Author: Al Hirschfeld
Publisher: Applause Theatre & Cinema
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Drawings by the famed illustrator depict the music, theater, performers, culture, and moods of Harlem, accompanied by commentary by such notables as Savion Glover, Whoopi Goldberg, Lena Horne, Eartha Kitt, Ossie Davis and Ruby Dee, Howard Dodson, Rev. James A. Forbes Jr., Chester Higgins Jr., Geoffrey Holder, Quincy Jones, Carmen de Lavallade, Audra McDonald, Arthur Mitchell, Brian Stokes Mitchell, Albert L. Murray, Charles B. Rangel, Bobby Short, George C. Wolfe, and Cicely Tyson.
Hirschfeld's Harlem
Author: Al Hirschfeld
Publisher: Applause Theatre & Cinema
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Drawings by the famed illustrator depict the music, theater, performers, culture, and moods of Harlem, accompanied by commentary by such notables as Savion Glover, Whoopi Goldberg, Lena Horne, Eartha Kitt, Ossie Davis and Ruby Dee, Howard Dodson, Rev. James A. Forbes Jr., Chester Higgins Jr., Geoffrey Holder, Quincy Jones, Carmen de Lavallade, Audra McDonald, Arthur Mitchell, Brian Stokes Mitchell, Albert L. Murray, Charles B. Rangel, Bobby Short, George C. Wolfe, and Cicely Tyson.
Publisher: Applause Theatre & Cinema
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Drawings by the famed illustrator depict the music, theater, performers, culture, and moods of Harlem, accompanied by commentary by such notables as Savion Glover, Whoopi Goldberg, Lena Horne, Eartha Kitt, Ossie Davis and Ruby Dee, Howard Dodson, Rev. James A. Forbes Jr., Chester Higgins Jr., Geoffrey Holder, Quincy Jones, Carmen de Lavallade, Audra McDonald, Arthur Mitchell, Brian Stokes Mitchell, Albert L. Murray, Charles B. Rangel, Bobby Short, George C. Wolfe, and Cicely Tyson.
The Hirschfeld Century
Author: Al Hirschfeld
Publisher: Knopf
ISBN: 1101874988
Category : Art
Languages : en
Pages : 338
Book Description
I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps. Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output. Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures. Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers. Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more. Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton. Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.
Publisher: Knopf
ISBN: 1101874988
Category : Art
Languages : en
Pages : 338
Book Description
I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps. Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output. Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures. Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers. Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more. Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton. Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.
Gay Rebel of the Harlem Renaissance
Author: Bruce Nugent
Publisher: Duke University Press
ISBN: 9780822329138
Category : Biography & Autobiography
Languages : en
Pages : 332
Book Description
DIVA collection of writings and artwork by Richard Bruce Nugent, an important yet heretofore obscure figure of the Harlem Renaissance./div
Publisher: Duke University Press
ISBN: 9780822329138
Category : Biography & Autobiography
Languages : en
Pages : 332
Book Description
DIVA collection of writings and artwork by Richard Bruce Nugent, an important yet heretofore obscure figure of the Harlem Renaissance./div
Gay Voices of the Harlem Renaissance
Author: A.B. Christa Schwarz
Publisher: Indiana University Press
ISBN: 9780253216076
Category : History
Languages : en
Pages : 228
Book Description
"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
Publisher: Indiana University Press
ISBN: 9780253216076
Category : History
Languages : en
Pages : 228
Book Description
"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
Bulldaggers, Pansies, and Chocolate Babies
Author: James F. Wilson
Publisher: University of Michigan Press
ISBN: 0472117254
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Gay and lesbians in Harlem nightclubs, speakeasies, rent parties, and on Broadway stages
Publisher: University of Michigan Press
ISBN: 0472117254
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Gay and lesbians in Harlem nightclubs, speakeasies, rent parties, and on Broadway stages
Hirschfeld
Author: Ellen Stern
Publisher: Simon and Schuster
ISBN: 1510759417
Category : Biography & Autobiography
Languages : en
Pages : 438
Book Description
The definitive biography of Al Hirschfeld, renowned caricaturist and artist. Al Hirschfeld knew everybody and drew everybody. He occupied the twentieth century, and illustrated it. Hirschfeld: The Biography is the first portrait of the renowned artist's life—as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and—his favorite—celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends—Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan—flocked in and out. He played the piano, went to jazz joints with Eugene O'Neill, and wrote a musical that bombed. He drove until he was ninety-eight years old and always found a parking space. He worked every day, threw dinner parties twice a week, and hosted New Year's Eve soirees that were legendary. He had three wives, a formidable agent, and a daughter, Nina, the most famous little girl that no one knows. Hirschfeld died in 2003, at the age of ninety-nine. "If you live long enough," he liked to say, "everything happens." For him, it did. And good and bad—it's all here. Through interviews with Hirschfeld himself, his friends and family (including the mysterious Nina), and his famous subjects, as well as through letters, scrapbooks, and home movies, Ellen Stern has crafted a delightful, detailed, and definitive portrait of Al Hirschfeld, one of our most beloved, and most influential, artists.
