Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 606
Book Description
Bulletin of the Virginia State Library
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 606
Book Description
A Descriptive Bibliography of the Most Important Books in the English Language, Relating to the Art & History of Engraving and the Collecting of Prints
Author: Howard Coppuck Levis
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 746
Book Description
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 746
Book Description
A Finding List of Books Relating to Music, Fine Arts and Photography in the Virginia State Library
Author: Virginia State Library
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 594
Book Description
Trübner's Bibliographical Catalogues
Author: Kegan Paul, Trench, Trubner & Co
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 1236
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 1236
Book Description
Prints and Their Production
Author: New York Public Library
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 20
Book Description
Whistler and Artistic Exchange between Japan and the West
Author: Ayako Ono
Publisher: Taylor & Francis
ISBN: 1000877094
Category : Art
Languages : en
Pages : 159
Book Description
Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a 'modern', more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation. A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history.
Publisher: Taylor & Francis
ISBN: 1000877094
Category : Art
Languages : en
Pages : 159
Book Description
Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a 'modern', more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation. A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history.
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 980
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 980
Book Description
Catalogue of Autographs, Etc
Author: Dobell, P. J. & A. E., booksellers, London
Publisher:
ISBN:
Category :
Languages : en
Pages : 1012
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1012
Book Description
Japanese Prints Michener
Author: James Michener
Publisher: Tuttle Publishing
ISBN: 1462903908
Category : Art
Languages : en
Pages : 506
Book Description
Featuring hundreds of illustrations, Japanese Prints: From Early Masters to the Modern is a comprehensive history and survey of Japan’s most famous visual art form. The author, Mr. Michener has illustrated the book with lesser-known masterpieces rather than with those few prints that have been reproduced almost ad nauseam. Unlike earlier books, this does not stop with the past century, but brings the subject completely up to date, introducing, in the modern Japanese print, some of the most exciting art being created in Japan—and in the world—today. Japanese Prints also becomes a revealing account of the collecting of Japanese prints, with many valuable hints to collectors based upon the author's own experiences in gathering together one of the best print collections of recent years: it is a collecting field in which many hints are needed, with prices varying from $5 to $5,000 per print, and with forgeries and doubtful attributions on every hand.
Publisher: Tuttle Publishing
ISBN: 1462903908
Category : Art
Languages : en
Pages : 506
Book Description
Featuring hundreds of illustrations, Japanese Prints: From Early Masters to the Modern is a comprehensive history and survey of Japan’s most famous visual art form. The author, Mr. Michener has illustrated the book with lesser-known masterpieces rather than with those few prints that have been reproduced almost ad nauseam. Unlike earlier books, this does not stop with the past century, but brings the subject completely up to date, introducing, in the modern Japanese print, some of the most exciting art being created in Japan—and in the world—today. Japanese Prints also becomes a revealing account of the collecting of Japanese prints, with many valuable hints to collectors based upon the author's own experiences in gathering together one of the best print collections of recent years: it is a collecting field in which many hints are needed, with prices varying from $5 to $5,000 per print, and with forgeries and doubtful attributions on every hand.
Japanese Prints Michener
Author: James Michener
Publisher: Tuttle Publishing
ISBN: 1462903908
Category : Art
Languages : en
Pages : 506
Book Description
Featuring hundreds of illustrations, Japanese Prints: From Early Masters to the Modern is a comprehensive history and survey of Japan’s most famous visual art form. The author, Mr. Michener has illustrated the book with lesser-known masterpieces rather than with those few prints that have been reproduced almost ad nauseam. Unlike earlier books, this does not stop with the past century, but brings the subject completely up to date, introducing, in the modern Japanese print, some of the most exciting art being created in Japan—and in the world—today. Japanese Prints also becomes a revealing account of the collecting of Japanese prints, with many valuable hints to collectors based upon the author's own experiences in gathering together one of the best print collections of recent years: it is a collecting field in which many hints are needed, with prices varying from $5 to $5,000 per print, and with forgeries and doubtful attributions on every hand.
Publisher: Tuttle Publishing
ISBN: 1462903908
Category : Art
Languages : en
Pages : 506
Book Description
Featuring hundreds of illustrations, Japanese Prints: From Early Masters to the Modern is a comprehensive history and survey of Japan’s most famous visual art form. The author, Mr. Michener has illustrated the book with lesser-known masterpieces rather than with those few prints that have been reproduced almost ad nauseam. Unlike earlier books, this does not stop with the past century, but brings the subject completely up to date, introducing, in the modern Japanese print, some of the most exciting art being created in Japan—and in the world—today. Japanese Prints also becomes a revealing account of the collecting of Japanese prints, with many valuable hints to collectors based upon the author's own experiences in gathering together one of the best print collections of recent years: it is a collecting field in which many hints are needed, with prices varying from $5 to $5,000 per print, and with forgeries and doubtful attributions on every hand.