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Author: Leonard Cassuto
Publisher: Columbia University Press
ISBN: 0231126905
Category : Education
Languages : en
Pages : 341
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Book Description
Leonard Cassuto's cultural history of the hard-boiled crime genre recovers the fascinating link between tough guys and sensitive women
Author: Leonard Cassuto
Publisher: Columbia University Press
ISBN: 0231126905
Category : Education
Languages : en
Pages : 341
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Book Description
Leonard Cassuto's cultural history of the hard-boiled crime genre recovers the fascinating link between tough guys and sensitive women
Author: Lisa Mendelman
Publisher: Oxford University Press
ISBN: 0192589725
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcée, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.
Author: Erin Smith
Publisher: Temple University Press
ISBN: 1592139116
Category : Language Arts & Disciplines
Languages : en
Pages : 230
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Book Description
An examination of the culture that produced and supported pulp-fiction.
Author: Leonard Cassuto
Publisher: Columbia University Press
ISBN: 0231103379
Category : African Americans in literature
Languages : en
Pages : 314
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Book Description
In revealing the source of the ideology of whiteness in the imagination, Cassuto turns to images of blackness in American literature and culture from 1622 to 1865, examining such texts as Swallow Barn, Uncle Tom's Cabin, Typee, and Moby Dick.
Author: Maysaa Husam Jaber
Publisher: Springer
ISBN: 1137356472
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.
Author: Pamela Bedore
Publisher: Taylor & Francis
ISBN: 1003852610
Category : Fiction
Languages : en
Pages : 247
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Book Description
Who are the most important Canadian crime and detective writers? How do they help represent Canada as a nation? How do they distinguish Canada’s approach to questions of crime, detection, and social justice from those of other countries? The Routledge Introduction to Canadian Crime Fiction provides a much-needed investigation into how crime and detection have been, are, and will be represented within Canada’s national literature, with an attention to contemporary popular and literary texts. The book draws together a representative set of established Canadian authors who would appear in most courses on Canadian crime and detective fiction, while also introducing a few authors less established in the field. Ultimately, the book argues that crime fiction is a space of enormously productive hybridity that offers fresh new approaches to considering questions of national identity, gender, race, sexuality, and even genre.
Author: Richard M. Magee
Publisher: Cambridge Scholars Publishing
ISBN: 1443892807
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
The Salem witch trials, and the many narratives based on them, both contemporaneous and subsequent discussions, have had a powerful influence on the American national psyche, informing the nation’s political debates and propelling its fears. Perhaps one of the major reasons for the importance of the trials is how they conceive of and present a narrative of danger. The horror grows in and seems to threaten not just the body politic, but, perhaps more importantly, the domestic sanctuary. The home and hearth become a contested ground where good and evil fight for the souls of the inhabitants, or an infection that threatens to spread to other homes and, eventually, the entire community. The fear of witchcraft or demonic possession reveals not just a religious mania, but also a level of misogyny. Much has been made of the connections between witchcraft accusations and midwifery, homeopathy, and other, usually female, pursuits. The link between midwifery and witchcraft is especially interesting here, however, as it suggests an anxiety linked to notions of creation and procreation. This book proposes a link between the fears of usurped procreation elicited by the trials and fears of misdirected or usurped creativity. In many Gothic stories, the authors imagine their literary creations as children who have been transformed by malignant forces, much as the Puritans of 1692 feared that the devil was transforming their actual children. The home in the Gothic story becomes a warped version of the sacred domestic space of sentimental literature, and it transforms from refuge to place of terror. The authors examined here include Nathaniel Hawthorne, Louisa May Alcott, Rose Terry Cooke, Charlotte Perkins Gilman, Shirley Jackson, Stephen King, and Ira Levin.
Author: Frances Gateward
Publisher: Rutgers University Press
ISBN: 0813572363
Category : Art
Languages : en
Pages : 357
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Book Description
When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.
Author: LeRoy Panek
Publisher: Popular Press
ISBN: 9780879723781
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This book is a no-apologies introduction to Detective Fiction. It's written in an aggressive, modern English well-suited to a genre which has traditionally broken ground in terms of aggressive writing, contemporary scenarios, and tough dialogue.
Author: Stephen Downes
Publisher: Routledge
ISBN: 0429837410
Category : Music
Languages : en
Pages : 324
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Book Description
In a wide-ranging study of sentimentalism’s significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism’s place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of ‘easy’ listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartók, Szymanowski and Górecki, the Merchant-Ivory adaptation of The Remains of the Day, Antônio Carlos Jobim’s bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility.
