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Author: John Bruns
Publisher: Northwestern University Press
ISBN: 0810139979
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work. This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.
Author: John Bruns
Publisher: Northwestern University Press
ISBN: 0810139979
Category : Performing Arts
Languages : en
Pages : 285
Get Book Here
Book Description
Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work. This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.
Author: Mark William Roche
Publisher: Bloomsbury Publishing
ISBN: 1474221335
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Hitchcock was a masterful director, popular with audiences of all ages and critically acclaimed both during and after his unusually long career. What may have been sensed by many viewers but not fully articulated until now is the extent to which his works subtly engage philosophical themes: What is evil, and how does it shield and reveal itself? Can we know what is inside the mind of another person? What is at stake when one knows the truth but cannot speak of it or cannot persuade others? How is Hitchcock's loving critique of humanity manifested in his films? Why are Hitchcock's works so often ambiguous? What is the hidden purpose and theory behind his use of humor? Hitchcock employs cinematic techniques–from camera angles and use of light to editing and sound–partly to convey suspense and drama but also to engage and advance philosophical issues, ranging from identity crises to moral ugliness. Roche unlocks Hitchcock's engagement with philosophical themes, and he does so in a way that appeals to both the novice and the seasoned philosopher, as well as enthusiastic admirers of Hitchcock's films.
Author: Jeff Kraft
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
A celebration of the San Francisco films of Alfred Hitchcock, this book examines the master director's familiarity with Northern California and how it greatly influenced his decision to use the Bay Area location in several of his landmark motion pictures. More importantly, this book shows how San Francisco was often the source of inspiration for many of these same cinema classics. The masterpieces that are examined are Shadow of a Doubt, Vertigo, The Birds, Suspicion, Psycho, and Family Plot. Hitchcock fans are taken on a journey around the Bay Area, experiencing cinematographic intrigue and learning about Bay Area history, lore, and the timeless elegance of San Francisco and its picturesque surroundings. Hundreds of historical and contemporary photos are included, with an emphasis on those buildings and businesses that no longer exist.--From publisher description.
Author: Eric San Juan
Publisher: Scarecrow Press
ISBN: 0810887762
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, the Hitchcock villain was often a complex individual with a nuanced personality and neuroses the common person might not be able to relate to, but could at least understand. If such figures did not always elicit sympathy from the audience, they still possessed characteristics that were oddly appealing. And frequently, viewers found them more likable than the heroes and heroines whom they victimized. In Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues, authors Eric San Juan and Jim McDevitt explore a number of themes that form the foundation of villainy in Hitchcock’s long and acclaimed career. The authors also provide a detailed look at some of the director’s most noteworthy villains and examine how these characters were often central to the enjoyment of Hitchcock’s best films. Whether discussing Uncle Charlie in Shadow of a Doubt or Norman Bates in Psycho, the authors consider what attracted Hitchcock to such characters in the first place and why they endure as screen icons. Intended for both casual and ardent fans of Hitchcock, this book offers insight into what makes villainous characters tick. While serious students will appreciate observations in Hitchcock’s Villains that will enhance their study of cinema technique and writing, general fans of the director will simply enjoy delving further into the minds of their favorite villains.
Author: William Hare
Publisher: McFarland
ISBN: 0786425601
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
Alfred Hitchcock had a gift for turning the familiar into the unfamiliar, the mundane into the unexpected. A director known for planning the entire movie before the first day of filming began by using the storyboard approach, Hitchcock was renowned for his relaxed directing style, resulting in an excellent rapport with his actors. Decades later, Hitchcock's films stand as sterling examples of innovative technique, infused with meaning that only repeated viewing can reveal. This work examines themes, techniques, and the filmmaking process in 15 of Hitchcock's best known films: The 39 Steps, Rebecca, Shadow of a Doubt, Spellbound, Notorious, Rope, Strangers on a Train, Rear Window, The Man Who Knew Too Much, Vertigo, North by Northwest, Psycho, The Birds, Frenzy and Family Plot. It explores the auteur's treatments of psychoanalysis, voyeurism, and collective fears during the Cold War. Also presented are key stories behind several Hitchcock classics, such as the director's stormy relationships with Raymond Chandler and David O. Selznick that resulted in synergetic success for some of his most successful films. The book includes numerous photographs and an extensive bibliography.
