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Author: Galina Kopytova
Publisher: Indiana University Press
ISBN: 0253010896
Category : Biography & Autobiography
Languages : en
Pages : 504
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Book Description
Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to "Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say." Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world—from his first violin lessons with his father, to his studies at the St. Petersburg Conservatory with the well-known pedagogue Leopold Auer, to his tours throughout Russia and Europe. Spotlighting Auer's close-knit circle of musicians, Galina Kopytova underscores the lives of artists in Russia's "Silver Age"—an explosion of artistic activity amid the rapid social and political changes of the early 20th century.
Author: Galina Kopytova
Publisher: Indiana University Press
ISBN: 0253010896
Category : Biography & Autobiography
Languages : en
Pages : 504
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Book Description
Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to "Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say." Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world—from his first violin lessons with his father, to his studies at the St. Petersburg Conservatory with the well-known pedagogue Leopold Auer, to his tours throughout Russia and Europe. Spotlighting Auer's close-knit circle of musicians, Galina Kopytova underscores the lives of artists in Russia's "Silver Age"—an explosion of artistic activity amid the rapid social and political changes of the early 20th century.
Author: Sherry Kloss
Publisher:
ISBN:
Category : Violinists
Languages : en
Pages : 200
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Book Description
Author: Dario Sarlo
Publisher: Routledge
ISBN: 1317021649
Category : Music
Languages : en
Pages : 285
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Book Description
The violinist Jascha Heifetz (1901-1987) is considered among the most influential performers in history and still maintains a strong following among violinists around the world. Dario Sarlo contributes significantly to the growing field of analytical research into recordings and the history of performance style. Focussing on Heifetz and his under-acknowledged but extensive performing relationship with the Bach solo violin works (BWV 1001-1006), Sarlo examines one of the most successful performing musicians of the twentieth century along with some of the most frequently performed works of the violin literature. The book proposes a comprehensive method for analysing and interpreting the legacies of prominent historical performers in the wider context of their particular performance traditions. The study outlines this research framework and addresses how it can be transferred to related studies of other performers. By building up a comprehensive understanding of multiple individual performance styles, it will become possible to gain deeper insight into how performance style develops over time. The investigation is based upon eighteen months of archival research in the Library of Congress’s extensive Jascha Heifetz Collection. It draws on numerous methods to examine what and how Heifetz played, why he played that way, and how that way of playing compares to other performers. The book offers much insight into the ’music industry’ between 1915 and 1975, including touring, programming, audiences, popular and professional reception and recording. The study concludes with a discussion of Heifetz’s unique performer profile in the context of violin performance history.
Author: Ayke Agus
Publisher: Hal Leonard Corporation
ISBN: 9781574671216
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
For the last 15 years of Jascha Heifetz's life, Ayke Agus was his closest companion. She came to him as a violin student in his master class at the University of Southern California, but he singled her out when he heard her play the piano. She became his private accompanist and ultimately his assistant and confidante. A sensitive and astute observer, Agus takes up where previous biographers left off; her book is a loving yet unblinking portrait of an aging master by his disciple.
Author: Artur Weschler-Vered
Publisher: Robert Hale
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
Leven en werk van de Amerikaanse violist van Russische origine Jascha Heifetz (1901- ).
Author: Dario Sarlo
Publisher: Routledge
ISBN: 1317021630
Category : Music
Languages : en
Pages : 313
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Book Description
The violinist Jascha Heifetz (1901-1987) is considered among the most influential performers in history and still maintains a strong following among violinists around the world. Dario Sarlo contributes significantly to the growing field of analytical research into recordings and the history of performance style. Focussing on Heifetz and his under-acknowledged but extensive performing relationship with the Bach solo violin works (BWV 1001-1006), Sarlo examines one of the most successful performing musicians of the twentieth century along with some of the most frequently performed works of the violin literature. The book proposes a comprehensive method for analysing and interpreting the legacies of prominent historical performers in the wider context of their particular performance traditions. The study outlines this research framework and addresses how it can be transferred to related studies of other performers. By building up a comprehensive understanding of multiple individual performance styles, it will become possible to gain deeper insight into how performance style develops over time. The investigation is based upon eighteen months of archival research in the Library of Congress’s extensive Jascha Heifetz Collection. It draws on numerous methods to examine what and how Heifetz played, why he played that way, and how that way of playing compares to other performers. The book offers much insight into the ’music industry’ between 1915 and 1975, including touring, programming, audiences, popular and professional reception and recording. The study concludes with a discussion of Heifetz’s unique performer profile in the context of violin performance history.
Author: Jascha Heifitz
Publisher: Hal Leonard Corporation
ISBN: 1476857172
Category : Music
Languages : en
Pages : 52
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Book Description
(Fretted). Long out of print, these virtuoso transcriptions by the legendary violinist Jascha Heifetz date from 1947, and have previously been available only separately. These showpieces capture the excitement of Gershwin's score in a unique and fascinating way. Includes: It Ain't Necessarily So * Summertime * A Woman Is a Sometime Thing * I Got Plenty O' Nuttin' * Bess, You Is My Woman * Tempo Di Blues.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Autographed photograph Lithuania/America Jascha Heifetz (February 2 [O.S. January 20] 1901 - December 10, 1987) was a violinist, born in Vilnius, Lithuania. He is widely regarded as arguably the greatest violinist of all time. On October 27, 1917, Heifetz played for the first time in the United States, at Carnegie Hall in New York, and became an immediate sensation. Fellow violinist Mischa Elman, in the audience, asked Do you think it's hot in here?, whereupon the pianist Leopold Godowsky, in the next seat, imperturbably replied, Not for pianists. The reviews by the New York critics were rapturous. Heifetz's technical command of his instrument - his physical ability to play the violin with stunning precision - is regarded by many critics as unequaled. That physical control enabled Heifetz to produce a distinctive tone quality, intense and shimmering, that came to be regarded as his trademark. Yet, from time to time his near-perfect technique and conservative stage demeanor caused some critics to accuse him of being overly mechanical, even cold. Virgil Thomson called Heifetz's style of playing silk underwear music, a term he did not intend as a compliment. Other critics argue that he infused his playing with feeling and reverence for the composers' intentions. His style of playing was highly influential in defining the way modern violinists approach the instrument. His use of rapid vibrato, emotionally charged portamento, fast tempos, and superb bow control coalesced to create a highly distinctive sound that make Heifetz's playing instantly recognizable to aficionados. The violinist Itzhak Perlman, who himself is noted for his rich warm tone and expressive use of portamento, describes Heifetz's tone as like a tornado because of its emotional intensity. Perlman also said that Heifetz preferred to be recorded relatively close to the microphone; as a result, one would perceive a somewhat different tone quality when listening to Heifetz during a concert hall performance as opposed to a recording. In creating his sound, Heifetz was very particular about his choice of strings. He used a silver wound Tricolore gut G string, plain gut unvarnished D and A strings, and a Goldbrokat steel E string medium including clear Hill brand rosin sparingly. Heifetz believed that playing on gut strings was important in rendering an individual sound.
Author: George Gershwin
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 92
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Book Description
Author: Todd M. Axelrod
Publisher: TFH Publications
ISBN:
Category : Violinists
Languages : en
Pages : 754
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Book Description
An unauthorized pictoral biography of the private and professional life of the greatest violinist that ever lived. With Henry Roth's critical analysis, edited by Dr. Herbert R. Axelrod (Klappentext)
