Author: Yoav Rinon
Publisher: University of Michigan Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
A probing and much needed examination of "the tragic" as a concept distinct from tragedy as a genre
Homer and the Dual Model of the Tragic
Author: Yoav Rinon
Publisher: University of Michigan Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
A probing and much needed examination of "the tragic" as a concept distinct from tragedy as a genre
Publisher: University of Michigan Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
A probing and much needed examination of "the tragic" as a concept distinct from tragedy as a genre
Homer’s Iliad
Author: Marina Coray
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110570742
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110570742
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
Homer’s Iliad
Author: Claude Brügger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110557193
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110557193
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
Tragic Failures
Author: Evina Sistakou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110482320
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius’ epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius’ Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110482320
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius’ epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius’ Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics.
Homer’s Iliad
Author: Martha Krieter-Spiro
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311056999X
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311056999X
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
In the Second Degree
Author: Philip Alexander
Publisher: BRILL
ISBN: 9004194193
Category : Religion
Languages : en
Pages : 298
Book Description
To better understand the phenomenon of Literature in the Second Degree – in Jewish and Biblical studies often characterized as parabiblical or Rewritten Bible – the current volume applies the theories of Gerard Genette to ancient and medieval literature from various cultures. Literature in the Second Degree realigns earlier (authoritative) texts to the dynamics of developing cultures and their changing cultural memories. In the case of authoritative base texts, Literature in the Second Degree reaffirms their authority by way of interpretative actualization. In the case of non-authoritative base texts it replaces them to effect cultural forgetting. Far from being just literary forgery (pseudepigraphy), Literature in the Second Degree has an important function in the development of the ancient and medieval cultures.
Publisher: BRILL
ISBN: 9004194193
Category : Religion
Languages : en
Pages : 298
Book Description
To better understand the phenomenon of Literature in the Second Degree – in Jewish and Biblical studies often characterized as parabiblical or Rewritten Bible – the current volume applies the theories of Gerard Genette to ancient and medieval literature from various cultures. Literature in the Second Degree realigns earlier (authoritative) texts to the dynamics of developing cultures and their changing cultural memories. In the case of authoritative base texts, Literature in the Second Degree reaffirms their authority by way of interpretative actualization. In the case of non-authoritative base texts it replaces them to effect cultural forgetting. Far from being just literary forgery (pseudepigraphy), Literature in the Second Degree has an important function in the development of the ancient and medieval cultures.
The Ethics of Revenge and the Meanings of the Odyssey
Author: Alexander Carl Loney
Publisher:
ISBN: 0190909676
Category : Literary Collections
Languages : en
Pages : 281
Book Description
The archaic context of vengeance -- Vengeance in the Odyssey: tisis as narrative -- Three narratives of divine vengeance -- Odysseus' terrifying revenge -- The multiple meanings of Odysseus' triumphs -- The end of the Odyssey.
Publisher:
ISBN: 0190909676
Category : Literary Collections
Languages : en
Pages : 281
Book Description
The archaic context of vengeance -- Vengeance in the Odyssey: tisis as narrative -- Three narratives of divine vengeance -- Odysseus' terrifying revenge -- The multiple meanings of Odysseus' triumphs -- The end of the Odyssey.
The Dark Side of Statius' Achilleid
Author: Julene Abad Del Vecchio
Publisher: Oxford University Press
ISBN: 0198895224
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
The Dark Side of Statius' Achilleid explores systematically and for the first time the darker aspects of Statius' Achilleid, bringing to light the poem's tragic and epic dimensions. By seeking to position at centre-stage these darker elements, the book offers several new readings of the Achilleid in relation to its literary inheritance, its gender dynamics, and its generic tensions. This volume delves beneath the surface of a story that ostensibly deals with a light subject matter—the cross-dressing of a young Achilles on Scyros—to offer an in-depth examination of the poem's relationship to its epic and tragic precursors, and to explore its more serious themes. It is shown to challenge traditional epic narratives, examine Achilles' complex familial relationships and his deviant and transgressive heroism, highlight the tragic character of Thetis, and provide glimpses of the horrors that the cataclysmic Trojan War will beget. By looking into Statius' wide-ranging dialogue with his literary predecessors, such as Homer, Sophocles, Virgil, Ovid, Lucan, and Seneca, as well as Statius' previous epic magnum opus, the Thebaid, the multidimensional characterisations of Achilles and other of the poem's key characters, such as Ulysses, Calchas, and Thetis are investigated. Far from simply representing a shameful but essentially humorous cross-dressing episode in Achilles' life that is destined to be forgotten, the Achilleid can be seen to challenge the very fabric of epic by probing the validity and authority of its literary tradition, as well as highlighting its highly innovative and experimental nature.