Author: Steven Jacobs
Publisher: 010 Publishers
ISBN: 906450637X
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
Architecture plays an important role In the films of Alfred Hitchcock. Steven Jacobs devotes lengthy discussion to a series of domestic buildings with the help of a number of reconstructed floor plans made specially for this book.
Author: Mark Osteen
Publisher: Rowman & Littlefield
ISBN: 1442230886
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
From early silent features like The Lodger and Easy Virtue to his final film, Family Plot, in 1976, most of Alfred Hitchcock’s movies were adapted from plays, novels, and short stories. Hitchcock always took care to collaborate with those who would not just execute his vision but shape it, and many of the screenwriters he enlisted—including Eliot Stannard, Charles Bennett, John Michael Hayes, and Ernest Lehman—worked with the director more than once. And of course Hitchcock’s wife, Alma Reville, his most constant collaborator, was with him from the 1920s until his death. In Hitchcock and Adaptation: On the Page and Screen, Mark Osteen has assembled a wide-ranging collection of essays that explore how Hitchcock and his screenwriters transformed literary and theatrical source material into masterpieces of cinema. Some of these essays look at adaptations through a specific lens, such as queer aesthetics applied to Rope, Strangers on a Train, and Psycho, while others tackle the issue of Hitchcock as author, auteur, adaptor, and, for the first time, present Hitchcock as a literary source. Film adaptations discussed in this volume include The 39 Steps, Shadow of a Doubt, Lifeboat, Rear Window, Vertigo, Marnie, and Frenzy. Additional essays analyze Hitchcock-inspired works by W. G. Sebald, Don DeLillo, Bret Easton Ellis, and others. These close examinations of Alfred Hitchcock and the creative process illuminate the significance of the material he turned to for inspiration, celebrate the men and women who helped bring his artistic vision from the printed word to the screen, and explore how the director has influenced contemporary writers. A fascinating look into an underexplored aspect of the director’s working methods, Hitchcock and Adaptation will be of interest to film scholars and fans of cinema’s most gifted auteur.
Author: Douglas A. Cunningham
Publisher: Scarecrow Press
ISBN: 0810881225
Category : Medical
Languages : en
Pages : 357
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Book Description
This book is a collection of essays that examine the integrated relationship that the 1958 Alfred Hitchcock film Vertigo has with the history and culture of California and the San Francisco Bay area.
Author: Murray Pomerance
Publisher: John Wiley & Sons
ISBN: 0745665128
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
With a sharp eye for social detail and the pressures of class inequality, Alfred Hitchcock brought to the American scene a perspicacity and analytical shrewdness unparalleled in American cinema. Murray Pomerance works from a basis in cultural analysis and a detailed knowledge of Alfred Hitchcock's films and production techniques to explore how America of the 1940s, 1950s, and 1960s is revealed and critically commented upon in Hitchcock's work. Alfred Hitchcock's America is full of stunning details that bring new light to Hitchcock's method and works. The American "spirit of place," is seen here in light of the titanic American personality, American values in a consumer age, social class and American social form, and the characteristic American marriage. The book’s analysis ranges across a wide array of films from Rebecca to Family Plot, and examines in depth the location sequences, characterological types, and complex social expectations that riddled American society while Hitchcock thrived there.
Author: Peter Conrad
Publisher:
ISBN: 9780571210602
Category : Performing Arts
Languages : en
Pages : 362
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Book Description
Alfred Hitchcock relished his power to frighten us and believed the shocks he administered improved our psychological health. But he could never satisfactorily explain our curiosity to see forbidden things or the perverse desire to experience anxiety and dread that made his work so popular. In The Hitchcock Murders, Peter Conrad, one of Hitchcock's eager victims, undertakes the task on the master's behalf. At the age of thirteen, Conrad snuck into his first screening of Psycho, and he's been wary of showers and fruit cellars ever since. Thanks to Hitchcock, he's also suspicious of staircases, seagulls, and crop-dusting planes. Now he sets out to analyze the nature of Hitchcock's appeal to both himself and the millions of moviegoers for whom Hitchcock is cinema's foremost auteur. Examining Hitchcock's use of religion, morality, conscience, culpability, and literary symbols, Conrad unveils a chilling Nietzschean universe-one in which there is no God and no moral standard, where humans are petty and disposable and the neutral hand of fate can take a life in the blink of an eye. A timid, respectable man with the imagination of a psychopath, a chubby jester whose practical jokes took merciless advantage of human insecurities, Hitchcock is revealed here as the man who knew too much-about all of us.
