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Author: George Bernard Shaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913.
Author: George Bernard Shaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913.
Author: Keith Garebian
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 136
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Book Description
The common lament was Broadway will never be the same! when My Fair Lady finally ended its stellar run the night of Sunday, September 30, 1962. Millions of people had seen the show over six years and had helped break box-office records, even though Rex Harrison, Julie Andrews, Stanley Holloway, and Robert Coote did not stay with the cast throughout the six-year run. MyFair Lady used the substance and wit of George Bernard Shaw to add a new dimension to the Broadway libretto.
Author: Kathleen Kirkwood
Publisher: Anita Gordon
ISBN: 1624540007
Category : Fiction
Languages : en
Pages : 179
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Book Description
A knight returned from Crusade . . . A maiden robbed of her birthright . . . Mysteries to be solved . . . Wrongs to be righted . . . And love to be fulfilled, fated long ago . . .
Author: Dominic McHugh
Publisher: Oxford University Press
ISBN: 0199827311
Category : Music
Languages : en
Pages : 286
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Book Description
Few musicals have had the impact of Lerner and Loewe's timeless classic My Fair Lady. Sitting in the middle of an era dominated by such seminal figures as Rodgers and Hammerstein, Frank Loesser, and Leonard Bernstein, My Fair Lady not only enjoyed critical success similar to that of its rivals but also had by far the longest run of a Broadway musical up to that time. From 1956 to 1962, its original production played without a break for 2,717 performances, and the show went on to be adapted into one of the most successful movie musicals of all time in 1964, when it won eight Academy Awards. Internationally, the show also broke records in London, and the original production toured to Russia at the height of the Cold War in an attempt to build goodwill. It remains a staple of the musical theater canon today, an oft-staged show in national, regional, and high school theaters across the country. Using previously-unpublished documents, author Dominic McHugh presents a completely new, behind-the-scenes look at the five-year creation of the show, revealing the tensions and complex relationships that went into its making. McHugh charts the show from the aftermath of the premiere of Shaw's Pygmalion and the playwright's persistent refusal to allow it to be made into a musical, through to the quarrel that led lyricist Alan Jay Lerner and composer Frederick Loewe to part ways halfway through writing the show, up to opening night and through to the present. This book is the first to shed light on the many behind-the-scenes creative discussions that took place from casting decisions all the way through the final months of frantic preparation leading to the premiere in March 1956. McHugh also traces sketches for the show, looking particularly at the lines cut during the rehearsal and tryout periods, to demonstrate how Lerner evolved the relationship between Higgins and Eliza in such a way as to maintain the delicate balance of ambiguity that characterizes their association in the published script. He looks too at the movie version, and how the cast album and subsequent revivals have influenced the way in which the show has been received. Overall, this book explores why My Fair Lady continues to resonate with audiences worldwide more than fifty years after its premiere.
Author: Douglas Garrett Winston
Publisher: Rutherford [N.J.] : Fairleigh Dickinson University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Author: Aviya Kushner
Publisher:
ISBN: 0385520824
Category : Bibles
Languages : en
Pages : 274
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Book Description
"The author recalls how, after becoming very familiar with the Biblical Old Testament in its original Hebrew growing up, an encounter with an English language version led her on a ten-year project of examining various translations of the Old Testament and their histories, "--Novelist.
Author: J. P. Reedman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537506821
Category :
Languages : en
Pages : 146
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Book Description
Eleanor of Provence, child bride, loving wife, loving mother of Edward Longshanks. Eleanor, hated queen, despised for her spendthrift ways, pelted by the mob. Eleanor, foe of the unnerving, unsettling warrior Simon de Montfort and his barons, who threaten her husband's reign...and life Eleanor, taking vows in a convent in Amesbury, where she vanished from history, even her grave lost in time....
Author: Megan Frampton
Publisher: HarperCollins
ISBN: 0062412809
Category : Fiction
Languages : en
Pages : 272
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Book Description
The unexpected duchess Archibald Salisbury, son of a viscount, war hero, and proficient in the proper ways of aristocratic society, has received orders for his most challenging mission: Genevieve, Duchess of Blakesley. How she inherited a duchy isn’t his problem. Turning her into a perfect duchess is. But how can he keep his mind on business when her beauty entices him toward pleasure? It was impossible, unprecedented…and undeniably true. Genevieve is now a “duke”, or, rather, a duchess. So what is she to do when the ton eyes her every move, hoping she’ll make a mistake? Genevieve knows she has brains and has sometimes been told she has beauty, but, out of her depth, she calls on an expert. And what an expert, with shoulders broad enough to lean on, and a wit that matches her own. Archie is supposed to teach her to be a lady and run her estate, but what she really wants to do is unladylike—run into his arms.
Author: Keith Garebian
Publisher: Routledge
ISBN: 1317337093
Category : Drama
Languages : en
Pages : 104
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Book Description
"An Englishman's way of speaking absolutely classifies him, The moment he talks he makes some other Englishman despise him." - Henry George Bernard Shaw famously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending. Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life. Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.
Author: Julie Wosk
Publisher: Rutgers University Press
ISBN: 0813563399
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.
