Author: B.E. Babich
Publisher: Springer Science & Business Media
ISBN: 9401717672
Category : Science
Languages : en
Pages : 496
Book Description
This richly textured book bridges analytic and hermeneutic and phenomenological philosophy of science. It features unique resources for students of the philosophy and history of quantum mechanics and the Copenhagen Interpretation, cognitive theory and the psychology of perception, the history and philosophy of art, and the pragmatic and historical relationships between religion and science.
Hermeneutic Philosophy of Science, Van Gogh’s Eyes, and God
Author: B.E. Babich
Publisher: Springer Science & Business Media
ISBN: 9401717672
Category : Science
Languages : en
Pages : 496
Book Description
This richly textured book bridges analytic and hermeneutic and phenomenological philosophy of science. It features unique resources for students of the philosophy and history of quantum mechanics and the Copenhagen Interpretation, cognitive theory and the psychology of perception, the history and philosophy of art, and the pragmatic and historical relationships between religion and science.
Publisher: Springer Science & Business Media
ISBN: 9401717672
Category : Science
Languages : en
Pages : 496
Book Description
This richly textured book bridges analytic and hermeneutic and phenomenological philosophy of science. It features unique resources for students of the philosophy and history of quantum mechanics and the Copenhagen Interpretation, cognitive theory and the psychology of perception, the history and philosophy of art, and the pragmatic and historical relationships between religion and science.
Hermeneutic Philosophy of Science, Van Gogh's Eyes, and God
Author: Babette Babich
Publisher:
ISBN: 9789401717687
Category :
Languages : en
Pages : 516
Book Description
Publisher:
ISBN: 9789401717687
Category :
Languages : en
Pages : 516
Book Description
Columbia Companion to Twentieth-Century Philosophies
Author: Constantin V. Boundas
Publisher: Columbia University Press
ISBN: 023114203X
Category : Philosophy
Languages : en
Pages : 754
Book Description
Columbia Companion to Twentieth-Century Philosophies is the first guide to cover both the Anglo-American analytic and European continental traditions. Organized thematically, the volume thoroughly discusses the major movements and fields of each tradition and features the contributions of highly distinguished specialists in their fields. This book is divided into three sections. The first is devoted to highlighting the multidimensional work of philosophers identified with the analytic tradition, with Nicholas Rescher writing on neoidealism, Josephine Donovan commenting on feminist philosophy, Tyler Burge discussing the philosophy of language and mind, and Robert Hanna reflecting on Kant's legacy. The second section presents the thought of those who identified themselves with the continental tradition, featuring Jean Grondin on hermeneutics, Leonard Lawlor on phenomenology, Charles Scott on postmodernism, and Babette Babich on the philosophy of science. This volume also covers logical positivism, naturalism, pragmatism, aesthetics, existentialism, Marxism, the Frankfurt School, structuralism, psychoanalysis, political philosophy, ethics, and the philosophy of religion. The final section addresses concurrent trends in Indian, Chinese, Japanese, and African philosophy, and a comprehensive introduction by the editor not only provides a thorough outline of the problems and issues of the analytic and continental traditions but also boldly challenges the conviction that the two approaches must be rivals. Columbia Companion to Twentieth-Century Philosophies is an invaluable overview of the ideas that have shaped a monumentally important century in the history of philosophy, offering an unusually panoramic perspective that allows readers to form their own interpretations of original materials.
Publisher: Columbia University Press
ISBN: 023114203X
Category : Philosophy
Languages : en
Pages : 754
Book Description
Columbia Companion to Twentieth-Century Philosophies is the first guide to cover both the Anglo-American analytic and European continental traditions. Organized thematically, the volume thoroughly discusses the major movements and fields of each tradition and features the contributions of highly distinguished specialists in their fields. This book is divided into three sections. The first is devoted to highlighting the multidimensional work of philosophers identified with the analytic tradition, with Nicholas Rescher writing on neoidealism, Josephine Donovan commenting on feminist philosophy, Tyler Burge discussing the philosophy of language and mind, and Robert Hanna reflecting on Kant's legacy. The second section presents the thought of those who identified themselves with the continental tradition, featuring Jean Grondin on hermeneutics, Leonard Lawlor on phenomenology, Charles Scott on postmodernism, and Babette Babich on the philosophy of science. This volume also covers logical positivism, naturalism, pragmatism, aesthetics, existentialism, Marxism, the Frankfurt School, structuralism, psychoanalysis, political philosophy, ethics, and the philosophy of religion. The final section addresses concurrent trends in Indian, Chinese, Japanese, and African philosophy, and a comprehensive introduction by the editor not only provides a thorough outline of the problems and issues of the analytic and continental traditions but also boldly challenges the conviction that the two approaches must be rivals. Columbia Companion to Twentieth-Century Philosophies is an invaluable overview of the ideas that have shaped a monumentally important century in the history of philosophy, offering an unusually panoramic perspective that allows readers to form their own interpretations of original materials.
