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Author: James Wells Champney
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Author: James Wells Champney
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Author: American Art Association
Publisher: Forgotten Books
ISBN: 9780260199447
Category :
Languages : en
Pages : 356
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Excerpt from Illustrated Catalogue of Pictures in Pastel, Oil, and Water Colors by the Late J. Wells Champney, A. N. A: To Be Sold at Unrestricted Public Sale on the Evenings Herein Stated Champney because they form such a large part of the collection here, and because not only of their excellence, but because also they are the results of the last years of his life, through which he was singularly known. But where Mr. Champney was not known, and where this collection is relatively a surprise, are his water colors from nature. They m not only often very beautiful of themselves, as more things to look at, but they have a note of sincerity, of representation of the very moment, which has the ums quality of truthfulness that I have noted in the copies. The time of day, the weather, even the very different kind of light in France or England are there. This is true even in such small matters as the comer of a walk at Versailles, where there may be noth ing but a statue and the dusty surface of the path. Had Mr. Champney followed out this side of painting, We should have had a. Series of landscape paintings Oi great value, marked by the one greatest of all qualities, that of absorption in the subject. These studies are all labors of love; they were often made in the resting spaces of a passionate worker to whom hard work was in itself a pleasure, and they have that captivating look of the thing done for pleasure, for the mere interest of the moment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: James Wells Champney
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Author: CHAMPNEY (James Wells)
Publisher:
ISBN:
Category : Paintings, (U.S.)
Languages : en
Pages : 32
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Author: M. Knoedler & Co
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: David C. Lyall
Publisher: Nabu Press
ISBN: 9781293477694
Category :
Languages : en
Pages : 340
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Illustrated Catalogue Of Paintings: Pastels And Water Colors Collected David C. Lyall, Thomas Ellis Kirby, American Art Association Press of J. J. Little & co., 1903 Painting
Author: M. Knoedler & Co
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: American Art Association
Publisher: Forgotten Books
ISBN: 9781527823501
Category :
Languages : en
Pages : 92
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Excerpt from Illustrated Catalogue of Paintings, Pastels and Water Colors by the Late Robert C. Minor, N. A IN the early seventies a group of young American art students, pursuing the exacting curriculum of the Antwerp Academy of Fine Arts, found themselves persuaded that there was something beyond the horizon which bounded the crypt-like class-rooms of that venerable institution, and began to look outside into the world of art, which they were soon to enter upon with the youthful anticipations of speedy success. The mentor of this little coterie of enthu siastic young man was a newcomer, himself a student, but a student with a more settled purpose and a more reason able and logical ambition than any of us. Compared with his enthusiasm, our emotions seemed tame and cold; we dreamed over processes, he gloried in results. We believed in the school of the Netherlands with a faith that was al most religious; he awakened our interest and developed our belief in the school of France. Our ideas were cramped and narrow because we had been long preoccupied with the absorbing study of the rudiments of the profession; his views on art were broad because, although he could not yet claim a place in the ranks of artists, he had been in close touch with some of the eminent men in the profession and had gained from this intercourse a balance of judgment which no student in the Academy possessed. That new comer was Robert Crannel Minor, and, although he came as a stranger to most of us, his influence made itself felt at once. He had been painting a year or two in America, latterly under the direction of Alfred C. Howland, whose proficiency was a great stimulus to his ambition. While work ing with Howland he began to feel that if he was to make a success as a landscape painter, it was necessary for him to seek his inspiration at the fountain head. This idea grew until he could no longer resist the call, and he left New York and joined the colony of painters in Barbizon at the time when that school was in the apogee of its suc cess. He worked hard for a season there under the per sonal influence and more or less under the direction of Diaz until, probably overpowered by the splendor of the accomplishment of his master and recognizing his own lack of training, he came to Antwerp to study under Van Luppen, a landscape painter of Wide renown and with an admirable technique. From him he learned the deliberate method of the Netherland school, and for a time it seemed as if he would be so influenced by this method that he would be in danger of losing that' point of view in art which distinguished him above his fellow student' Lit he was only acquiring the alphabet, and he had the good judg ment to strike out for himself as soon as he had become familiar with the method which the Flemish master was so well qualified to teach. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: American Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: American Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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