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Author: Jean Laplanche
Publisher: Els Editions
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
Author: Jean Laplanche
Publisher: Els Editions
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
Author: Stanley Corngold
Publisher: Duke University Press
ISBN: 9780822315230
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Much recent critical theory has dismissed or failed to take seriously the question of the self. French theorists--such as Derrida, Barthes, Benveniste, Foucault, Lacan, and Lévi-Strauss--have in various ways proclaimed the death of the subject, often turning to German intellectual tradition to authorize their views. Stanley Corngold's heralded book, The Fate of the Self, published for the first time in paperback with a spirited new preface, appears at a time when the relationship between the self and literature is a matter of renewed concern. Originally published in 1986 (Columbia University Press), the book examines the poetic self of German intellectual tradition in light of recent French and American critical theory. Focusing on seven major German writers--Hölderlin, Dilthey, Nietzsche, Mann, Kafka, Freud, and Heidegger--Corngold shows that their work does not support the desire to discredit the self as an origin of meaning and value but reconstructs the allegedly fragmented poetic self through effects of position and style. Offering new and subtle models of selfhood, The Fate of the Self is a source of rich insight into the work of these authors, refracted through poststructuralist critical perspectives.
Author: Jeremy Tambling
Publisher: Liverpool University Press
ISBN: 178284130X
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Hölderlin (1770-1843) is the magnificent writer whom Nietzsche called 'my favourite poet'. His writings and poetry have been formative throughout the twentieth century, and as influential as those of Hegel, his friend. At the same time, his madness has made his poetry infinitely complex as it engages with tragedy, and irreconcilable breakdown, both political and personal, with anger and with mourning. This study gives a detailed approach to Hölderlin's writings on Greek tragedy, especially Sophocles, whom he translated into German, and gives close attention to his poetry, which is never far from an engagement with tragedy. Hölderlin's writings, always fascinating, enable a consideration of the various meanings of tragedy, and provide a new reading of Shakespeare, particularly Julius Caesar, Hamlet and Macbeth; the work proceeds by opening into discussion of Nietzsche, especially The Birth of Tragedy. Since Hölderlin was such a decisive figure for Modernism, to say nothing of modern Germany, he matters intensely to such differing theorists and philosophers as Walter Benjamin, Theodor Adorno, Martin Heidegger, Maurice Blanchot and Jacques Derrida, all of whose views are discussed herein. Drawing upon the insights of Hegelian philosophy and psychoanalysis, this book gives the English-speaking reader ready access to a magnificent body of poetry and to the poet as a theorist of tragedy and of madness. Hölderlin's poetry is quoted freely, with translations and commentary provided. This book is the first major account of Hölderlin in English to offer the student and general reader a critical account of a vital body of work which matters to any study of poetry and to all who are interested in poetry's relationships to madness. It is essential reading in the understanding of how tragedy pervades literature and politics, and how tragedy has been regarded and written about, from Hegel to Walter Benjamin.
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 9780226143293
Category : Language Arts & Disciplines
Languages : en
Pages : 366
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Book Description
First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought—one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models. The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing and différence—the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing—for almost a generation of students of literature, philosophy, and psychoanalysis. Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will find Writing and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkers—challenging because Derrida questions thought as we know it.
Author: Anthony Curtis Adler
Publisher: Boydell & Brewer
ISBN: 1640141065
Category : History
Languages : en
Pages : 341
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Book Description
The first English-language study devoted to Hölderlin's novel in three decades, this book reveals Hyperion's literary and philosophical richness and its complex ties with politics, choreography, and economics. While few would question the importance of Friedrich Hölderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hölderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel Hyperion - otherwise his most accessible work - which has not had a book-length study in English devoted to it in more than three decades. Anthony Curtis Adler opens Hölderlin's novel up to the reader by stressing its literary uniqueness, philosophical riches, complex ties with contemporaneous discourses, and relevance to contemporary Continental political theory. Neither merely a stepping-stone to his later and more esoteric poetry, nor a novelistic presentation of an idealist dialectics, Hyperion offers a powerful new vision of the relation between poetry, political economy, and philosophical truth. Poetry, for Hölderlin, anticipates forms of political life that have only been obscurely glimpsed; rather than imitating a luminously given idea of the Good, it patiently guides toward a dimly sensed better world. Thus it replaces the Platonic philosopher-king with the poetic leader of the dance. Yet in just this way, Adler shows, Hyperion's project converges with a constellation of quintessentially "modern" discourses and practices, including the codification of dance in early modernity and the rise of political economy in the 18th century. Readers will discover the "choreographic" logic underlying both of these - and, with this, a new way to think about the relations between literature, politics, economics, and dance.
