Author: Charles D. Collins
Publisher: State University of New York Press
ISBN: 0791499537
Category : Religion
Languages : en
Pages : 360
Book Description
The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.
The Iconography and Ritual of Śiva at Elephanta
Author: Charles D. Collins
Publisher: State University of New York Press
ISBN: 0791499537
Category : Religion
Languages : en
Pages : 360
Book Description
The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.
Publisher: State University of New York Press
ISBN: 0791499537
Category : Religion
Languages : en
Pages : 360
Book Description
The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.
Satarudriya: Vibhuti Or Shiva'S Iconography
Author: C. Sivaramamurti
Publisher: Abhinav Publications
ISBN: 9788170170389
Category :
Languages : en
Pages : 220
Book Description
The present book on ‘Satarudriya: Vibhuti of Siva’s Iconography’ is not only the text from the Krishnayajurveda Taittiriya Samhita with its translation but is a discussion of the epithets and their significance in the context of the iconographic concepts associated with Siva and the importance of this Vedic text in understanding the immanence of the Almighty conceived as Rudra. These discussions are illustrated by a bunch of chosen examples of art that form the plates accompanying the text. After a brilliant academic career C. Sivaramamurti entered the Museum profession as Curator for Archaeology in the Madras Museum. He then joined the Archaeological Survey of India as Superintendent, Archaeological Section, Indian Museum, Calcutta, whence he came over to the National Museum as Keeper and rose as Assistant Director and finally became the Director. Closely associated with the International Council of Museums he was in its executive committee and was Chairman of the Indian National Committee of ICOM.
Publisher: Abhinav Publications
ISBN: 9788170170389
Category :
Languages : en
Pages : 220
Book Description
The present book on ‘Satarudriya: Vibhuti of Siva’s Iconography’ is not only the text from the Krishnayajurveda Taittiriya Samhita with its translation but is a discussion of the epithets and their significance in the context of the iconographic concepts associated with Siva and the importance of this Vedic text in understanding the immanence of the Almighty conceived as Rudra. These discussions are illustrated by a bunch of chosen examples of art that form the plates accompanying the text. After a brilliant academic career C. Sivaramamurti entered the Museum profession as Curator for Archaeology in the Madras Museum. He then joined the Archaeological Survey of India as Superintendent, Archaeological Section, Indian Museum, Calcutta, whence he came over to the National Museum as Keeper and rose as Assistant Director and finally became the Director. Closely associated with the International Council of Museums he was in its executive committee and was Chairman of the Indian National Committee of ICOM.
Śiva in Dance, Myth and Iconography
Author: Anne-Marie Gaston
Publisher: Oxford University Press, USA
ISBN: 9780195625950
Category : Dance
Languages : en
Pages : 242
Book Description
In this book, Anne-Marie Gaston, a professional exponent of several Indian classical dance styles, combines her knowledge of the oral and literary traditions of Bharata Natyam with an extensive review of Saivite sculpture. She demonstrates that sculptural depictions of Siva, and his manifestations in dance, have a common root in mythology, and shows the interdependence of the two arts through an examination of symbolic stances and postures of the hands and feet. Beginning with a brief historical survey of the dance in India, Gaston discusses its secular-religious functions and the extent to which changing social norms have affected the form.
Publisher: Oxford University Press, USA
ISBN: 9780195625950
Category : Dance
Languages : en
Pages : 242
Book Description
In this book, Anne-Marie Gaston, a professional exponent of several Indian classical dance styles, combines her knowledge of the oral and literary traditions of Bharata Natyam with an extensive review of Saivite sculpture. She demonstrates that sculptural depictions of Siva, and his manifestations in dance, have a common root in mythology, and shows the interdependence of the two arts through an examination of symbolic stances and postures of the hands and feet. Beginning with a brief historical survey of the dance in India, Gaston discusses its secular-religious functions and the extent to which changing social norms have affected the form.
Elements of Hindu Iconography
Author: T. A. Gopinatha Rao
Publisher:
ISBN:
Category : Art, Hindu
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Art, Hindu
Languages : en
Pages : 770
Book Description
Śaiva Iconography
Author:
Publisher:
ISBN: 9789384101404
Category :
Languages : en
Pages : 155
Book Description
Publisher:
ISBN: 9789384101404
Category :
Languages : en
Pages : 155
Book Description
Iconography of Sadasiva
Author:
Publisher: Abhinav Publications
ISBN: 9788170170372
Category :
Languages : en
Pages : 140
Book Description
The Book Deals With The Iconography Of Sadasiva, An Important Form Of Lord Siva. It Has Four Chapters: Sadasiva, Mahasadasiva, The Consort Of Sadasiva, And Resume. The Sadasiva Aspect Of Siva, Having Five Heads And Ten Arms, Did Not Receive Much Attention From The Scholars So Far. The Present Book Envisages To Bring Together All The Material Bearing On The Subject. A Number Of Photographs, Mostly Of Unpublished Sculptures, Bronzes And Miniature Paintings Representing Different Phases Of Indian Art, Illustrate The Text And Make The Book Useful For The Students Of Art, Iconography, Religion And Philosophy. The Seven Appendices, Appended At The End, Provide Information As Gleaned From Religious And Secular Literature Related To The Subject.