Publisher: Simon and Schuster
ISBN: 1510759417
Category : Biography & Autobiography
Languages : en
Pages : 438
Book Description
The definitive biography of Al Hirschfeld, renowned caricaturist and artist. Al Hirschfeld knew everybody and drew everybody. He occupied the twentieth century, and illustrated it. Hirschfeld: The Biography is the first portrait of the renowned artist's life—as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and—his favorite—celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends—Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan—flocked in and out. He played the piano, went to jazz joints with Eugene O'Neill, and wrote a musical that bombed. He drove until he was ninety-eight years old and always found a parking space. He worked every day, threw dinner parties twice a week, and hosted New Year's Eve soirees that were legendary. He had three wives, a formidable agent, and a daughter, Nina, the most famous little girl that no one knows. Hirschfeld died in 2003, at the age of ninety-nine. "If you live long enough," he liked to say, "everything happens." For him, it did. And good and bad—it's all here. Through interviews with Hirschfeld himself, his friends and family (including the mysterious Nina), and his famous subjects, as well as through letters, scrapbooks, and home movies, Ellen Stern has crafted a delightful, detailed, and definitive portrait of Al Hirschfeld, one of our most beloved, and most influential, artists.
Remember Me to Harlem
Author: Langston Hughes
Publisher: Vintage
ISBN: 0307427447
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Langston Hughes is widely remembered as a celebrated star of the Harlem Renaissance -- a writer whose bluesy, lyrical poems and novels still have broad appeal. What's less well known about Hughes is that for much of his life he maintained a friendship with Carl Van Vechten, a flamboyant white critic, writer, and photographer whose ardent support of black artists was peerless. Despite their differences — Van Vechten was forty-four to Hughes twenty-two when they met–Hughes’ and Van Vechten’s shared interest in black culture lead to a deeply-felt, if unconventional friendship that would span some forty years. Between them they knew everyone — from Zora Neale Hurston to Richard Wright, and their letters, lovingly and expertly collected here for the first time, are filled with gossip about the antics of the great and the forgotten, as well as with talk that ranged from race relations to blues lyrics to the nightspots of Harlem, which they both loved to prowl. It’s a correspondence that, as Emily Bernard notes in her introduction, provides “an unusual record of entertainment, politics, and culture as seen through the eyes of two fascinating and irreverent men.
Publisher: Vintage
ISBN: 0307427447
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Langston Hughes is widely remembered as a celebrated star of the Harlem Renaissance -- a writer whose bluesy, lyrical poems and novels still have broad appeal. What's less well known about Hughes is that for much of his life he maintained a friendship with Carl Van Vechten, a flamboyant white critic, writer, and photographer whose ardent support of black artists was peerless. Despite their differences — Van Vechten was forty-four to Hughes twenty-two when they met–Hughes’ and Van Vechten’s shared interest in black culture lead to a deeply-felt, if unconventional friendship that would span some forty years. Between them they knew everyone — from Zora Neale Hurston to Richard Wright, and their letters, lovingly and expertly collected here for the first time, are filled with gossip about the antics of the great and the forgotten, as well as with talk that ranged from race relations to blues lyrics to the nightspots of Harlem, which they both loved to prowl. It’s a correspondence that, as Emily Bernard notes in her introduction, provides “an unusual record of entertainment, politics, and culture as seen through the eyes of two fascinating and irreverent men.