Author: Rochelle Tobias
Publisher: Edinburgh University Press
ISBN: 1474454186
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This collection of 15 essays by distinguished international scholars reconsiders what Friedrich Hölderlin's work reveals about the impulses toward form and formlessness in nature and the role that poetry plays in creating Holderlin's 'harmonious opposition'.
Author: Jacob Bittner
Publisher: Bloomsbury Publishing USA
ISBN: 1501354264
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
The Emergence of Literature is an extension and reworking of a series of significant propositions in philosophy and literary theory: Jean-Luc Nancy and Philippe Lacoue-Labarthe's examination of the concept of the literary absolute; Martin Heidegger's destruction and Giorgio Agamben's archaeology of the metaphysics of will; Maurice Blanchot's delimitation of the space of literature; and Michel Foucault's archaeology of literature. Its core contribution to the history of theory is to understand the literary absolute not simply as philosophical concept, but as a paradigm that delimits the horizon for currents of literary theory through the course of the 20th century where the literary criteria change from the theme of sincerity to the theme of the death of the author. Stretching from Kant to Hegel, from Hölderlin to the Early German Romantics, from John Stuart Mill to New Criticism, from Benjamin to Barthes, The Emergence of Literature examines the relation between continental philosophy and literature in the post-Kantian era.
Author: Peter L. Rudnytsky
Publisher: Columbia University Press
ISBN: 0231063539
Category : Biography & Autobiography
Languages : en
Pages : 434
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Book Description
A reassessment of Freud's central concept of the Oedipus complex, using the interlocking perspectives of biography, intellectual history and Greek tragedy. The study establishes how Freud reached his formulation through his own self-analysis and clinical work.
Author: Eric L. Santner
Publisher: University of Chicago Press
ISBN: 0226816478
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
"In 1905, Freud published his Three Essays on the Theory of Sexuality, the book that established the core psychoanalytic thesis that sexuality is central to formations of the unconscious. Inverting Freud's title, Eric Santner here takes up the sexuality of theory-or, more exactly, its sex-appeal, the modes of enjoyment to be found in the kinds of critical thinking that, since the 1960s, have laid claim to that ancient word, "theory." Untying Things Together is both an intellectual history of major theoretical paradigms and a call for their reexamination and renewal in light of the "postcritical turn" away from them. Santner organizes this intellectual history autobiographically as the story of his own encounters and involvements with key theorists and theoretical projects. He thereby shows that to reduce these theoretical projects to so many exercises in a "hermeneutics of suspicion" (a move associated with certain "post-critique" authors) is to miss what is most vital, most alive, indeed life-changing about them. It is to miss the "gay science" they elaborate. Santner's explorations yield new ways of accounting for the "sublime object" of theory, the libidinal charge it carries for those susceptible to its charms"--
Author: Marjorie Perloff
Publisher: University of New Mexico Press
ISBN: 0826360513
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
One of our most important contemporary critics, Marjorie Perloff has been a widely published and influential reviewer, especially of poetry and poetics, for over fifty years. Circling the Canon, Volume I covers roughly the first half of Perloff’s career, beginning with her first ever review, on Anthony Hecht’s The Hard Hours. The reviews in this volume, culled from a wide range of scholarly journals, literary reviews, and national magazines, trace the evolution of poetry in the mid- to late twentieth century as well as the evolution of Perloff as a critic. Many of the authors whose works are reviewed in this volume are major figures, such as W. B. Yeats, Ezra Pound, Sylvia Plath, and Frank O’Hara. Others, including Mona Van Duyn and Richard Hugo, were widely praised in their day but are now all but forgotten. Still others—David Antin, Edward Dorn, or the Language poets—exemplify an avant-garde that was to come into its own.
