Historical Walking Tour of Lawrence Park PDF Download
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Author: Lynda Moon
Publisher:
ISBN: 9780920601228
Category : Historic buildings
Languages : en
Pages : 52
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Book Description
Author: Lynda Moon
Publisher:
ISBN: 9780920601228
Category : Historic buildings
Languages : en
Pages : 52
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Book Description
Author: Eloise L. Morgan
Publisher:
ISBN:
Category : Artist colonies
Languages : en
Pages : 32
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Book Description
Author: Steve Karsh
Publisher:
ISBN:
Category : City planning
Languages : en
Pages : 16
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Book Description
Author: Loretta Hoagland
Publisher: Fordham University Press
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Lawrence Park is the story of Bronxville's turn-of-the-century art colony: the artists and their art, the houses they lived in and how the village of Bronxville grew up around them. In the years between 1890 and 1920, Lawrence Park was the home of two dozen nationally prominent painters, writers and architects. William Smedley painted distinguished society portraits. Will Low designed murals for government buildings and private mansions. Anna Winegar's Impressionist garden scenes illustrated horticultural books by Louise Beebe Wilder. Alice Wellington Rollins was a regular contributor to the day's literary magazines. Edmund Clarence Stedman was called the Poet of Wall Street. W. W. Kent and William A. Bates designed the Park's single-family "cottages" in a pleasing variety of turn-of-the-century styles. More than 50 years after Lawrence Park ceased to exist as an art colony, it was listed on the National Register of Historic Places, in recognition of its historic and architectural significance. Eighty of the early houses remained, updated for modern living but proudly displaying ornamented brown-shingle facades, artist-studio windows and other period features. The narrow roads of the neighborhood also survived, winding up and down a hill that gave the Park its character and its common name, the Hilltop. Centuries-old oaks were still standing, markers of a time before William Lawrence arrived and of the sensitivity to nature with which he planned his development. The principal text by Loretta Hoagland covers the growth of Lawrence Park from 1890 to 1929. Separate chapters on art and architecture by scholars in the field illuminate the paintings of the art colony members and place inperspective the architecture of William Bates. Extensive captions by resident-historians add newly discovered historical details. Brendan Gill and Nardi Reeder Campion have contributed a Foreword and Afterword, respectively, recalling their years as homeowners in the Park. And, featured on almost every page of the book, more than 226 historic and new black-and-white photographs show Lawrence Park both as it was and as it is now.
Author:
Publisher:
ISBN:
Category : Historic buildings
Languages : en
Pages : 12
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Book Description
Author: Thomas Crozier
Publisher:
ISBN:
Category : Lawrence Park (Pa.)
Languages : en
Pages : 130
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Book Description
Author:
Publisher:
ISBN:
Category : Lawrence Park (Erie County, Pa.)
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Historic buildings
Languages : en
Pages :
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Book Description
Author: Liz Lundell
Publisher: Erin, Ont. : Boston Mills Press
ISBN:
Category : Architecture
Languages : en
Pages : 192
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Book Description
The Estates of old Toronto is a bittersweet look at a less harried age and at the great properties that were ultimately swallowed up by Canada's largest modern city.
Author: Jenn Stephenson
Publisher: University of Toronto Press
ISBN: 1487514107
Category : Drama
Languages : en
Pages : 295
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Book Description
The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre. Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case. Contemporary audiences are caught between a desire for authenticity and immediacy of connection to a person, place, or experience, and the conditions of our postmodern world that render our lives insecure. The same conditions that underpin our yearning for authenticity thwart access to an impossible real. As a result of the instability of social reality, the audience, Jenn Stephenson explains, is unable to trust the mechanisms of theatricality. The by-product of theatres of the real in the age of post-reality is insecurity.
