Heine the Tragic Satirist PDF Download
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Author: S. S. Prawer
Publisher: Cambridge University Press
ISBN: 0521059909
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
This 1961 book presents a full-length study of the later works of Heine, relating to Heine's life the underlying themes in his poetry.
Author: S. S. Prawer
Publisher: Cambridge University Press
ISBN: 0521059909
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
This 1961 book presents a full-length study of the later works of Heine, relating to Heine's life the underlying themes in his poetry.
Author: Leah Garrett
Publisher: Purdue University Press
ISBN: 1557536015
Category : Biography & Autobiography
Languages : en
Pages : 160
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Book Description
A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannh user played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. Readers will see how Tannh user evolves from a medieval knight to Peretz's pious Jewish scholar in the Land of Israel. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it. A Knight at the Opera uses Tannh user as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo.
Author: Jeffrey L. Sammons
Publisher: Princeton University Press
ISBN: 1400856787
Category : Biography & Autobiography
Languages : en
Pages : 462
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Book Description
Heinrich Heine has been one of the liveliest topics in German literary studies for the past fifteen years. His life was marked by an exceptionally high pitch of constant public controversy and an extraordinary quantity of legend and speculation surround his reputation. This biography, the first in English in over twenty years and the first fully documented one in over a century, makes full use of the newest material in contemporary studies as well as of older scholarship. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Anthony Phelan
Publisher: Cambridge University Press
ISBN: 1139460706
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
This book is a comprehensive study of the nineteenth-century German poet Heinrich Heine. Anthony Phelan examines the complete range of Heine's work, from the early poetry and 'Pictures of Travel' to the last poems, including personal polemic and journalism. Phelan provides original and detailed readings of Heine's major poetry and throws fresh light on his virtuoso political performances that have too often been neglected by critics. Through his critical relationship with Romanticism, Heine confronted the problem of modernity in startlingly original ways that still speak to the concerns of post-modern readers. Phelan highlights the importance of Heine for the critical understanding of modern literature, and in particular the responses to Heine's work by Adorno, Kraus and Benjamin. Heine emerges as a figure of immense European significance, whose writings need to be seen as a major contribution to the articulation of modernity.
Author: George F. Peters
Publisher: Camden House
ISBN: 9781571131614
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Analyzes the heated critical debate on Heine from his own lifetime to the present. Heinrich Heine (1797-1856), one of the best known and most controversial German writers of the nineteenth century, has been the subject of intense critical debate. Heine's lyric poetry ranks second only to Goethe's in popularity and is known world wide in musical settings. He is also known for his stories and travel sketches, his writings on political, social, and cultural developments in Europe, and for essays on literature, religion, and philosophy. Peters's study records the stormy development of Heine's critical reception from his own time down to the present. As a Jew living in Paris, an outspoken critic of both repressive political policies in Germany and the stifling influence of the Catholic church, and the author of the most famous satirical poem in the German language, Deuschland. Ein Wintermärchen, Heine engendered the wrath of the conservative critics of his day, while progressive critics, particularly those supportive of his emancipatory ideals, came to his defense. Since his death, Heine criticism has continued to be partisan in tone. Twentieth-century Heine criticism has mirrored Germany's historical development, from the nationalistic fervor of the Wilhelminian era, through the tolerance of Weimar, the anti-Semitic frenzy of the Third Reich, the postwar period of competing critical views in East and West, to the final decade of the century and a period of renewed and intense critical interest. George F. Peters is professor of German and Chair of the Department of Languages and Linguistics at Michigan State University.
Author: Dennis F. Mahoney
Publisher: Boydell & Brewer
ISBN: 1571132368
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Sharply focused essays on the most significant aspects of German Romanticism.
Author: Roger F. Cook
Publisher: Wayne State University Press
ISBN: 9780814327609
Category : Literary Collections
Languages : en
Pages : 420
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Book Description
German poet Heinrich Heine was bedridden with a debilitating illness for the last eight years of his life, during which time he reassessed many of his previous views on life. By the Rivers of Babylon examines the changes in his thinking about history, philosophy, and religion during that period and shows how those changes are reflected in his later poetry. Roger Cook offers an analysis of Heine's vehement renunciation of the Hegelian ideas that had shaped his earlier conception of history. Refuting accepted opinions that this shift in thought was a displaced opposition to social developments, Cook contends that these late writings represent Heine's consistent rejection of idealist philosophy and reveal Heine's new understanding of poetry's role as a transmitter of myth. Cook shows how Heine transcended the boundaries of European culture and Judeo-Christian religion by aligning his work with alternative cultures on the margins of society.
Author: Michael Ferber
Publisher: John Wiley & Sons
ISBN: 1405154535
Category : Literary Criticism
Languages : en
Pages : 602
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Book Description
This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century. Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain. Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment. Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts. Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.
Author: Stephen D. Dowden
Publisher: Camden House
ISBN: 9781571131584
Category : History
Languages : en
Pages : 372
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Book Description
Among the Jewish academics and intellectuals expelled from Germany and Austria during the Nazi era were many specialists in German literature. Strangely, their impact on the practice of Germanistik in the United States, England, and Canada has been given little attention. Who were they? Did their vision of German literature and culture differ significantly from that of those who remained in their former homeland? What problems did they face in the American and British academic settings? Above all, how did they help shape German studies in the postwar era? This unique and important symposium, which convened at Brandeis University under the auspices of the its Center for German and European Studies, addresses these and many other questions. Among its distinguished participants--who numbered over thirty in all--are Peter Demetz (Yale, emeritus), Gesa Dane (Göttingen), Amir Eshel (Stanford), Willi Goetschel (Toronto), Barbara Hahn (Princeton), Susanne Klingenstein (MIT), Christoph König (Deutsches Literaturarchiv, Marbach), Ritchie Robertson (Oxford), Egon Schwarz (Washington University St. Louis, emeritus), Hinrich Seeba (UC Berkeley), Walter Sokel (University of Virginia, emeritus), Frank Trommler (University of Pennsylvania), and many more. The volume includes not only the (revised) essays of the participants but also prepared responses, and transcripts of the panel discussion and dialogue of the participants with members of the audience. STEPHEN D. DOWDEN is professor of German at Brandeis University; MEIKE G. WERNER is assistant professor of German at Vanderbilt University.
Author: Lorna Fitzsimmons
Publisher: Oxford University Press
ISBN: 0190694521
Category : Music
Languages : en
Pages : 617
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Book Description
Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.
