Ideas of Order in Contemporary American Poetry PDF Download
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Author: Diana von Finck
Publisher: Königshausen & Neumann
ISBN: 9783826036521
Category : American poetry
Languages : en
Pages : 276
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Book Description
Author: Diana von Finck
Publisher: Königshausen & Neumann
ISBN: 9783826036521
Category : American poetry
Languages : en
Pages : 276
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Book Description
Author: Ryan G. Van Cleave
Publisher: Pearson
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 408
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Book Description
Features a collection of poetry from some of America's best poets and provides original commentaries and suggested exercises to help the reader explore the meaning behind these poets' works.
Author: David Orr
Publisher: Harper Collins
ISBN: 0062079417
Category : Literary Criticism
Languages : en
Pages : 159
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Book Description
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Author: Fred Moten
Publisher:
ISBN: 9780988713710
Category : American poetry
Languages : en
Pages : 0
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Book Description
Poetry. African American Studies. Music. California Interest. THE FEEL TRIO is Cecil Taylor, Tony Oxley and William Parker. Or is it that THE FEEL TRIO are Cecil Taylor, Tony Oxley and William Parker? See, that's the amazing problem and chance, right there! In the wake and air and light of THE FEEL TRIO, what it bears and what propels them, which is everything in particular, THE FEEL TRIO tries to put some things together. Alabama runs through those things like nobody's business. I kept trying to visit the uncounted space James Brown forms around the one. To celebrate the varieties of black devotion. But coalition can't be too easy; it's in our nature not to come naturally lyrically, beautifully violently. The organizing principles, in our extramusical tailor's retrofit of fitting, sharp as a tack from the tone worlds of east by southeast of Sheffield, the Bronx's compassionate project/s and fly, flaired, flared Corona: listen to everything, relax the shape, approach with love, be worthy of a lovely t! ***National Book Award Finalist, 2014
Author: Christopher Beach
Publisher: Northwestern University Press
ISBN: 9780810116788
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In Poetic Culture, Christopher Beach questions the cultural significance of poetry, both as a canonical system and as a contemporary practice. By analyzing issues such as poetry's loss of audience, the "anthology wars" of the 1950s and early 1960s, the academic and institutional orientation of current poetry, the poetry slam scene, and the efforts to use television as a medium for presenting poetry to a wider audience, Beach presents a sociocultural framework that is fundamental to an understanding of the poetic medium. While calling for new critical methods that allow us to examine poetry beyond the limits of the accepted contemporary canon, and beyond the terms in which canonical poetry is generally discussed and evaluated, Beach also makes a compelling case for poetry and its continued vitality both as an aesthetic form and as a site for the creation of community and value.
Author: Thomas Gardner
Publisher: U of Nebraska Press
ISBN: 9780803221765
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
In Regions of Unlikeness Thomas Gardner explores the ways a number of quite different twentieth-century American poets, including Elizabeth Bishop, John Ashbery, Robert Hass, Jorie Graham, and Michael Palmer, frame their work as taking place within, and being brought to life by, an acknowledgment of the limits of language. Gardner approaches their poetry in light of philosopher Stanley Cavell?s remarkably similar engagement with the issues of skepticism and linguistic finitude. The skeptic?s refusal to settle for anything less than perfect knowledge of the world, Cavell maintains, amounts to a refusal to accept the fact of human finitude. Gardner argues that both Cavell and the poets he discusses reject skepticism?s world-erasing conclusions but nonetheless honor the truth about the limits of knowledge that skepticism keeps alive. In calling attention to the limits of such acts as describing or remembering, the poets Gardner examines attempt to renew language by teasing a charged drama out of their inability to grasp with certainty. ø Juxtaposed with Gardner?s readings of the work of the younger poets are his interviews with them. In many ways, these conversations are at the core of Gardner?s book, demonstrating the wide-ranging implications of the struggles and mappings enacted in the poems. The interviews are themselves examples of the charged intimacy Gardner deals with in his readings.
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author: Terrance Hayes
Publisher: Penguin
ISBN: 1101222883
Category : Poetry
Languages : en
Pages : 114
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Book Description
Winner of the 2010 National Book Award for Poetry Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 In his fourth collection, Terrance Hayes investigates how we construct experience. With one foot firmly grounded in the everyday and the other hovering in the air, his poems braid dream and reality into a poetry that is both dark and buoyant. Cultural icons as diverse as Fela Kuti, Harriet Tubman, and Wallace Stevens appear with meditations on desire and history. We see Hayes testing the line between story and song in a series of stunning poems inspired by the Pecha Kucha, a Japanese presentation format. This innovative collection presents the light- headedness of a mind trying to pull against gravity and time. Fueled by an imagination that enlightens, delights, and ignites, Lighthead leaves us illuminated and scorched.
Author: Jorie Graham
Publisher: Scribner Paper Fiction
ISBN: 9780020327851
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
An anthology of contemporary poets presents works that reflect the diversity in American poetry.
Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 201
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Book Description
Louisiana Endowment for the Humanities UNCATALOGED TXB.
