History of Indian and Indonesian Art, etc. [With a bibliography.]. PDF Download
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Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages :
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages :
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 444
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 295
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Book Description
Author:
Publisher:
ISBN: 9780800215026
Category :
Languages : en
Pages :
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 295
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Book Description
Author:
Publisher: Brill Archive
ISBN: 9789004036918
Category :
Languages : en
Pages : 198
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Book Description
Author: University Prints (Boston, Mass.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 6
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Book Description
Author: Annabel Teh Gallop
Publisher: University of Hawaii Press
ISBN: 0824818059
Category : Art
Languages : en
Pages : 136
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Book Description
Early Views of Indonesia is a catalog of the most important watercolor and pencil drawings from the British Library's superb collection of more than 1,500 drawings of Indonesia dating from the early nineteenth century, most of which have never been published before.
Author: Rama Shankar Tripathi
Publisher: Motilal Banarsidass
ISBN: 8120800176
Category : History
Languages : en
Pages : 636
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Book Description
The object of this volume is to provide within a moderate compass a compendious account of the history, institutions, and culture of ancient India from the dim ages of antiquity to the establishment of Moslem rule. It has not been planned to meet the needs of any particular class of readers. Its primary purpose is to serve alike students, scholars, and all others, interested in the study of ancient Indian history, as a book of ready use and reference. The pages which follow every attempt has been made to avoid presenting a mass of the dry bones of historical fact or over-burdening the account with intricate discussions on knotty problems of history, on the one hand, and giving a mere general and readable survey of India's long and fascinating past, on the other. I have endeavoured to tap and utilise properly the available sources of information, literary, epigraphic, and numismatic, and also to embody and set forth in a consistent manner the results of up-to-date researches on different topics and epochs. All the materials have been patiently sifted and critically examined with the sole desire to arrive at historical truth and scientific accuracy; and the unfortunate tendency, manifest in some modern publications, to extol or decry without warrant any of the manifolds aspects of India's panoramic story, has been scrupulously eschewed This book gives an authoritative, up-to-date, and compendious account of the history, institutions and culture of India from the earliest times to the advent of the Moslem period. It is based on all available materials - literary, epigraphic, and numismatic - and is written in a most elegant, sober, and lucid style. The author brings to bear upon his task not only profound scholarship and critical acumen but also scrupulous regard for historical truth, the accuracy of facts and impartiality of judgement. The merit of the book has been enhanced by an exhaustive Bibliography and a comprehensive Index. Students, scholars and the general reader alike will find the book highly interesting, useful and valuable for study and references.
Author: Stella Kramrisch
Publisher: Motilal Banarsidass
ISBN: 8120836146
Category : Art
Languages : en
Pages : 309
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Book Description
Anyone with an understanding of art in general and a knowledge, however slight, of Indian things, will, on being shown a work of Indian sculpture, unfailingly label it Indian. Differences in age and origin, however clearly marked to the discerning eye, when pointed out to the outsider, will be apprehended only with more or less difficulty. There is something so strong, and at the same time unique, in any Indian work of art that its 'Indianness' is felt first of all, and what it is, is seen only on second thought. How this Indianness is expressed in terms of the relationship between line, surface, volume and other elements of visualisation is dealt with in this book. There are permanent qualities throughout the fabric of Indian sculpture which are discussed in detail. These essential qualities, all interrelated and inseparable, contain within their compass the life of Indian plastic art. The book surveys the structure of Indian sculpture in its relevant aspects. The underlying and essential qualities are viewed in their permanency throughout the special conditions that the single monuments imply. Their outward connections, geographical and chronological, are seen to resolve themselves into ethical problems and those of the artistic process itself. While stylistic investigations are the basis of this book, Indian sculpture is dealt with as conditioned by the Indian craftsman. His consciousness makes him known to himself as a part of nature and his work in the form of this 'naturalism'. Its degree and aspects vary according to the levels of his consciousness.