Dancing with the Devil
Author: Louis Diaz
Publisher: Simon and Schuster
ISBN: 1439148856
Category : Biography & Autobiography
Languages : en
Pages : 420
Book Description
Describes Diaz's daring undercover effort to stop New York City kingpin Leroy "Nicky" Barnes, describing his infiltration of the dangerous drug operation and sharing details from other front-page cases
Publisher: Simon and Schuster
ISBN: 1439148856
Category : Biography & Autobiography
Languages : en
Pages : 420
Book Description
Describes Diaz's daring undercover effort to stop New York City kingpin Leroy "Nicky" Barnes, describing his infiltration of the dangerous drug operation and sharing details from other front-page cases
Heirs to Dirty Linen and Harlem Ghosts
Author: Theda Palmer Saxton Ph. D.
Publisher: Balboa Press
ISBN: 1452573778
Category : Music
Languages : en
Pages : 309
Book Description
Successful entrepreneur and author Dr. Theda Palmer Saxton uncovers the Heirs to Dirty Linen and Harlem Ghosts as she weaves together the most unlikely events and people into a neat package filled with salacious political corruption and organized crime. Theda threads racism, newly empowered white women, greedy white men, and self-serving politicians into the eye of a needle deeply embedded in the garments which clothe the players of speakeasies on Swing Street. The emerging new Northern black population collided with white, New York, high society, which was thirsty for a quasi-relationship with the "exotic" new Negro writers and musicians. Harlem vicariously became the cutting edge leader in interracial relationships, trendy clothing fads, raucous clubs with scantily clad chorus girls, and evolving jazz giants. Dr. Theda lays out a substantive pictorial format of Bill Saxton's rich past, which places him at the right place at the right time as the quintessential music steward of the legendary Bill's Place on Swing Street. Heirs to Dirty Linen and Harlem Ghosts is a must-read for the curious minds wanting a peek into familiar tales of American culture connected from a black woman's perspective. She breathes fresh air into the musician's unsettled spirit, which haunts Harlem. Thanks to her business acumen and Bill's talent, Swing Street via Bill's Place still perpetuates jazz music, which remains America's sole original artistic cultural contribution to the world. It swings.
Publisher: Balboa Press
ISBN: 1452573778
Category : Music
Languages : en
Pages : 309
Book Description
Successful entrepreneur and author Dr. Theda Palmer Saxton uncovers the Heirs to Dirty Linen and Harlem Ghosts as she weaves together the most unlikely events and people into a neat package filled with salacious political corruption and organized crime. Theda threads racism, newly empowered white women, greedy white men, and self-serving politicians into the eye of a needle deeply embedded in the garments which clothe the players of speakeasies on Swing Street. The emerging new Northern black population collided with white, New York, high society, which was thirsty for a quasi-relationship with the "exotic" new Negro writers and musicians. Harlem vicariously became the cutting edge leader in interracial relationships, trendy clothing fads, raucous clubs with scantily clad chorus girls, and evolving jazz giants. Dr. Theda lays out a substantive pictorial format of Bill Saxton's rich past, which places him at the right place at the right time as the quintessential music steward of the legendary Bill's Place on Swing Street. Heirs to Dirty Linen and Harlem Ghosts is a must-read for the curious minds wanting a peek into familiar tales of American culture connected from a black woman's perspective. She breathes fresh air into the musician's unsettled spirit, which haunts Harlem. Thanks to her business acumen and Bill's talent, Swing Street via Bill's Place still perpetuates jazz music, which remains America's sole original artistic cultural contribution to the world. It swings.
Scenes of New York
Author: Giles, Zeny
Publisher: Giles
ISBN: 9781911282853
Category : Art
Languages : en
Pages :
Book Description
Publisher: Giles
ISBN: 9781911282853
Category : Art
Languages : en
Pages :
Book Description