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Author: Prosper Mérimée
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 17
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Book Description
DigiCat Publishing presents to you this special edition of "How The Redoubt Was Taken" (1896) by Prosper Mérimée. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Prosper Mérimée
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 17
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Book Description
DigiCat Publishing presents to you this special edition of "How The Redoubt Was Taken" (1896) by Prosper Mérimée. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Проспер Мериме
Publisher: Litres
ISBN: 504170502X
Category : Fiction
Languages : en
Pages : 11
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Book Description
Author: Prosper Mérimée
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: William Patten
Publisher: Prabhat Prakashan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Immerse yourself in a collection of exquisite international literature with William Patten's "Short Story Classics (Foreign), Vol. 4, French I." This volume brings together a selection of remarkable French short stories, offering a glimpse into the rich tapestry of French literary tradition. Curious about how French authors capture the essence of their culture and stories? This collection showcases the depth and diversity of French storytelling, featuring classic tales that have captivated readers across generations. Each story in this volume reveals a unique perspective on French life, culture, and imagination. Whether you're an aficionado of French literature or new to the genre, these classics provide a captivating and insightful reading experience. Are you ready to explore the timeless charm of French short stories and enrich your literary horizons? Delve into the world of French literature with "Short Story Classics (Foreign), Vol. 4, French I." Enhance your reading collection with these classic tales—buy your copy now and experience the beauty and depth of French storytelling!
Author: United States. Department of the Treasury. Special Agents Division
Publisher:
ISBN:
Category : Salmon fisheries
Languages : en
Pages : 146
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Book Description
Author: Various Authors
Publisher: Library of Alexandria
ISBN:
Category : Fiction
Languages : en
Pages : 2855
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Book Description
The inflexible realist in fiction can be faithful only to what he sees; and what he sees is inevitably colored by the lens of his real self. For the literary observer of life there is no way of falsifying the reports which his senses, physical and moral, make to his own brain. If he wishes, he may make alterations in transcribing for his readers, but in so doing he confesses to himself a departure from truth as he sees it. Pure realism, then, demands of its apostle both a faithful observation of life and a faithful statement of what he sees. True, the realist uses his artist’s privilege of selecting those facts of life which seem best suited to picturing his characters in their natures, their persons, and their careers, for he knows that many irrelevant, confusing, and contradictory things happen in the everyday lives of everyday men. So in point of practice his realism is not so uncompromising as his theories sound when baldly stated. How near any great artist’s transcriptions of life approach to absolute truth will always be a question, both because we none of us know what is final truth, and because realists, each seeing life through his own nature, will disagree among themselves just as widely as their temperaments, their predispositions, and their experiences vary. Thus we are left to the common sense for our standards, and to this common sense we may with some confidence appeal for a judgment. Guy de Maupassant was a realist. “The writer’s eye,” he says in Sur l’Eau, “is like a suction-pump, absorbing everything; like a pickpocket’s hand, always at work. Nothing escapes him. He is constantly collecting material; gathering up glances, gestures, intentions, everything that goes on in his presence—the slightest look, the least act, the merest trifle.” But Maupassant was more than a realist—he was an artist, a realistic artist, frank and wise enough to conform his theories to his own efficient literary practice. He saw as a realist, selected as an artist, and then was uncompromising in his literary presentation. Here at the outstart another word is needed: Maupassant was also a literalist, and this native trait served to render his realism colder and more unsympathetic. By this I mean that to him two and three always summed up five—his temperament would not allow for the unseen, imponderable force of spiritual things; and even when he mentions the spiritual, it is with a sort of tolerant unbelief which scorns to deny the superstitious solace of women, weaklings, and zealots. It was this pervading quality in both character and method which has caused his critics to class him is a disciple of naturalism in fiction. However, Maupassant’s pessimism was not so great that he could not dwell upon scenes of joy; but a preacher of hope he never was, nor could have been. Maupassant led so individual a life, was so unnormal in his tastes, and ended his career so unusually, that common sense decides at once the validity of this one contention: his realism was marvellously true in details, but less trustworthy in its general results. His pictures of incidents were miracles of accuracy; his philosophy of life was incomplete, morbid, and unnatural.
Author: Winnie Chan
Publisher: Routledge
ISBN: 1135868581
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This materialist study of the short story’s development in three diverse magazines reveals how, at the dawn of modernism, commercial pressures prompted modernist formal innovation in popular magazines, whilst anti-commercial opacity paradoxically formed the basis of an effective marketing strategy that appealed to elitism. Integrating methods of cultural studies with formal analyses, this study builds upon recent work challenging Andreas Huyssen’s provocative formation, the "great divide" of modernism.
Author: James Sprunt
Publisher:
ISBN:
Category : History
Languages : en
Pages : 288
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Book Description
Author:
Publisher:
ISBN:
Category : Newport (R.I.)
Languages : en
Pages : 486
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Book Description
Author: Stephen S Roberts
Publisher: Seaforth Publishing
ISBN: 1526745364
Category : History
Languages : en
Pages : 514
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Book Description
In 1859 the French navy was at a high point, having fought alongside the British in the Crimean War and developed a formidable fleet of fast wooden-hulled steam ships of the line. But in that very year the world’s navies had to start over again when French naval architect Dupuy de Lôme introduced the ironclad battleship. The French navy then went through three tumultuous phases. In the 1860s and 1870s it focused on building a new traditionally-structured fleet in which wooden-hulled battleships gave way to iron and steel ships with massive guns and armour. In the 1880s and 1890s this effort was disrupted by a vigorous contest between battleship sailors and advocates of fast steel cruisers and small torpedo craft, leaving France by the end of the 1890s with few new battleships (none as large as the best foreign ships) but some two hundred torpedo boats. The Fashoda crisis in 1898 revealed the weakness of the French navy and between 1900 and 1914 the French focused on building a strong battle fleet. In 1914 this fleet remained well behind those of Britain and Germany in numbers, but taken individually French warships remained among the best in the world. This book is the first comprehensive listing in English of the over 1400 warships that were added to the official French navy fleet list between 1 January 1859 and World War I. It includes everything from the largest battleships to a small armoured gunboat that looked like a floating egg. The ships are listed in three separate parts to keep contemporary ships together and then by ship type and class. For each class the book provides a design history explaining why the ships were built, substantial technical characteristics for the ships as completed and after major reconstructions, and selected career milestones including the ultimate fate of each ship. Like its predecessors written jointly with Rif Winfield, French Warships in the Age of Sail 1626-1786 and French Warships in the Age of Sail 1786-1861, with which it forms the third in a trilogy, it provides a complete picture of the overall development of French warships over a period of almost three centuries.