The Inner Voice in Gadamer's Hermeneutics
Author: Andrew Fuyarchuk
Publisher: Lexington Books
ISBN: 1498547060
Category : Philosophy
Languages : en
Pages : 277
Book Description
The inner word in Gadamer’s hermeneutics refers to the meaning that exceeds anything explicitly said. This explanation has been subsumed within metaphysical and theological parameters of interpretation with little regard for the implication of Gadamer’s turn to the living language for understanding the inner word. Through examining his phenomenology of the inner word, The Inner Voice in Gadamer’s Hermeneutics reveals its musical (rhythmic and tonal) dimensions and how they function to harmonize disparate orientations in the middle voice, above all for Gadamer, those that underlie modes of cognition in both the humanities and the sciences—a visual and auditory ethos. However, understood as constituting the music of language discernible in the middle voice, the inner word is also suppressed or forgotten by the technological extension of sight—that is, print—and thus requires a turn of the inner ear or auditory disposition. Andrew Fuyarchuk assesses theories of language in evolutionary and cognitive science in light of Gadamer’s insights into the nature of thought, and he employs them to account for a dimension of language that is inscribed in the lingual minds of our species. When recalled by the inner ear, this dimension enables us to think such opposites together as we find in the humanities and sciences together. This thinking together is expressed in a double account of an object of inquiry, such as the one Fuyarchuk puts forward about the inner word in Gadamer’s philosophical hermeneutics.
Publisher: Lexington Books
ISBN: 1498547060
Category : Philosophy
Languages : en
Pages : 277
Book Description
The inner word in Gadamer’s hermeneutics refers to the meaning that exceeds anything explicitly said. This explanation has been subsumed within metaphysical and theological parameters of interpretation with little regard for the implication of Gadamer’s turn to the living language for understanding the inner word. Through examining his phenomenology of the inner word, The Inner Voice in Gadamer’s Hermeneutics reveals its musical (rhythmic and tonal) dimensions and how they function to harmonize disparate orientations in the middle voice, above all for Gadamer, those that underlie modes of cognition in both the humanities and the sciences—a visual and auditory ethos. However, understood as constituting the music of language discernible in the middle voice, the inner word is also suppressed or forgotten by the technological extension of sight—that is, print—and thus requires a turn of the inner ear or auditory disposition. Andrew Fuyarchuk assesses theories of language in evolutionary and cognitive science in light of Gadamer’s insights into the nature of thought, and he employs them to account for a dimension of language that is inscribed in the lingual minds of our species. When recalled by the inner ear, this dimension enables us to think such opposites together as we find in the humanities and sciences together. This thinking together is expressed in a double account of an object of inquiry, such as the one Fuyarchuk puts forward about the inner word in Gadamer’s philosophical hermeneutics.
Thomas Seebohm on the Foundations of the Sciences
Author: Thomas Nenon
Publisher: Springer Nature
ISBN: 3030236617
Category : Philosophy
Languages : en
Pages : 245
Book Description
This book explores the work of Thomas Seebohm (1934-2014), a leading phenomenologist and hermeneuticist. It features papers that offer a critical and constructive dialogue about Seebohm’s analyses and their implications for the sciences. The net result is an in-depth study and a helpful overview of Seebohm’s general approach and his specific views on various areas of modern science. The contributors focus especially upon his final text, History as a Science and the System of the Sciences. They view this as the culmination and summary of his historical and phenomenological investigations into the foundations, nature, and limits of modern sciences. This includes not just history but the Geisteswissenschaften more generally, along with the social and natural sciences as well. The essays in this volume reflect that range. This volume presents insightful discussions about the nature and legitimacy of the human sciences as sciences and the unique character of the social sciences. It will be of interest not just as a matter of historical scholarship, but also and above all as an important contribution to phenomenology and to the philosophy of science and the sciences as such. It deserves attention by scholars from any philosophical tradition interested in thinking about the foundations of their disciplines and a philosophy of science that includes, but is not limited to, the natural sciences.
