Author: David M. Bevington
Publisher: Medieval Institute Publications
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
The medieval cycle plays from such cities as York and Chester culminated in a drama about the end of time, the Last Judgment. David Bevington and the other contributors to this book look at this final event of history as depicted in pre-modern times, and the result is a work of scholarly precision that, according to Bevington's introduction, attempts to see medieval drama in the context of other medieval art forms.
Author: Anonymous Playwrights
Publisher: Delphi Classics
ISBN: 1801700672
Category : Drama
Languages : en
Pages : 2941
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Book Description
The mystery and morality play were two of the three principal kinds of vernacular drama in Europe during the Middle Ages. Mystery plays, usually representing biblical subjects, developed from dramas presented in Latin by churchmen on sacred premises, depicting subjects like the Creation, Adam and Eve and the Last Judgment. They were often performed together in cycles which could last for days at special festivals and occasions. The morality play is an allegorical drama, in which the characters personify moral qualities and undergo didactic lessons. The action centres on a hero, such as Mankind, whose inherent weaknesses are assaulted by personified diabolic forces like the Seven Deadly Sins, but who may choose redemption and enlist the aid of such figures as Mercy, Justice, Temperance and Truth. This eBook presents a comprehensive collection of mystery and morality plays, with numerous illustrations, rare medieval texts, informative introductions and the usual Delphi bonus material. (Version 1) Please note: due to the book‐burning zeal of the English Reformation, no English text of a ‘miracle play’ survives and so an example of this drama cannot appear in this edition. * Beautifully illustrated with images relating to mystery and morality plays * Concise introductions to the major cycles and plays * All of the plays of the four principal mystery play cycles (York, Wakefield, N-Town and Chester) * The plays appear in the form of their original Middle English texts * Many rare dramas appearing for the first time in digital publishing * All extant English morality plays from the Middle Ages * Excellent formatting of the texts * Special Middle English glossary of words to aid your reading of the plays * Special contextual section, with four essays charting the development of drama in the Middle Ages * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Mystery Plays York Mystery Plays (c. mid-14th century) Wakefield Mystery Plays (mid-15th century) N-Town Plays (late 15th century) Chester Mystery Plays (15th century) The Morality Plays The Pride of Life (late 14th century) The Castle of Perseverance (c. 1425) Wisdom (c. 1460) Mankind (c. 1470) Nature (c. 1495) by Henry Medwall Everyman (1510) Contextual Works Miracle Plays and Mysteries (1913) by Georges Michel Bertrin English Miracle Plays (1914) by Arnold Wynne Moralities and Interludes (1914) by Arnold Wynne Rise of the Drama (1921) by Andrew Lang Glossary of Middle English Words Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Author: Caroline Walker Bynum
Publisher: Columbia University Press
ISBN: 0231546084
Category : History
Languages : en
Pages : 712
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Book Description
A classic of medieval studies, The Resurrection of the Body in Western Christianity, 200–1336 traces ideas of death and resurrection in early and medieval Christianity. Caroline Walker Bynum explores problems of the body and identity in devotional and theological literature, suggesting that medieval attitudes toward the body still shape modern notions of the individual. This expanded edition includes her 1995 article “Why All the Fuss About the Body? A Medievalist’s Perspective,” which takes a broader perspective on the book’s themes. It also includes a new introduction that explores the context in which the book and article were written, as well as why the Middle Ages matter for how we think about the body and life after death today.
Author: Jill C. Stevenson
Publisher: University of Michigan Press
ISBN: 0472129708
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
The End is always near. The Apocalypse has sparked imaginations for millennia, while in more recent times, highly publicized predictions have thrust End-Time theology briefly into the spotlight. In the 21st century, fictional depictions of various apocalyptic scenarios are found in an endless stream of films, TV shows, and novels, while real-world media coverage of global issues including climate change and the migrant crisis often features an apocalyptic tone. Feeling the Future at Christian End-Time Performances explores this prevalent human desire to envision the End by analyzing how various live End-Time performances allow people to live in and through future time. The book’s main focus is contemporary Christian End-Time performances and how they theatrically construct encounters with future time—not just images or ideas of a future, but viscerally and immediately real experiences of future time. Author Jill Stevenson’s examples are Hell Houses and Judgement Houses; Rapture House, a similarly styled “walk through drama” in North Carolina; Hell’s Gates, an “outdoor reality drama” in Dawsonville, Georgia; Ark Encounter, a full-size recreation of Noah’s Ark; and Tribulation Trail, an immersive thirteen-scene drama ministry based on the Book of Revelation. The book’s coda considers similarities between these Christian performances and secular survivalist prepper events, especially with respect to constructions of and language about time. In doing so, the author situates these performances within a larger tradition that challenges traditional secular/sacred distinctions and illuminates how the End Times has been employed in our current social and political moment.
