History of the Phototypesetting Era PDF Download
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Author: Frank J. Romano
Publisher:
ISBN: 9780991130801
Category : Phototypesetting
Languages : en
Pages : 0
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Book Description
"Typesetting was simultaneously a process, a machine, a person, a service, and an industry. It was manual, mechanical, automated, and electronic -- and almost all of these methods overlapped over 50 years. The phototypesetting era began in 1945 with Higgonet and Moyroud established the basis for electro-mechanical phototypesetting. The roots of phototypesetting go back to the 1930s when the first patents were filed by Intertype, Monotype, and others to adapt mechanical typesetters to photographic typesetting. One can even go back to the early 1900s when photographic typesetters were envisioned. The last phototypesetter was manufactured in the late 1980s as laser imagesetters and CTP replaced them. This book covers the almost 400 models of 1st, 2nd, and 3rd generation phototypesetters and ends in 1985. It is a time capsule of a bygone era."--Back cover.
Author: Frank J. Romano
Publisher:
ISBN: 9780991130801
Category : Phototypesetting
Languages : en
Pages : 0
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Book Description
"Typesetting was simultaneously a process, a machine, a person, a service, and an industry. It was manual, mechanical, automated, and electronic -- and almost all of these methods overlapped over 50 years. The phototypesetting era began in 1945 with Higgonet and Moyroud established the basis for electro-mechanical phototypesetting. The roots of phototypesetting go back to the 1930s when the first patents were filed by Intertype, Monotype, and others to adapt mechanical typesetters to photographic typesetting. One can even go back to the early 1900s when photographic typesetters were envisioned. The last phototypesetter was manufactured in the late 1980s as laser imagesetters and CTP replaced them. This book covers the almost 400 models of 1st, 2nd, and 3rd generation phototypesetters and ends in 1985. It is a time capsule of a bygone era."--Back cover.
Author: Frank J. Romano
Publisher: RIT Press
ISBN: 9781933360607
Category : Inventors
Languages : en
Pages : 480
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Book Description
From the Victorian era to the start of the twenty-first century, the Mergenthaler Linotype Company dominated the typesetting and printing industries. Unlike previous books which have ended with the invention of the Linotype, Frank Romano tells the rest of the story. This book details the products, the people, and the corporate activities that kept the company ahead of its competition in hot metal, phototypesetting, and pre-press technology. Over ten corporate entities eventually formed the U.S. manufacturer, which ended its corporate life as a division of a German press maker. What began in 1886 ended finally in May 2013, when the Linotype Library division of Monotype Imaging was closed down. After 127 years, the last resting place of the history of the Linotype Company is in this book.
Author: Frank J. Romano
Publisher:
ISBN: 9781625020536
Category : Phototypesetting
Languages : en
Pages : 0
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Book Description
"History of the Phototypesetting Era-Second Edition by Frank J. Romano Phototypesetters - The primary replacements for hot metal were the photo type and composition machines. Here the photographic negative replaces the matrix casting of hot metal. Most were text machines as with most hot metal. Most shops continued to handset headlines at the case or at the Ludlow to pull repro proofs, but the CG Headliner later filled the niche of the Ludlow"--
Author: Frank J. Romano
Publisher:
ISBN: 9781584563815
Category : Desktop publishing
Languages : en
Pages :
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Book Description
Author: E. H. Gombrich
Publisher: Yale University Press
ISBN: 0300213972
Category : History
Languages : en
Pages : 401
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Book Description
E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 284
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Book Description
Author: Paul Shaw
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
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Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Author: N. Katherine Hayles
Publisher: Columbia University Press
ISBN: 0231552556
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
Since Gutenberg’s time, every aspect of print has gradually changed. But the advent of computational media has exponentially increased the pace, transforming how books are composed, designed, edited, typeset, distributed, sold, and read. N. Katherine Hayles traces the emergence of what she identifies as the postprint condition, exploring how the interweaving of print and digital technologies has changed not only books but also language, authorship, and what it means to be human. Hayles considers the ways in which print has been enmeshed in literate societies and how these are changing as some of the cognitive tasks once performed exclusively by humans are now carried out by computational media. Interpretations and meaning-making practices circulate through transindividual collectivities created by interconnections between humans and computational media, which Hayles calls cognitive assemblages. Her theoretical framework conceptualizes innovations in print technology as redistributions of cognitive capabilities between humans and machines. Humanity is becoming computational, just as computational systems are edging toward processes once thought of as distinctively human. Books in all their diversity are also in the process of becoming computational, representing a crucial site of ongoing cognitive transformations. Hayles details the consequences for the humanities through interviews with scholars and university press professionals and considers the cultural implications in readings of two novels, The Silent History and The Word Exchange, that explore the postprint condition. Spanning fields including book studies, cultural theory, and media archeology, Postprint is a strikingly original consideration of the role of computational media in the ongoing evolution of humanity.
Author: Thomas S. Mullaney
Publisher: MIT Press
ISBN: 0262372436
Category : Technology & Engineering
Languages : en
Pages : 372
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Book Description
The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device? In The Chinese Computer, Thomas S. Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day. Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe. An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture.
Author: Tony Seddon
Publisher:
ISBN: 9780500241486
Category : Design
Languages : en
Pages : 0
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Book Description
The Evolution of Type takes you on a journey through the development of type design and typographic style from the mid-15th century to the present day, by way of 100 typefaces. Chosen to represent the key elements of style and form used by the punch cutters, calligraphers and designers of their day, and presented in chronological order according to release date, each typeface is discussed in terms of its origins and its impact on the design and print industry, and latterly the additional considerations for screen use. Versions released in metal type for hand-setting, as hot-metal type for the monotype and linotype machines, as phototype, and as digital revivals or originals, are covered in detail alongside information about the people responsible for the design and development of each adaptation of the typeface. Key glyphs from each face are annotated to indicate the specific features that mark out how typeface design has evolved over the last 500 or so years, and visual comparisons illustrate how typefaces created years ago have influenced contemporary releases. For the general reader, this book gives a fascinating insight into the history of the typefaces we have been reading for decades; for typographers and designers this book is a valuable resource that will help to inform their choice of the most appropriate typeface for any project.