Publisher: Springer Nature
ISBN: 3030236617
Category : Philosophy
Languages : en
Pages : 245
Book Description
This book explores the work of Thomas Seebohm (1934-2014), a leading phenomenologist and hermeneuticist. It features papers that offer a critical and constructive dialogue about Seebohm’s analyses and their implications for the sciences. The net result is an in-depth study and a helpful overview of Seebohm’s general approach and his specific views on various areas of modern science. The contributors focus especially upon his final text, History as a Science and the System of the Sciences. They view this as the culmination and summary of his historical and phenomenological investigations into the foundations, nature, and limits of modern sciences. This includes not just history but the Geisteswissenschaften more generally, along with the social and natural sciences as well. The essays in this volume reflect that range. This volume presents insightful discussions about the nature and legitimacy of the human sciences as sciences and the unique character of the social sciences. It will be of interest not just as a matter of historical scholarship, but also and above all as an important contribution to phenomenology and to the philosophy of science and the sciences as such. It deserves attention by scholars from any philosophical tradition interested in thinking about the foundations of their disciplines and a philosophy of science that includes, but is not limited to, the natural sciences.
Bone Dead, and Rising
Author: Charles Davidson
Publisher: Wipf and Stock Publishers
ISBN: 1621892352
Category : Religion
Languages : en
Pages : 278
Book Description
Here is a vivid, poetic, and evocative story of the painter Vincent van Gogh's struggle to become his true self. The author listens in on Vincent's most intimate, frequently startling thoughts on a host of topics, drawn from three volumes of his correspondence and his 900 extant paintings. What emerges is the portrait of an artist whose spiritual vision was borne of an agonizingly prolonged experience of the "dark night of the soul" through which his art dared to envision the triumph of joy over sorrow, of resurrection over suffering and death. Readers will discover that in many ways Vincent's story is as much about us as about him. Tracing van Gogh's pilgrimage from being an apprentice art dealer to being called to minister, in self-renunciation and misery, among destitute coal miners, the narrative follows his winding, tortuous path into adulthood as he struggles with family, associates, lovers--and with himself. Constantly evidenced in Vincent's own eloquent words and paintings is his tussle with the mysterious presence and maddening absence of God. Vocation unveils as a process of summoning and birthing his own self, through an attempt to imitate Christ, calling forth van Gogh's extraordinary creative powers from deep within. Adding choice supplies from other observers, Davidson here weaves his own exact, artful tapestry of interpretation, producing a suspenseful excursion into the life of van Gogh that offers profound meaning at every turn.
Publisher: Wipf and Stock Publishers
ISBN: 1621892352
Category : Religion
Languages : en
Pages : 278
Book Description
Here is a vivid, poetic, and evocative story of the painter Vincent van Gogh's struggle to become his true self. The author listens in on Vincent's most intimate, frequently startling thoughts on a host of topics, drawn from three volumes of his correspondence and his 900 extant paintings. What emerges is the portrait of an artist whose spiritual vision was borne of an agonizingly prolonged experience of the "dark night of the soul" through which his art dared to envision the triumph of joy over sorrow, of resurrection over suffering and death. Readers will discover that in many ways Vincent's story is as much about us as about him. Tracing van Gogh's pilgrimage from being an apprentice art dealer to being called to minister, in self-renunciation and misery, among destitute coal miners, the narrative follows his winding, tortuous path into adulthood as he struggles with family, associates, lovers--and with himself. Constantly evidenced in Vincent's own eloquent words and paintings is his tussle with the mysterious presence and maddening absence of God. Vocation unveils as a process of summoning and birthing his own self, through an attempt to imitate Christ, calling forth van Gogh's extraordinary creative powers from deep within. Adding choice supplies from other observers, Davidson here weaves his own exact, artful tapestry of interpretation, producing a suspenseful excursion into the life of van Gogh that offers profound meaning at every turn.
Expanded Painting
Author: Mark Titmarsh
Publisher: Bloomsbury Publishing
ISBN: 1350004189
Category : Philosophy
Languages : en
Pages : 288
Book Description
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.
Publisher: Bloomsbury Publishing
ISBN: 1350004189
Category : Philosophy
Languages : en
Pages : 288
Book Description
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.
Creativity, Psychology and the History of Science
Author: H.E. Gruber
Publisher: Springer Science & Business Media
ISBN: 1402035098
Category : Social Science
Languages : en
Pages : 534
Book Description
Creativity, Psychology, and the History of Science offers for the first time a comprehensive overview of the oeuvre of Howard E. Gruber, who is noted for his contributions both to the psychology of creativity and to the history of science. The present book includes papers from a wide range of topics. In the contributions to creativity research, Gruber proposes his key ideas for studying creative work. Gruber focuses on how the thinking, motivation and affect of extraordinarily creative individuals evolve and how they interact over long periods of time. Gruber’s approach bridges many disciplines and subdisciplines in psychology and beyond, several of which are represented in the present volume: cognitive psychology, developmental psychology, history of science, aesthetics, and politics. The volume thus presents a unique and comprehensive contribution to our understanding of the creative process. Many of Gruber's papers have not previously been easily accessible; they are presented here in thoroughly revised form.