Author: Lydia Yaitsky Kertz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501516906
Category : Religion
Languages : en
Pages : 382
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Book Description
Dante, Eschatology, and the Christian Tradition honors Ronald B. Herzman, SUNY Geneseo Distinguished Teaching Professor of English. Over more than fifty years Professor Herzman has been a major force in the promotion of medieval studies within academe and public humanities. This volume of essays by his colleagues, students, and friends celebrates Professor Herzman’s outstanding career and reflects the wide range of his scholarly and pedagogical influence, from biblical and early Christian topics to Dante, Langland, and Shakespeare.
Author: Alfred William Pollard
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 392
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Book Description
Author: Pamela King
Publisher: Routledge
ISBN: 1317043650
Category : Performing Arts
Languages : en
Pages : 681
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Book Description
The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Research Companion to Early Drama and Performance reconsiders early "drama" as a mixed mode entertainment best studied not only alongside non-dramatic texts, but also other modes of performance. From performance before the playhouse to the afterlife of medieval drama in the contemporary avant-garde, this stunning collection of essays is divided into four sections: Northern European Playing before the Playhouse; Modes of Production and Reception; Reviewing the Anglophone Tradition; The Long Middle Ages Offering a much needed reassessment of what is generally understood as "English medieval drama", The Routledge Research Companion to Early Drama and Performance provides an invaluable resource for both students and scholars of medieval studies.
Author: Sidney E. Berger
Publisher: Routledge
ISBN: 0429514670
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.
Author: Clifford Davidson
Publisher: Springer
ISBN: 3319474766
Category : Philosophy
Languages : en
Pages : 144
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Book Description
This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for “simple souls” in the Carthusian Nicholas Love’s Mirror of the Blessed Life of Jesus Christ. Emphasis is on such aspects as memory, participative theology, devotional images, meditative practice, and techniques of constructing patterns of sacred imagery.
Author: Ryan McDermott
Publisher: University of Notre Dame Pess
ISBN: 0268087091
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Tropologies is the first book-length study to elaborate the medieval and early modern theory of the tropological, or moral, sense of scripture. Ryan McDermott argues that tropology is not only a way to interpret the Bible but also a theory of literary and ethical invention. The “tropological imperative” demands that words be turned into works—books as well as deeds. Beginning with Augustine, Jerome, and Gregory the Great, then treating monuments of exegesis such as the Glossa ordinaria and Nicholas of Lyra, as well as theorists including Thomas Aquinas, Erasmus, Martin Luther, and others, Tropologies reveals the unwritten history of a major hermeneutical theory and inventive practice. Late medieval and early Reformation writers adapted tropological theory to invent new biblical poetry and drama that would invite readers to participate in salvation history by inventing their own new works. Tropologies reinterprets a wide range of medieval and early modern texts and performances—including the Patience-Poet, Piers Plowman, Chaucer, the York and Coventry cycle plays, and the literary circles of the reformist King Edward VI—to argue that “tropological invention” provided a robust alternative to rhetorical theories of literary production. In this groundbreaking revision of literary history, the Bible and biblical hermeneutics, commonly understood as sources of tumultuous discord, turn out to provide principles of continuity and mutuality across the Reformation’s temporal and confessional rifts. Each chapter pursues an argument about poetic and dramatic form, linking questions of style and aesthetics to exegetical theory and theology. Because Tropologies attends to the flux of exegetical theory and practice across a watershed period of intellectual history, it is able to register subtle shifts in literary production, fine-tuning our sense of how literature and religion mutually and dynamically informed and reformed each other.
