Idols for Destruction

Idols for Destruction PDF Author: Herbert Schlossberg
Publisher: Regnery Publishing
ISBN:
Category : Religion
Languages : en
Pages : 376

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Idols for Destruction

Idols for Destruction PDF Author: Herbert Schlossberg
Publisher: Crossway
ISBN: 9780891077381
Category : Religion
Languages : en
Pages : 372

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Book Description
"The bookshelf next to my desk holds Christian classics and books I refer to often. Idols sits on that shelf, for Herb's lucid critique has been an invaluable reference for my own writings. It helps believers to understand the ideologies that undergird secular culture, and how they dramatically--and dangerously--differ from the Judeo-Christian view based on adherence to absolute truth." --Charles Colson, Prison Fellowship "Well-written and highly readable... discerning and critical analysis of our times; a stimulating contribution." --Carl F. H. Henry "This book has become a vade mecum for thousands of Christians who understand the cultural disaster of our time and are determined to do something about it." --Richard John Neuhaus, Editor-in-chief, First Things "Now that Francis Schaeffer is no longer with us, Schlossberg is just about the most provocative Christian thinker around." --Harold O. J. Brown, Professor of Theology, Trinity Evangelical Divinity School "Years before anyone talked about an American 'culture war, ' Herb Schlossberg penned an acute description of the crisis of virtue that is the domestic issue of the 1990s. His diagnosis remains essential reading for everyone who believes that self-governing republic requires self-governing and morally serious citizens." --George Weigel, President, Ethics and Public Policy Center "Thorough, provocative and especially penetrating. If you want to think Christianly about culture Idols for Destruction is must reading " --John H. White, President, Geneva College

Idols for Destruction

Idols for Destruction PDF Author: Herbert Schlossberg
Publisher: Regnery Publishing
ISBN:
Category : Religion
Languages : en
Pages : 376

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Book Description


Idols for Destruction

Idols for Destruction PDF Author: Herbert Schlossberg
Publisher:
ISBN: 9780840758323
Category : Christianity
Languages : en
Pages : 344

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The Darkening Age

The Darkening Age PDF Author: Catherine Nixey
Publisher: HarperCollins
ISBN: 0544800931
Category : History
Languages : en
Pages : 373

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Book Description
A New York Times Notable Book, winner of the Jerwood Award from the Royal Society of Literature, a New York Times Book Review Editors’ Choice, and named a Book of the Year by the Telegraph, Spectator, Observer, and BBC History Magazine, this bold new history of the rise of Christianity shows how its radical followers helped to annihilate Greek and Roman civilizations. The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to "one true faith." Despite the long-held notion that the early Christians were meek and mild, going to their martyrs' deaths singing hymns of love and praise, the truth, as Catherine Nixey reveals, is very different. Far from being meek and mild, they were violent, ruthless, and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth, and the light but that, by extension, every single other way was wrong and had to be destroyed. From the first century to the sixth, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial, and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces, and their priests killed. It was an annihilation. Authoritative, vividly written, and utterly compelling, this is a remarkable debut from a brilliant young historian.

Fallen Idols

Fallen Idols PDF Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282

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Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?

Framing Celebrity

Framing Celebrity PDF Author: Su Holmes
Publisher: Routledge
ISBN: 1135653712
Category : Performing Arts
Languages : en
Pages : 366

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Book Description
Celebrity culture has a pervasive presence in our everyday lives – perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyses this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts. The authors investigate topics such as the intimacy of fame, political celebrity, stardom in American ‘quality’ television (Sarah Jessica Parker), celebrity 'reality' TV (I’m a Celebrity ... Get Me Out of Here!), the circulation of the porn star, the gallery film (David/David Beckham), the concept of cartoon celebrity (The Simpsons), fandom and celebrity (k.d. lang, *NSYNC), celebrity in the tabloid press, celebrity magazines (heat, Celebrity Skins), the fame of the serial killer and narratives of mental illness in celebrity culture. The collection is organized into four themed sections: Fame Now broadly examines the contemporary contours of fame as they course through new media sites (such as 'reality' TV and the internet) and different social, cultural and political spaces. Fame Body attempts to situate the star or celebrity body at the centre of the production, circulation and consumption of contemporary fame. Fame Simulation considers the increasingly strained relationship between celebrity and artifice and ‘authenticity’. Fame Damage looks at the way the representation of fame is bound up with auto-destructive tendencies or dissolution.

Broken Idols of the English Reformation

Broken Idols of the English Reformation PDF Author: Margaret Aston
Publisher: Cambridge University Press
ISBN: 1316060470
Category : History
Languages : en
Pages : 1994

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Book Description
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

We Become What we Worship

We Become What we Worship PDF Author: G K Beale
Publisher: Inter-Varsity Press
ISBN: 1789740002
Category : Religion
Languages : en
Pages : 311

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Book Description
The heart of the biblical understanding of idolatry, argues Gregory Beale, is that we take on the characteristics of what we worship. Employing Isaiah 6 as his interpretive lens, Beale demonstrates that this understanding of idolatry permeates the whole canon, from Genesis to Revelation. Beale concludes with an application of the biblical notion of idolatry to the challenges of contemporary life.

Idols in the House

Idols in the House PDF Author: Ted Flynn
Publisher:
ISBN: 9780963430717
Category : Religion
Languages : en
Pages : 308

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Book Description


The Idol in the Age of Art

The Idol in the Age of Art PDF Author: Michael Wayne Cole
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652908
Category : History
Languages : en
Pages : 392

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Book Description
Conflicting attitudes towards devotional art was a major factor in the confessional divisions that split Reformation Europe. By presenting essays concerned with both European subjects and European perceptions of other cultures, The Idol in the Age of Art contributes to ongoing attempts to globalize the study of European art. Approaching the Reformation idol as an essentially international problem, and placing particular emphasis on cultural encounters, it provides fresh perspectives on the very nature of Renaissance art, and underscores how colonial issues came to be often framed in terms of European religious conflicts.