Publisher: Springer Science & Business Media
ISBN: 1402035098
Category : Social Science
Languages : en
Pages : 534
Book Description
Creativity, Psychology, and the History of Science offers for the first time a comprehensive overview of the oeuvre of Howard E. Gruber, who is noted for his contributions both to the psychology of creativity and to the history of science. The present book includes papers from a wide range of topics. In the contributions to creativity research, Gruber proposes his key ideas for studying creative work. Gruber focuses on how the thinking, motivation and affect of extraordinarily creative individuals evolve and how they interact over long periods of time. Gruber’s approach bridges many disciplines and subdisciplines in psychology and beyond, several of which are represented in the present volume: cognitive psychology, developmental psychology, history of science, aesthetics, and politics. The volume thus presents a unique and comprehensive contribution to our understanding of the creative process. Many of Gruber's papers have not previously been easily accessible; they are presented here in thoroughly revised form.
The Reception of the Galilean Science of Motion in Seventeenth-Century Europe
Author: Carla Rita Palmerino
Publisher: Springer Science & Business Media
ISBN: 140202455X
Category : History
Languages : en
Pages : 314
Book Description
This book collects contributions by some of the leading scholars working on seventeenth-century mechanics and the mechanical philosophy. Together, the articles provide a broad and accurate picture of the fortune of Galileo's theory of motion in Europe and of the various physical, mathematical, and ontological arguments that were used in favour and against it. Were Galileo's contemporaries really aware of what Westfall has described as "the incompatibility between the demands of mathematical mechanics and the needs of mechanical philosophy"? To what extent did Galileo's silence concerning the cause of free fall impede the acceptance of his theory of motion? Which methods were used, before the invention of the infinitesimal calculus, to check the validity of Galileo's laws of free fall and of parabolic motion? And what sort of experiments were invoked in favour or against these laws? These and related questions are addressed in this volume.
Publisher: Springer Science & Business Media
ISBN: 140202455X
Category : History
Languages : en
Pages : 314
Book Description
This book collects contributions by some of the leading scholars working on seventeenth-century mechanics and the mechanical philosophy. Together, the articles provide a broad and accurate picture of the fortune of Galileo's theory of motion in Europe and of the various physical, mathematical, and ontological arguments that were used in favour and against it. Were Galileo's contemporaries really aware of what Westfall has described as "the incompatibility between the demands of mathematical mechanics and the needs of mechanical philosophy"? To what extent did Galileo's silence concerning the cause of free fall impede the acceptance of his theory of motion? Which methods were used, before the invention of the infinitesimal calculus, to check the validity of Galileo's laws of free fall and of parabolic motion? And what sort of experiments were invoked in favour or against these laws? These and related questions are addressed in this volume.
The New Century
Author: Keith Ansell-Pearson
Publisher: Routledge
ISBN: 131754692X
Category : Philosophy
Languages : en
Pages : 510
Book Description
This volume covers the period between the 1890s and 1930s, a period that witnessed revolutions in the arts and society which set the agenda for the rest of the century. In philosophy, the period saw the birth of analytic philosophy, the development of new programmes and new modes of inquiry, the emergence of phenomenology as a new rigorous science, the birth of Freudian psychoanalysis, and the maturing of the discipline of sociology. This period saw the most influential work of a remarkable series of thinkers who reviewed, evaluated and transformed 19th-century thought. A generation of thinkers - among them, Henri Bergson, Emile Durkheim, Sigmund Freud, Martin Heidegger, Edmund Husserl, Karl Jaspers, Max Scheler, and Ludwig Wittgenstein - completed the disenchantment of the world and sought a new re-enchantment.
Publisher: Routledge
ISBN: 131754692X
Category : Philosophy
Languages : en
Pages : 510
Book Description
This volume covers the period between the 1890s and 1930s, a period that witnessed revolutions in the arts and society which set the agenda for the rest of the century. In philosophy, the period saw the birth of analytic philosophy, the development of new programmes and new modes of inquiry, the emergence of phenomenology as a new rigorous science, the birth of Freudian psychoanalysis, and the maturing of the discipline of sociology. This period saw the most influential work of a remarkable series of thinkers who reviewed, evaluated and transformed 19th-century thought. A generation of thinkers - among them, Henri Bergson, Emile Durkheim, Sigmund Freud, Martin Heidegger, Edmund Husserl, Karl Jaspers, Max Scheler, and Ludwig Wittgenstein - completed the disenchantment of the world and sought a new re-enchantment.