Author: Thomas Girst
Publisher: Thames & Hudson
ISBN: 0500771979
Category : Art
Languages : en
Pages : 251
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Book Description
“Girst elegantly unravels the skeins of Duchamp’s thinking. . . . An essential compendium for puzzling out an essential artist.” —Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation Among the most influential artists of the last hundred years, Marcel Duchamp holds great allure for many contemporary artists worldwide and is largely considered to be one of the founding fathers of modern art. Despite this popularity, books on Duchamp are often hyper-theoretical, rarely presenting the artist in an accessible way. This new book explores the artist’s life and work through short, alphabetical dictionary entries that introduce his legacy in a clear and engaging way. From alchemy and anatomy to Warhol and windows, The Duchamp Dictionary offers a pithy and readable text that draws on in-depth scholarship and the very latest research. Thomas Girst includes close to 200 entries on the most interesting and important artworks, relationships, people, and ideas in Duchamp’s life—from The Bicycle Wheel and Fountain to Walter and Louise Arensberg, Peggy Guggenheim, Katherine Dreier, and Arturo Schwarz. Delightful, newly commissioned illustrations introduce each letter of the alphabet and accompany select entries, capturing the irreverent spirit of the artist himself.
Author: Janine A. Mileaf
Publisher: Mit Press
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art.
Author: Sally Macarthur
Publisher: Routledge
ISBN: 1317091264
Category : Music
Languages : en
Pages : 288
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Book Description
The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers.
Author: Jani McCutcheon
Publisher: Edward Elgar Publishing
ISBN: 1788971477
Category : Law
Languages : en
Pages : 463
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Book Description
Featuring international contributions from leading and emerging scholars, this innovative Research Handbook presents a panoramic view of how law sees visual art, and how visual art sees law. It resists the conventional approach to art and law as inherently dissonant – one a discipline preoccupied with rationality, certainty and objectivity; the other a creative enterprise ensconced in the imaginary and inviting multiple, unique and subjective interpretations. Blending these two distinct disciplines, this unique Research Handbook bridges the gap between art and law.
Author: Jodi Picoult
Publisher: Simon and Schuster
ISBN: 1476776873
Category : Fiction
Languages : en
Pages : 560
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Book Description
Traditional Chinese edition of Sing You Home. Jodi Picoult deftly tackles another controversial subject, this time, the subject of gay rights. Specifically, the right of gay women carrying a fetus and raising a baby. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.
Author: Richard Appignanisi
Publisher: Icon Books
ISBN: 1840469234
Category : Art
Languages : en
Pages : 193
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Book Description
Introducing Postmodernism tracks the idea back to its roots by taking a tour of some of the most extreme and exhilarating events, people and thought of the last hundred years: in art-constructivism, conceptual art, Marcel Duchamp, Jackson Pollock and Andy Warhol; in politics and history - McCarthy's witch-hunts, feminism, Francis Fukuyama and the Holocaust; in philosophy - the work of Derrida, Baudrillard, Foucault and Heidegger. This book also explores postmodernism's take on today, and the anxious grip of globalization, unpredictable terrorism and unforeseen war that greeted the dawn of the 21st century.
Author: Kristine McKenna
Publisher: Fantagraphics Books
ISBN: 1560975709
Category : Comics & Graphic Novels
Languages : en
Pages : 247
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Book Description
Kristine McKenna's work as a journalist began in the late 1970s, when she covered the Los Angeles punk scene for various domestic and international publications. During the '80s and '90s she wrote art, film and music criticism, and profiled directors, musicians and visual artists for a variety of publications including Artforum, Playboy, Rolling Stone, The Los Angeles Times and New York Rocker. Talk to Her is McKenna's second collection (the first was 1999's Book of Changes) of favorite interviews culled from McKenna's files, and the book reveal's McKenna's highly intimate technique as an interviewer. That she manages to get such candor out of her subjects is remarkable. The stunning list of interview subjects includes: Filmmaker Robert Altman; Jackie Onassis's cousin Edie Beale; punk rocker and poet Exene Cervenka; the musician Elvis Costello; surf guitar legend Dick Dale; the postmodern critic Jacques Derrida; Beat poet Allen Ginsberg; Television's Richard Hell and Tom Verlaine; art curator Walter Hopps; Pretenders frontwoman Chrissie Hynde; country music legend Rickie Lee Jones; the Sex Pistols' John Lydon (a.k.a. Johnny Rotten); singer and songwriter Joni Mitchell; the Rabbi Jonathan Omer-Man; punk rock legend Joey Ramone; New York rock legend Lou Reed; the actress Eva Marie Saint; and the recently-departed Joe Strummer of the Clash. Also included are brief oral histories of Andy Warhol and Orson Welles.
Author: Eve Lestrange
Publisher: Eve Lestrange
ISBN: 1478141743
Category : Fiction
Languages : en
Pages : 119
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Book Description
Solitary Fire continues to follow Christina Lafage along the left handed path to Vienna where wealthy nobleman, Paul Mrzak promises her and Madame Duchamp unimaginable riches and a string of affluent clients at his castle in Hungary. Paul's castle offers much intrigue and deception that feeds Christina's own suspicions about Paul's true motive behind his generous invitation. Christina's power continues to blossom and fascinate the nobles of Paul's court, who flock to her for all manners of occult services. But it is Paul's own request and the promise of a substantial fortune that lead Christina deeper into the black arts where strange visions and feelings of destiny haunt her dreams. Meanwhile, Paul's plan begins to unravel, bringing sinister secrets to light, however it is not only Paul harboring secrets as Christina confronts her master, Lucien, about her intensifying visions. Can the intimacy that she and Lucien have come to share prepare Christina for the whole shocking truth?
Author: Carole Lethbridge
Publisher: Hybrid Publishers
ISBN: 174298293X
Category : Family & Relationships
Languages : en
Pages : 238
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Book Description
This is the story of an emotional journey by an aging woman who still wants love and sex in her life and who is desperately trying to hold on to her long hair, her good looks and her youthful figure. Carole Lethbridge discovered at the age of 65 that she wanted romance back in her life after recovering from a serious bout of cancer. Her friend suggested she give internet dating a go as the chance of meeting someone suitable where she lived in the Blue Mountains was virtually nil. Online Dating After Sixty describes her internet and other dating experiences, as well as her responses to retirement, aging and friendship, many humorous conversations with local women and friends about aging and sex. Within days of her profile becoming live on RSVP, a 68-year-old guy walked into her life. The following week he was in her bed and she was besotted. He turned out to be a dishonest, uncommitted, unfaithful Lothario who was active on four other internet dating sites while involved with her. After having online contact with another 38 guys, she comes to the conclusion that finding a suitable and honest guy on internet dating sites wasn't like finding a needle in a haystack - it was more like finding a needle that had been dropped into the Pacific Ocean from an orbiting satellite! Nonetheless, Carole did eventually find a partner through the internet and has now settled down to a happy and contented relationship.
Author: Adina Kamien-Kazhdan
Publisher: Routledge
ISBN: 0429843569
Category : Art
Languages : en
Pages : 433
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Book Description
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
