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Author: Melvin Beaunorus Tolson
Publisher: University of Virginia Press
ISBN: 9780813918655
Category : Poetry
Languages : en
Pages : 473
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Book Description
The poet Melvin B. Tolson (1898-1966) was once recognized as one of black America's most important modernist voices. Playful, fluent, and intellectually sophisticated, his poems stirred up significant praise, and some lively criticism, during his lifetime but have been out of print for decades and essentially left out of the literary canon. With the publication of this first complete collection of his work, Tolson can finally be given his proper place in American poetry. This volume brings together Tolson's three books of poetry--Rendezvous with America (1944), Libretto for the Republic of Liberia (1953) and Harlem Gallery (1965)--as well as fugitive poems after 1944. His work has at times been controversial because of his historical, intellectual subject matter, and his commitment to the priorities of art rather than the imperatives of politics. However a fresh reading of his challenging masterpiece, Harlem Gallery, a poem in 24 cantos, reveals an urgent meditation on the plight of the black artist in a white society and a concern with social justice that locates Tolson in the mainstream of African American writing. Such powerful themes, as well as his range of tone and mesmerizing imagery, have won Tolson a growing number of enthusiastic admirers, who place him alongside such legendary black poets as Langston Hughes, Gwendolyn Brooks, and Robert Hayden. While his peers Hughes and Countee Cullen were part of the Harlem Renaissance, Melvin B. Tolson was not identified with any particular movement, and his legacy in American literature has been elusive. This book, enhanced by a moving introduction by Rita Dove and useful notes by editor Raymond Nelson, provides the text for a renewed appreciation of one of the great talents in AfricanAmerican poetry.
Author: Melvin Beaunorus Tolson
Publisher: University of Virginia Press
ISBN: 9780813918655
Category : Poetry
Languages : en
Pages : 473
Get Book Here
Book Description
The poet Melvin B. Tolson (1898-1966) was once recognized as one of black America's most important modernist voices. Playful, fluent, and intellectually sophisticated, his poems stirred up significant praise, and some lively criticism, during his lifetime but have been out of print for decades and essentially left out of the literary canon. With the publication of this first complete collection of his work, Tolson can finally be given his proper place in American poetry. This volume brings together Tolson's three books of poetry--Rendezvous with America (1944), Libretto for the Republic of Liberia (1953) and Harlem Gallery (1965)--as well as fugitive poems after 1944. His work has at times been controversial because of his historical, intellectual subject matter, and his commitment to the priorities of art rather than the imperatives of politics. However a fresh reading of his challenging masterpiece, Harlem Gallery, a poem in 24 cantos, reveals an urgent meditation on the plight of the black artist in a white society and a concern with social justice that locates Tolson in the mainstream of African American writing. Such powerful themes, as well as his range of tone and mesmerizing imagery, have won Tolson a growing number of enthusiastic admirers, who place him alongside such legendary black poets as Langston Hughes, Gwendolyn Brooks, and Robert Hayden. While his peers Hughes and Countee Cullen were part of the Harlem Renaissance, Melvin B. Tolson was not identified with any particular movement, and his legacy in American literature has been elusive. This book, enhanced by a moving introduction by Rita Dove and useful notes by editor Raymond Nelson, provides the text for a renewed appreciation of one of the great talents in AfricanAmerican poetry.
Author: Melvin B. Tolson
Publisher: University of Missouri
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
A Gallery of Harlem Portraits was written some forty years ago when Tolson was immersed in the writings of the Harlem Renaissance, the subject of his master's thesis at Columbia University._ Modeled on Edgar Lee Master's Spoon River Anthology and showing the influence of Browning and Whitman, it is rooted in the Harlem Renaissance in its fascination with Harlem's cultural and ethnic diversity and its use of musical forms._ Robert Farnsworth's afterword elucidates these and other literary influences.
Author: Robert M. Farnsworth
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
In this biography of Tolson, Robert M. Farnsworth has gathered much new information on the poet from family papers; from reminiscences of friends, acquaintances, and relatives; and from scholarly analyses of his work to create a clarifying and insightful account of the poet's life. The events and preoccupations of Tolson's life in turn provide a useful context for examining Tolson's major poems. Moreover, Farnsworth has determined the chronology of most of Tolson's writings, many of which were before either unknown or known only through obscure references. --University of Missouri Press.
Author: John T. Irwin
Publisher: JHU Press
ISBN: 1421402211
Category : Literary Criticism
Languages : en
Pages : 439
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Book Description
In one of his letters Hart Crane wrote, "Appollinaire lived in Paris, I live in Cleveland, Ohio," comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, "The Broken Tower," through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language.
Author: Rita Dove
Publisher: W. W. Norton & Company
ISBN: 039324914X
Category : Poetry
Languages : en
Pages : 89
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Book Description
A dazzling new collection by the former Poet Laureate of the United States. In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos", to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.
Author: Yusef Komunyakaa
Publisher: Macmillan
ISBN: 0374272557
Category : Poetry
Languages : en
Pages : 145
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Book Description
A collection of poems in which the Pulitzer Prize-winning author examines and evaluates each of the seven deadly sins.
Author: Timothy Donnelly
Publisher: Wave Books
ISBN: 1933517476
Category : Poetry
Languages : en
Pages : 178
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Book Description
The long-awaited second collection by a central literary figure, Columbia University professor, and poetry editor of the Boston Review.
Author: Melvin B. Tolson
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
Melvin B. Tolson is best known as the poet who wrote The Harlem Gallery and Libretto for the Republic of Liberia. He received national acclaim only toward the end of his life, but early in his career he achieved considerable recognition as a challenging speaker and activist within the black American community. Tolson wrote a weekly column for the Washington Tribune from October 9, 1937, to June 24, 1944, entitled "Caviar and Cabbage." As the title suggests, the subjects he treated were various. He perceived the problems of the black world of the late thirties and early forties with the insight of an intellectual and the verbal richness and rhythms of a poet heavily influenced by a strong pulpit tradition. This combination makes the columns valuable both as literature and as cultural history. Robert Farnsworth has selected and edited these columns. His introduction describes their cultural and biographical context. He has arranged the columns according to subject: "Christ and Radicalism," "Race and Class," "World War II," "Random Shots," "Writers and Readings," and "Reminiscences." The background material and the arrangement of the works underline their significance.
Author: Amiri Baraka
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 140
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Book Description
A poetic voyage in five parts that charts the ebbs and flows of the African-American movement.
Author: Edward Estlin Cummings
Publisher: Library of America: The Americ
ISBN:
Category : Literary Collections
Languages : en
Pages : 1064
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Book Description
Anthology of poems by 20th century American poets.
