Books
ISBN: 9780900411687
Category : Spanish literature
Languages : en
Pages : 404
Book Description
Publisher: Tamesis Books
ISBN: 9780900411687
Category : Spanish literature
Languages : en
Pages : 404
Book Description
Cahiers du monde russe
Author:
Publisher:
ISBN:
Category : Former Soviet republics
Languages : fr
Pages : 308
Book Description
Publisher:
ISBN:
Category : Former Soviet republics
Languages : fr
Pages : 308
Book Description
Congrès international des traditions populaires
Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 690
Book Description
Picturing Russia
Author: Valerie Ann Kivelson
Publisher: Yale University Press
ISBN: 0300119615
Category : History
Languages : en
Pages : 304
Book Description
What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
Publisher: Yale University Press
ISBN: 0300119615
Category : History
Languages : en
Pages : 304
Book Description
What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
Russian Folk Art
Author: Alison Hilton
Publisher: Indiana University Press
ISBN: 9780253327536
Category : Art
Languages : en
Pages : 410
Book Description
Russian Folk Art surveys the traditions, styles, and functions of the many objects made by Russian peasant artists and artisans. Placing the objects within the settings in which folk artists worked -- the peasant household, the village, and the local market -- Alison Hilton discusses the principal media artists employed and the items they produced, from dippers and goblets to clothing and window frames. Emphasizing the balance between time-honored forms and techniques and the creativity of individual artists, the book explores how images and designs helped to form a Russian esthetic identity in the 19th and 20th centuries. Abundantly illustrated with examples from Russian museums, Russian Folk Art is a treasure for anyone interested in Russian culture.
Publisher: Indiana University Press
ISBN: 9780253327536
Category : Art
Languages : en
Pages : 410
Book Description
Russian Folk Art surveys the traditions, styles, and functions of the many objects made by Russian peasant artists and artisans. Placing the objects within the settings in which folk artists worked -- the peasant household, the village, and the local market -- Alison Hilton discusses the principal media artists employed and the items they produced, from dippers and goblets to clothing and window frames. Emphasizing the balance between time-honored forms and techniques and the creativity of individual artists, the book explores how images and designs helped to form a Russian esthetic identity in the 19th and 20th centuries. Abundantly illustrated with examples from Russian museums, Russian Folk Art is a treasure for anyone interested in Russian culture.
Mother Russia
Author: Joanna Hubbs
Publisher: Indiana University Press
ISBN: 9780253115782
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
"Joanna Hubbs has found the trace of Baba Yaga and the rusalki and Moist Mother Earth and other fascinating feminine myths in Russian culture, and has added richly to the growing interest in popular culture." -- New York Times Book Review "... brave... fascinating... immensely enjoyable... " -- Times Higher Education Supplement "... a stimulating and original study... vivid and readable." -- Russian Review "An immensely stimulating, beautifully written work of scholarship." -- Francine du Plessix Gray "Joanna Hubbs has provided scholars... with a wealth of significant interpretive material to inform if not reform views of both Russian and women's cultures." -- Journal of American Folklore A ground-breaking interpretation of Russian culture from prehistory to the present, dealing with the feminine myth as a central cultural force.
Publisher: Indiana University Press
ISBN: 9780253115782
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
"Joanna Hubbs has found the trace of Baba Yaga and the rusalki and Moist Mother Earth and other fascinating feminine myths in Russian culture, and has added richly to the growing interest in popular culture." -- New York Times Book Review "... brave... fascinating... immensely enjoyable... " -- Times Higher Education Supplement "... a stimulating and original study... vivid and readable." -- Russian Review "An immensely stimulating, beautifully written work of scholarship." -- Francine du Plessix Gray "Joanna Hubbs has provided scholars... with a wealth of significant interpretive material to inform if not reform views of both Russian and women's cultures." -- Journal of American Folklore A ground-breaking interpretation of Russian culture from prehistory to the present, dealing with the feminine myth as a central cultural force.
Physical Therapeutics
Author:
Publisher:
ISBN:
Category : Electrotherapeutics
Languages : en
Pages : 678
Book Description
Publisher:
ISBN:
Category : Electrotherapeutics
Languages : en
Pages : 678
Book Description
Compte rendu des séances
Author:
Publisher:
ISBN:
Category : Folklore
Languages : fr
Pages : 180
Book Description
Publisher:
ISBN:
Category : Folklore
Languages : fr
Pages : 180
Book Description
Portraits of Remembrance
Author: Margaret Hutchison
Publisher: University Alabama Press
ISBN: 0817320504
Category : Art
Languages : en
Pages : 349
Book Description
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.
Publisher: University Alabama Press
ISBN: 0817320504
Category : Art
Languages : en
Pages : 349
Book Description
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.