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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 510
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 510
Get Book Here
Book Description
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 512
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Book Description
Author: Øivind Storm Bjerke
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 270
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Book Description
Eng. National acadamy of design, 1995. 266 s., ill. ISBN 1-887149-01-5 Denne boken ble utgitt samtidig med åpningen av en maleriutstilling av Edvard Munchs og Harald Solbergs bilder i National Acadamy of Design. Munchsarbeider er velkjent, men Solbergs arbeider har aldri tidligere vært vist utenfor Norge. Derfor var det viktig å presentere Solberg sammen Munch for det amerikanske publikum. Boken gir derfor en fyldig presentasjon av Sol- bergs liv og arbeid. Den presenterer også de to kunstnernes holdning til norske kunstnerkretser, for deretter å vise samtlige av utstillingens bilder, først i tekst og så i bilder. Flotte farveillustrasjoner.
Author: Einar-Arne Drivenes
Publisher:
ISBN: 9788205374836
Category :
Languages : en
Pages : 557
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Book Description
Author: British Library
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 572
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Book Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1230
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Book Description
Author: Rolf Stenersen
Publisher:
ISBN:
Category :
Languages : en
Pages : 182
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Book Description
Author: Gary Gygax
Publisher: Troll Lord Games
ISBN: 9781931275224
Category :
Languages : en
Pages : 0
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Book Description
For the vigilant writer, driven publisher or game designer, Volume 3 of the Gygaxian Fantasy World series drives forward the gathering host of information brought to you by the Gygaxian Fantasy World series. From the encampments of common folk and wanderers to the teeming streets of walled towns, this work brings the fantastic world of magic to life. Game designers captain their own creations when they master knowledge of the high and low, the hamlets and towns, cities and castles and all that accompanies life in a world of our own imagining. More than that, Everyday Life breathes strength into the arms of your imaginings with pirates and palace life, eating and entertainment, villains and vagabonds, communications and commerce. Whatever is found in the daily life of a typical fantasy world is covered herein. Sound the note of world creation with Gary Gygax's Everyday Life.
Author: Robert Pincus-Witten
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
