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Author:
Publisher: Huia Publishers
ISBN: 9781877266829
Category : Fiction
Languages : en
Pages : 276
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Book Description
"The best of the short fiction from the 2001 Måaori Literature Awards, judged by Patu Hohepa and Terry Sturm"--Page 4 of cover.
Author:
Publisher: Huia Publishers
ISBN: 9781877266829
Category : Fiction
Languages : en
Pages : 276
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Book Description
"The best of the short fiction from the 2001 Måaori Literature Awards, judged by Patu Hohepa and Terry Sturm"--Page 4 of cover.
Author: Huia Publishers
Publisher: Huia Publishers
ISBN: 9781869693015
Category : Fiction
Languages : en
Pages : 204
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Book Description
This collection of short stories and novel extracts follows the 2007 Pikihuia Awards for Māori Writers.
Author:
Publisher: Huia Publishers
ISBN: 9781877241482
Category : Fiction
Languages : en
Pages : 260
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Book Description
Thirty-five of the best short stories from the 1999 Huia Short Story Awards for Maori writers, judged by Phil Kawana and Trixie Te Arama Menzies.
Author: Huia Publishers
Publisher: Huia Publishers
ISBN: 9780908975167
Category : Fiction
Languages : en
Pages : 144
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Book Description
Sixteen stories, in English, by finalists in short story awards organised by Huia Publishers in 1995.
Author: Michaela Moura-Koçoğlu
Publisher: Rodopi
ISBN: 940120697X
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Preliminary Material -- “Things are not exactly black or white in Aotearoa”: The Many Facets of Kiwi Identity -- Fragmentation Reconsidered: Transcultural Identities in the Making -- Narratives of (Be)Longing: Māori Literary Voices Advancing -- Narratives of (Un)Belonging: Unmasking Cleavage, Cleaving to Identities -- Transcultural Readings: Recombining Repertoires -- Navigating Transcultural Currents: Stories of Indigenous Modernities -- Works Cited -- Index.
Author: Melissa Kennedy
Publisher: BRILL
ISBN: 9401200564
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Striding Both Worlds illuminates European influences in the fiction of Witi Ihimaera, Aotearoa New Zealand’s foremost Māori writer, in order to question the common interpretation of Māori writing as displaying a distinctive Māori world-view and literary style. Far from being discrete endogenous units, all cultures and literatures arise out of constant interaction, engagement, and even friction. Thus, Māori culture since the 1970s has been shaped by a long history of interaction with colonial British, Pakeha, and other postcolonial and indigenous cultures. Māori sovereignty and renaissance movements have harnessed the structures of European modernity, nation-building, and, more recently, Western global capitalism, transculturation, and diaspora – contexts which contest New Zealand bicultural identity, encouraging Māori to express their difference and self-sufficiency. Ihimaera’s fiction has been largely viewed as embodying the specific values of Māori renaissance and biculturalism. However, Ihimaera, in his techniques, modes, and themes, is indebted to a wider range of literary influences than national literary critique accounts for. In taking an international literary perspective, this book draws critical attention to little-known or disregarded aspects such as Ihimaera’s love of opera, the extravagance of his baroque lyricism, his exploration of fantasy, and his increasing interest in taking Māori into the global arena. In revealing a broad range of cultural and aesthetic influences and inter-references commonly seen as irrelevant to contemporary Māori literature, Striding Both Worlds argues for a hitherto frequently overlooked and undervalued depth and complexity to Ihimaera’s imaginary. The present study argues that an emphasis on difference tends to lose sight of fiction’s capacity to appreciate originality and individuality in the polyphony of its very form and function. In effect, literary negotiation of Māori sovereign space takes place in its forms rather than in its content: the uniqueness of Māori literature is found in the way it uses the common tools of literary fiction, including language, imagery, the text’s relationship to reality, and the function of characterization. By interpeting aspects of Ihimaera’s oeuvre for what they share with other literatures in English, Striding Both Worlds aims to present an additional, complementary approach to Māori, New Zealand, and postcolonial literary analysis.
Author: Anita Heiss
Publisher: Aboriginal Studies Press
ISBN: 0855754443
Category : Business & Economics
Languages : en
Pages : 333
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Book Description
This overview about publishing Indigenous literature in Australia from the mid-1990s to 2000 includes broader issues that writers need to consider such as engaging with readers and reviewers. Although changes have been made since 2000, the issues identified in this book remain current and to a large extent unresolved.
Author: Huia Publishers
Publisher: Huia Publishers
ISBN: 9781869692018
Category : Fiction
Languages : en
Pages : 190
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Book Description
The 2005 E Tuhi! Get Writing! Awards for Maori Writers has once again generated compelling pieces of fiction from established and new Maori writers. Patricia Grace (2005 Montana Deutz Medal for Fiction and Poetry winner) and Keri Hulme (Booker Prize winner) had the difficult task of selecting from over 300 entries. The E tuhi! Awards for Maori Writers have come to be recognized as a major stepping stone for emerging Maori writers. The collection speaks of the diversity of contemporary Maori experience in New Zealand and overseas. Fresh and inspiring, Huia Short Stories 6 is definitely worth the risk of the unknown!"
Author:
Publisher:
ISBN:
Category : Maori (New Zealand people)
Languages : en
Pages : 284
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Book Description
Author: Marta Dvorak
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575715
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Tropes and Territories demonstrates how current debates in postcolonial criticism bear on the reading, writing, and status of short fiction. These debates, which hinge on competing definitions of "trope" (motif vs rhetorical turn) and "territory" (political or aesthetic), lead to studies of space, place, influence, and writing and reading practices across cultural divides. The essays also explore the character of diasporic writing, the cultural significance of oral tale-telling, and interconnections between socio/political issues and strategies of style.
