Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 558
Book Description
Photoplay
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 558
Book Description
A-B-C of Motion Pictures
Author: Robert Emmet Welsh
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 144
Book Description
The Routledge Encyclopedia of Film Theory
Author: Edward Branigan
Publisher: Routledge
ISBN: 1136472630
Category : Performing Arts
Languages : en
Pages : 567
Book Description
The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.
Publisher: Routledge
ISBN: 1136472630
Category : Performing Arts
Languages : en
Pages : 567
Book Description
The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.
The Writer's Digest
Author:
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 526
Book Description
Monthly Bulletin
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
The United States Catalog; Books in Print January 1, 1912
Author: Marion E. Potter
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1202
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1202
Book Description
Where and how to Sell Manuscripts
Author: William Bloss McCourtie
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 548
Book Description
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 548
Book Description
Monthly Bulletin. New Series
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 992
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 992
Book Description
Writing the Photoplay
Author: Arthur Leeds
Publisher: Good Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Within the pages of 'Writing the Photoplay' by Arthur Leeds and J. Berg Esenwein, readers are offered a comprehensive exploration of the early 20th-century silent film scriptwriting. This anthology is rich in its diverse representation of the nascent cinematic narrative forms, highlighting the unique blend of literary and visual storytelling that defined the era. The collection provides an unparalleled window into the interplay between written narrative and visual spectacle, pulling from a variety of stylistic approaches to give a well-rounded perspective on silent film scriptwriting techniques and the broader cultural implications of this transformative period in cinematic history. The contributing authors, Leeds and Esenwein, bring a profound depth of expertise and historical knowledge to this collection. Their backgrounds as respected figures in the early film industry and as educators in the art of writing for the screen lend the anthology a considerable authority. This volume stands at the confluence of several critical cultural and literary movements of the early 20th century, synthesizing the intellectual milieus of silent era cinema, literature, and the visual arts into a cohesive whole that enriches our understanding of early filmic storytelling. 'Writing the Photoplay' is recommended for anyone with an interest in cinema history, storytelling, or screenplay writing. Beyond its historical significance, the anthology offers readers the unique opportunity to immerse themselves in the foundational aspects of cinematic narrative, seeing how textual stories were translated into visual masterpieces. This collection serves not only as an educational tool but also as an inspiration for aspiring writers and filmmakers who wish to understand the roots of cinematic storytelling and the myriad ways in which a story can be told through the silent interplay of images.
Publisher: Good Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
Book Description
Within the pages of 'Writing the Photoplay' by Arthur Leeds and J. Berg Esenwein, readers are offered a comprehensive exploration of the early 20th-century silent film scriptwriting. This anthology is rich in its diverse representation of the nascent cinematic narrative forms, highlighting the unique blend of literary and visual storytelling that defined the era. The collection provides an unparalleled window into the interplay between written narrative and visual spectacle, pulling from a variety of stylistic approaches to give a well-rounded perspective on silent film scriptwriting techniques and the broader cultural implications of this transformative period in cinematic history. The contributing authors, Leeds and Esenwein, bring a profound depth of expertise and historical knowledge to this collection. Their backgrounds as respected figures in the early film industry and as educators in the art of writing for the screen lend the anthology a considerable authority. This volume stands at the confluence of several critical cultural and literary movements of the early 20th century, synthesizing the intellectual milieus of silent era cinema, literature, and the visual arts into a cohesive whole that enriches our understanding of early filmic storytelling. 'Writing the Photoplay' is recommended for anyone with an interest in cinema history, storytelling, or screenplay writing. Beyond its historical significance, the anthology offers readers the unique opportunity to immerse themselves in the foundational aspects of cinematic narrative, seeing how textual stories were translated into visual masterpieces. This collection serves not only as an educational tool but also as an inspiration for aspiring writers and filmmakers who wish to understand the roots of cinematic storytelling and the myriad ways in which a story can be told through the silent interplay of images.
Where and how to Sell Manuscripts
Author:
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 512
Book Description
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 512
Book Description