Author: Harṣa
Publisher: NYU Press
ISBN: 0814740669
Category : Drama
Languages : en
Pages : 376
Book Description
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
How the Nagas Were Pleased by Harsha & The Shattered Thighs by Bhasa
Author: Harṣa
Publisher: NYU Press
ISBN: 0814740669
Category : Drama
Languages : en
Pages : 376
Book Description
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
Publisher: NYU Press
ISBN: 0814740669
Category : Drama
Languages : en
Pages : 376
Book Description
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
How the Nagas Were Pleased by Harsha & The Shattered Thighs by Bhasa
Author:
Publisher: NYU Press
ISBN: 1479802867
Category : Literary Collections
Languages : en
Pages : 380
Book Description
Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali·dasa, transforms a crucial episode of the Maha·bhárata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryódhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene.
Publisher: NYU Press
ISBN: 1479802867
Category : Literary Collections
Languages : en
Pages : 380
Book Description
Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali·dasa, transforms a crucial episode of the Maha·bhárata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryódhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene.
"How the Nāgas Were Pleased" by Harṣa
Author:
Publisher:
ISBN: 9781479865994
Category : DRAMA
Languages : en
Pages : 353
Book Description
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
Publisher:
ISBN: 9781479865994
Category : DRAMA
Languages : en
Pages : 353
Book Description
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
How the Nagas Were Pleased by Harsha and the Shattered Thighs by Bhasa
Author: Andrew Skilton
Publisher:
ISBN: 9780814740750
Category : Literary Collections
Languages : en
Pages : 400
Book Description
Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake ( naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali·dasa, transforms a crucial episode of the Maha·bhárata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Dury--dhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene.
Publisher:
ISBN: 9780814740750
Category : Literary Collections
Languages : en
Pages : 400
Book Description
Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake ( naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali·dasa, transforms a crucial episode of the Maha·bhárata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Dury--dhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene.
The Harṣa-carita of Bāṇa
Author: Bāṇa
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120807914
Category : Religion
Languages : en
Pages : 306
Book Description
Bana holds an unrivalled position in the galaxy of India's literary stars. He is a unique artist in the domain of Embellished Sanskrit prose. Bana's Harsacarita is a historical romance which presents actual events of his sovereign--Harsavardhana of Thanesar and Kanauj who ruled over northern India in the first half of the seventh century A.D. The present work is an English translation of Harsacarita by two eminent scholars E.B. Cowell and F.W. Thomas. It is a faithful rendering of the original Sanskrit text into English language. It preserves the characteristic features of the author`s style. All the puns in the words and veiled allusions in the sentences are explained in the notes, not in the body of translation, out of consideration to the English reader. A short introduction, two appendices and an index of proper names etc. are also very useful.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120807914
Category : Religion
Languages : en
Pages : 306
Book Description
Bana holds an unrivalled position in the galaxy of India's literary stars. He is a unique artist in the domain of Embellished Sanskrit prose. Bana's Harsacarita is a historical romance which presents actual events of his sovereign--Harsavardhana of Thanesar and Kanauj who ruled over northern India in the first half of the seventh century A.D. The present work is an English translation of Harsacarita by two eminent scholars E.B. Cowell and F.W. Thomas. It is a faithful rendering of the original Sanskrit text into English language. It preserves the characteristic features of the author`s style. All the puns in the words and veiled allusions in the sentences are explained in the notes, not in the body of translation, out of consideration to the English reader. A short introduction, two appendices and an index of proper names etc. are also very useful.
Thirteen Plays of Bhasa
Author: A. C. Woolner
Publisher: Motilal Banarsidass
ISBN: 8120809084
Category : Religion
Languages : en
Pages : 396
Book Description
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.
Publisher: Motilal Banarsidass
ISBN: 8120809084
Category : Religion
Languages : en
Pages : 396
Book Description
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.
Indian Antiquary
Author:
Publisher:
ISBN:
Category : India
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 434
Book Description
Islamic Culture
Author: Marmaduke William Pickthall
Publisher:
ISBN:
Category : Civilization, Islamic
Languages : en
Pages : 666
Book Description
Publisher:
ISBN:
Category : Civilization, Islamic
Languages : en
Pages : 666
Book Description
Nāga Cult and Wooden Art in India
Author: P. K. Kaul
Publisher:
ISBN:
Category : Hindu temples
Languages : en
Pages : 358
Book Description
With reference to Jammu District, India; a study.
Publisher:
ISBN:
Category : Hindu temples
Languages : en
Pages : 358
Book Description
With reference to Jammu District, India; a study.
The Madhyama Vyayoga; a Drama Composed by the Poet Bhasa
Author: Bhasa Bhasa
Publisher: Legare Street Press
ISBN: 9781016508711
Category :
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781016508711
Category :
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.