Publisher: Oxford University Press
ISBN: 0198895224
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
The Dark Side of Statius' Achilleid explores systematically and for the first time the darker aspects of Statius' Achilleid, bringing to light the poem's tragic and epic dimensions. By seeking to position at centre-stage these darker elements, the book offers several new readings of the Achilleid in relation to its literary inheritance, its gender dynamics, and its generic tensions. This volume delves beneath the surface of a story that ostensibly deals with a light subject matter—the cross-dressing of a young Achilles on Scyros—to offer an in-depth examination of the poem's relationship to its epic and tragic precursors, and to explore its more serious themes. It is shown to challenge traditional epic narratives, examine Achilles' complex familial relationships and his deviant and transgressive heroism, highlight the tragic character of Thetis, and provide glimpses of the horrors that the cataclysmic Trojan War will beget. By looking into Statius' wide-ranging dialogue with his literary predecessors, such as Homer, Sophocles, Virgil, Ovid, Lucan, and Seneca, as well as Statius' previous epic magnum opus, the Thebaid, the multidimensional characterisations of Achilles and other of the poem's key characters, such as Ulysses, Calchas, and Thetis are investigated. Far from simply representing a shameful but essentially humorous cross-dressing episode in Achilles' life that is destined to be forgotten, the Achilleid can be seen to challenge the very fabric of epic by probing the validity and authority of its literary tradition, as well as highlighting its highly innovative and experimental nature.
Homer's Divine Audience
Author: Tobias Myers
Publisher: Oxford University Press
ISBN: 0192579770
Category : Religion
Languages : en
Pages : 265
Book Description
The gods of Homer's Iliad have troubled readers for millennia, with many features of their presentation seeming to defy satisfactory explanation. Homer's Divine Audience presents and explores a new 'metaperformative' approach to scenes of divine viewing, counsel, and intervention in the Iliad, referencing the oral nature of the poem's original composition and transmission to cast the Olympian gods in part as an internal audience, who follow the action from their privileged, divine perspective much like the poet's own listeners. Although critics have already often described the gods' activities in terms of attendance at a 'show' and have suggested analogies to theatre and sports, little has yet been done to investigate the particular strategies by which the poet conveys the impression of gods attending a live, staged event. This volume's analysis of those strategies points to a 'metaperformative' significance to the motif of divine viewing: the poet is using the gods, in part, to model and thereby manipulate the ongoing dynamics of performance and live reception. The gods, like the external audience, are capable of a variety of emotional responses to events at Troy; notably pleasure and pity, but also great aloofness. By performing the speeches of the provocative, infuriating, yet ultimately obliging Zeus, the poet at key moments both challenges his listeners to take a stake in the continuation of the performance, and presents a sophisticated critique of possible responses to his poem.
Publisher: Oxford University Press
ISBN: 0192579770
Category : Religion
Languages : en
Pages : 265
Book Description
The gods of Homer's Iliad have troubled readers for millennia, with many features of their presentation seeming to defy satisfactory explanation. Homer's Divine Audience presents and explores a new 'metaperformative' approach to scenes of divine viewing, counsel, and intervention in the Iliad, referencing the oral nature of the poem's original composition and transmission to cast the Olympian gods in part as an internal audience, who follow the action from their privileged, divine perspective much like the poet's own listeners. Although critics have already often described the gods' activities in terms of attendance at a 'show' and have suggested analogies to theatre and sports, little has yet been done to investigate the particular strategies by which the poet conveys the impression of gods attending a live, staged event. This volume's analysis of those strategies points to a 'metaperformative' significance to the motif of divine viewing: the poet is using the gods, in part, to model and thereby manipulate the ongoing dynamics of performance and live reception. The gods, like the external audience, are capable of a variety of emotional responses to events at Troy; notably pleasure and pity, but also great aloofness. By performing the speeches of the provocative, infuriating, yet ultimately obliging Zeus, the poet at key moments both challenges his listeners to take a stake in the continuation of the performance, and presents a sophisticated critique of possible responses to his poem.
Performing Oaths in Classical Greek Drama
Author: Judith Fletcher
Publisher: Cambridge University Press
ISBN: 113950035X
Category : History
Languages : en
Pages : 291
Book Description
Oaths were ubiquitous rituals in ancient Athenian legal, commercial, civic and international spheres. Their importance is reflected by the fact that much of surviving Greek drama features a formal oath sworn before the audience. This is the first comprehensive study of that phenomenon. The book explores how the oath can mark or structure a dramatic plot, at times compelling characters like Euripides' Hippolytus to act contrary to their best interests. It demonstrates how dramatic oaths resonate with oath rituals familiar to the Athenian audiences. Aristophanes' Lysistrata and her accomplices, for example, swear an oath that blends protocols of international treaties with priestesses' vows of sexual abstinence. By employing the principles of speech act theory, this book examines how the performative power of the dramatic oath can mirror the status quo, but also disturb categories of gender, social status and civic identity in ways that redistribute and confound social authority.
Publisher: Cambridge University Press
ISBN: 113950035X
Category : History
Languages : en
Pages : 291
Book Description
Oaths were ubiquitous rituals in ancient Athenian legal, commercial, civic and international spheres. Their importance is reflected by the fact that much of surviving Greek drama features a formal oath sworn before the audience. This is the first comprehensive study of that phenomenon. The book explores how the oath can mark or structure a dramatic plot, at times compelling characters like Euripides' Hippolytus to act contrary to their best interests. It demonstrates how dramatic oaths resonate with oath rituals familiar to the Athenian audiences. Aristophanes' Lysistrata and her accomplices, for example, swear an oath that blends protocols of international treaties with priestesses' vows of sexual abstinence. By employing the principles of speech act theory, this book examines how the performative power of the dramatic oath can mirror the status quo, but also disturb categories of gender, social status and civic identity in ways that redistribute and confound social authority.