Ignacio Cervantes and the XIX-Century Cuban Danza PDF Download
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Author: Salomón Gadles Mikowsky
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659825316
Category :
Languages : en
Pages : 280
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Book Description
This book attempts to fill a vacuum by directing its attention to the XIX-Century Cuban Danza, in which lay the beginnings of Cuban music as a distinct national expression. An understanding of the development of the Danza from a classic European figure dance to a stylized piano piece, with characteristic Cuban qualities, is basic to an understanding of Cuban music. The foremost Cuban composer of the Danza was Ignacio Cervantes. A study of his output is, therefore, basic to an understanding of Cuban music. This study seeks to penetrate the confusion and controversy surrounding the origins of the Cuban Danza and to clarify its historical and stylistic traits. The path of the Danza is traced from Europe to Cuba and its development there throughout the XIX-Century, examining Cervantes' contribution and that of the other important composers of this dance form during that period.
Author: Salomón Gadles Mikowsky
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659825316
Category :
Languages : en
Pages : 280
Get Book Here
Book Description
This book attempts to fill a vacuum by directing its attention to the XIX-Century Cuban Danza, in which lay the beginnings of Cuban music as a distinct national expression. An understanding of the development of the Danza from a classic European figure dance to a stylized piano piece, with characteristic Cuban qualities, is basic to an understanding of Cuban music. The foremost Cuban composer of the Danza was Ignacio Cervantes. A study of his output is, therefore, basic to an understanding of Cuban music. This study seeks to penetrate the confusion and controversy surrounding the origins of the Cuban Danza and to clarify its historical and stylistic traits. The path of the Danza is traced from Europe to Cuba and its development there throughout the XIX-Century, examining Cervantes' contribution and that of the other important composers of this dance form during that period.
Author: Solomon Gadles Mikowsky
Publisher:
ISBN:
Category : Dance music
Languages : en
Pages : 662
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Book Description
Author: IGNACIO CERVANTES
Publisher: Mel Bay Publications
ISBN: 1609741072
Category : Music
Languages : en
Pages : 44
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Book Description
Select Cuban Dances by 19th century Cuban composer Ignacio Cervantes (1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the contradanza. They were conceived by Cervantes as a page in the album of the Romantic Century. This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate pull-out sections for guitar and flute.
Author: Elias Barreiro
Publisher: Mel Bay Publications
ISBN: 1619118130
Category : Music
Languages : en
Pages : 81
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Book Description
This great collection of 19th century music is a recognition of Cuban composers who along with Manuel Saumell and Ignacio Cervantes produced a rich legacy of music in both popular and classical genres. Written in standard notation.
Author: Miguel Flores Covarrubias
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Elias Barreiro
Publisher: Mel Bay Publications
ISBN: 1609745930
Category : Music
Languages : en
Pages : 81
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Book Description
The thirty-eight Danzas Cubanas of Ignacio Cervantes (1847-1905) were originally written for the piano and conceived as "a page in the album of the Romantic Century". Together with improvised components, this music reflects the popular melodic and rhythmic unity which reached its apex in Cuban dances as performed at dance academies. This edition presents all 38 engaging pieces in standard notation for solo guitar.
Author: Cervantes IGNACIO
Publisher:
ISBN: 9780786689279
Category :
Languages : en
Pages :
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Book Description
Select Cuban Dances by 19th century Cuban composer Ignacio Cervantes(1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the contradanza. They were conceived by Cervantes as a page in the album of the Romantic Century. This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate online PDF sections forguitar and flute
Author: Scott Wolf
Publisher: Lulu.com
ISBN: 1105862151
Category : Art
Languages : en
Pages : 16
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Book Description
Ignacio Cervantes is one of Cuba's most influential composers and pianists. While studying at the Paris Conservatoire, he won top prizes in composition and performance and was praised by such luminaires as Franz Lizst. His most well-known and respected works are his series of several dozen Cuban dances, in which he synthesized European classical music and African rhythms, like the habanera and tango, into a new and unmistakably Cuban style.This arrangement for guitar presents five of the most distinctive and elegant of these Cuban dances, which we have titled Escenas (Scenes). Each of these dances was given a descriptive title by Cervantes, which creates a colorful narrative when played as set. They suit the intimate and energetic nature of the guitar perfectly, and are arranged in a manner that allows the performer to effortlessly present a unique interpretation."Scott Wolf's editions are so skillfully done, his arrangements sound as if they were written originally for the guitar" -Scott Tennant
Author: Ignacio Cervantes
Publisher: Mel Bay Publications
ISBN: 0786616784
Category : Music
Languages : en
Pages : 20
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Book Description
Select "Cuban Dances" by 19th century Cuban composer Ignacio Cervantes (1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the "contradanza." They were conceived by Cervantes as "a page in the album of the Romantic Century." This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate pull-out sections for guitar and flute.
Author: Bruno Nettl
Publisher: University of Chicago Press
ISBN: 9780226574103
Category : Music
Languages : en
Pages : 434
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Book Description
In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, In the Course of Performance will be indispensable to anyone attracted to this fascinating art. Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan.