Publisher: Abhinav Publications
ISBN: 9788170170372
Category :
Languages : en
Pages : 140
Book Description
The Book Deals With The Iconography Of Sadasiva, An Important Form Of Lord Siva. It Has Four Chapters: Sadasiva, Mahasadasiva, The Consort Of Sadasiva, And Resume. The Sadasiva Aspect Of Siva, Having Five Heads And Ten Arms, Did Not Receive Much Attention From The Scholars So Far. The Present Book Envisages To Bring Together All The Material Bearing On The Subject. A Number Of Photographs, Mostly Of Unpublished Sculptures, Bronzes And Miniature Paintings Representing Different Phases Of Indian Art, Illustrate The Text And Make The Book Useful For The Students Of Art, Iconography, Religion And Philosophy. The Seven Appendices, Appended At The End, Provide Information As Gleaned From Religious And Secular Literature Related To The Subject.
The Presence of Siva
Author: S. Kramrisch
Publisher: Princeton University Press
ISBN: 9780691019307
Category : Religion
Languages : en
Pages : 568
Book Description
One of the three great gods of Hinduism, Siva is a living god. The most sacred and most ancient book of India, The Rg Veda, evokes his presence in its hymns; Vedic myths, rituals, and even astronomy testify to his existence from the dawn of time. In a lively meditation on Siva--based on original Sanskrit texts, many translated here for the first time--Stella Kramrisch ponders the metaphysics, ontology, and myths of Siva from the Vedas and the Puranas. Who is Siva? Who is this god whose being comprises and transcends everything? From the dawn of creation, the Wild God, the Great Yogi, the sum of all opposites, has been guardian of the absolute. By retelling and interweaving the many myths that keep Siva alive in India today, Kramrisch reveals the paradoxes in Siva's nature and thus in the nature of consciousness itself.
Publisher: Princeton University Press
ISBN: 9780691019307
Category : Religion
Languages : en
Pages : 568
Book Description
One of the three great gods of Hinduism, Siva is a living god. The most sacred and most ancient book of India, The Rg Veda, evokes his presence in its hymns; Vedic myths, rituals, and even astronomy testify to his existence from the dawn of time. In a lively meditation on Siva--based on original Sanskrit texts, many translated here for the first time--Stella Kramrisch ponders the metaphysics, ontology, and myths of Siva from the Vedas and the Puranas. Who is Siva? Who is this god whose being comprises and transcends everything? From the dawn of creation, the Wild God, the Great Yogi, the sum of all opposites, has been guardian of the absolute. By retelling and interweaving the many myths that keep Siva alive in India today, Kramrisch reveals the paradoxes in Siva's nature and thus in the nature of consciousness itself.
The Dance of Siva
Author: David Smith
Publisher: Cambridge University Press
ISBN: 9780521528658
Category : Religion
Languages : en
Pages : 320
Book Description
This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.
Publisher: Cambridge University Press
ISBN: 9780521528658
Category : Religion
Languages : en
Pages : 320
Book Description
This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.
Shiva to Shankara
Author: Devdutt Pattanaik
Publisher: Indus Source
ISBN: 9788188569045
Category : Religion
Languages : en
Pages : 176
Book Description
Many modern scholars say Shiva linga is a phallic symbol. Most devotees disagree. Who is right? To make sense of a mythological image one has to align the language heard stories] with the language performed rituals], and the language seen symbols]. This book also looks at the sexual metaphors.
Publisher: Indus Source
ISBN: 9788188569045
Category : Religion
Languages : en
Pages : 176
Book Description
Many modern scholars say Shiva linga is a phallic symbol. Most devotees disagree. Who is right? To make sense of a mythological image one has to align the language heard stories] with the language performed rituals], and the language seen symbols]. This book also looks at the sexual metaphors.
The Concept of Rudra-Śiva Through the Ages
Author: Mahadev Chakravarti
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120800533
Category : Religion
Languages : en
Pages : 264
Book Description
The present book throws new light on the gradual development of the concept of Rudra-Siva in his animal, phallic and human forms, since the days of the Harappa Civilization. It examines how Siva, the composite Aryan-non-Aryan Divinity, was not only admitted but was ultimately crowned with an exalted position in the Brahmanical pantheon; how the bull once identified with the deity, was regulated to the position of a vahana; how phallism was related to Saivism and also how Siva, in his different forms, was represented in early Indian Art and the Art of Further India. The wide range and depth of the author's research fills a vital gap in the subject and his treatment of the entire subject is unique. This methodical study on Siva also contains an exhaustive bibliography.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120800533
Category : Religion
Languages : en
Pages : 264
Book Description
The present book throws new light on the gradual development of the concept of Rudra-Siva in his animal, phallic and human forms, since the days of the Harappa Civilization. It examines how Siva, the composite Aryan-non-Aryan Divinity, was not only admitted but was ultimately crowned with an exalted position in the Brahmanical pantheon; how the bull once identified with the deity, was regulated to the position of a vahana; how phallism was related to Saivism and also how Siva, in his different forms, was represented in early Indian Art and the Art of Further India. The wide range and depth of the author's research fills a vital gap in the subject and his treatment of the entire subject is unique. This methodical study on Siva also contains an exhaustive bibliography.