Il Tutor burlato. A new comic opera, in two acts, as performed at the King's Theatre, etc. Ital. & Eng

Il Tutor burlato. A new comic opera, in two acts, as performed at the King's Theatre, etc. Ital. & Eng PDF Author: TUTORE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 70

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Il Tutor burlato. A new comic opera, in two acts, as performed at the King's Theatre, etc. Ital. & Eng

Il Tutor burlato. A new comic opera, in two acts, as performed at the King's Theatre, etc. Ital. & Eng PDF Author: TUTORE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 70

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Book Description


Il Tutor Burlato

Il Tutor Burlato PDF Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 67

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THE BRITISH REGISTER, OR A Choice of the Most Interesting Articles, Selected Form All the English Periodical Works, Relative to the Literature, Arts, Sciences, History, Agriculture, Commerce, Chymistry, Physic, Medicine, Law, Manners and Customs of Great Britain. BY A SOCIETY OF GENTLEMEN.

THE BRITISH REGISTER, OR A Choice of the Most Interesting Articles, Selected Form All the English Periodical Works, Relative to the Literature, Arts, Sciences, History, Agriculture, Commerce, Chymistry, Physic, Medicine, Law, Manners and Customs of Great Britain. BY A SOCIETY OF GENTLEMEN. PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 492

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The Italian Opera Singers in Mozart's Vienna

The Italian Opera Singers in Mozart's Vienna PDF Author: Dorothea Link
Publisher: University of Illinois Press
ISBN: 0252053656
Category : Music
Languages : en
Pages : 459

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Book Description
Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.

Music in Eighteenth-Century Britain

Music in Eighteenth-Century Britain PDF Author: DavidWyn Jones
Publisher: Routledge
ISBN: 1351557408
Category : Music
Languages : en
Pages : 299

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Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Opera in London

Opera in London PDF Author: Theodore Fenner
Publisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830

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Book Description
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.

A History of English Drama 1660-1900

A History of English Drama 1660-1900 PDF Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109307
Category : Drama
Languages : en
Pages : 436

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Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.

A History of Late Eighteenth Century Drama, 1750-1800

A History of Late Eighteenth Century Drama, 1750-1800 PDF Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 408

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London Stage, 1660-1800

London Stage, 1660-1800 PDF Author: Charles Beecher Hogan
Publisher: SIU Press
ISBN: 9780809304370
Category :
Languages : en
Pages : 976

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A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800 PDF Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809311309
Category : Biography & Autobiography
Languages : en
Pages : 444

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Book Description
Those featured in Volume 10 include Margaret Martyr, a singer, actress, and dancer whose "conjugal virtues were often impeached," according to the July 1792Thespian Magazine. The Diction­ary describes this least constant of lovers as "of middling height, with a figure well-proportioned for breeches parts. [Her] black-haired, black-eyed beauty and clear soprano made her an immedi­ate popular success in merry maids and tuneful minxes, the piquant and the pert, for a quarter century."