Author: Sarah C. Schaefer
Publisher: Oxford University Press
ISBN: 019007583X
Category : Art
Languages : en
Pages : 377
Book Description
Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.
Gustave Doré and the Modern Biblical Imagination
Author: Sarah C. Schaefer
Publisher: Oxford University Press
ISBN: 019007583X
Category : Art
Languages : en
Pages : 377
Book Description
Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.
Publisher: Oxford University Press
ISBN: 019007583X
Category : Art
Languages : en
Pages : 377
Book Description
Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.
Art and Artifice in Visual Culture
Author: Sonia Coman
Publisher: Taylor & Francis
ISBN: 1040273114
Category : Art
Languages : en
Pages : 301
Book Description
This edited volume explores the notion of “artifice” in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe. Artifice has been regarded as a primarily Western phenomenon, playing as it does a central role in European art theory since the Renaissance. This volume proposes that artifice is better understood as a transcultural artistic phenomenon and requires far broader conceptualization across international contexts. It acquaints readers with works of art, visual modes of communication, and concepts originating in France, Germany, the United States, Japan, and China, and includes painting, sculpture, drawings, prints, photographs, film, and virtual reality/augmented reality (VR/AR) objects. Contributors demonstrate how practices of artifice function as both symbol and form, in parallel and divergent ways, in multiple cultural settings. The book will be of interest to scholars working in art history, visual culture, and material culture.
Publisher: Taylor & Francis
ISBN: 1040273114
Category : Art
Languages : en
Pages : 301
Book Description
This edited volume explores the notion of “artifice” in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe. Artifice has been regarded as a primarily Western phenomenon, playing as it does a central role in European art theory since the Renaissance. This volume proposes that artifice is better understood as a transcultural artistic phenomenon and requires far broader conceptualization across international contexts. It acquaints readers with works of art, visual modes of communication, and concepts originating in France, Germany, the United States, Japan, and China, and includes painting, sculpture, drawings, prints, photographs, film, and virtual reality/augmented reality (VR/AR) objects. Contributors demonstrate how practices of artifice function as both symbol and form, in parallel and divergent ways, in multiple cultural settings. The book will be of interest to scholars working in art history, visual culture, and material culture.
Handbook of Religious Culture in Nineteenth-Century Europe
Author: Anthony Steinhoff
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110609053
Category : History
Languages : en
Pages : 500
Book Description
This handbook offers a guide to research on religious culture during Europe’s long nineteenth century (1800–1914). Grounded in the latest theoretical approaches and in line with trends that have produced a "religious turn" in the study of modern Europe, the volume assesses the state of the field while making provocative recommendations for its enlargement. Unique and ambitious in its thematic breadth, it addresses the histories of all five of Europe’s main religious traditions – Eastern Orthodox Christianity, Judaism, Islam, Protestantism, and Roman Catholicism – and brings these histories into comparative analysis. This analysis extends to a wide range of subjects, from popular belief and practice, education and modern knowledge formation, and the arts to the intersections between religion and urbanization, civil society and politics, and missions and imperialism. It also evaluates recent developments in work on religion vis-à-vis both gender and nationalism, while calling attention to newer research that proposes secularism as a form of belief in its own right. Presenting the scholarship of eighteen leaders in their respective fields, the volume explains why religion as a topic of research has moved from the periphery to the center of modern European historiography.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110609053
Category : History
Languages : en
Pages : 500
Book Description
This handbook offers a guide to research on religious culture during Europe’s long nineteenth century (1800–1914). Grounded in the latest theoretical approaches and in line with trends that have produced a "religious turn" in the study of modern Europe, the volume assesses the state of the field while making provocative recommendations for its enlargement. Unique and ambitious in its thematic breadth, it addresses the histories of all five of Europe’s main religious traditions – Eastern Orthodox Christianity, Judaism, Islam, Protestantism, and Roman Catholicism – and brings these histories into comparative analysis. This analysis extends to a wide range of subjects, from popular belief and practice, education and modern knowledge formation, and the arts to the intersections between religion and urbanization, civil society and politics, and missions and imperialism. It also evaluates recent developments in work on religion vis-à-vis both gender and nationalism, while calling attention to newer research that proposes secularism as a form of belief in its own right. Presenting the scholarship of eighteen leaders in their respective fields, the volume explains why religion as a topic of research has moved from the periphery to the center of modern European historiography.
The Oxford Encyclopedia of the Books of the Bible
Author: Michael D. Coogan
Publisher:
ISBN: 0195377370
Category : Bibles
Languages : en
Pages : 1226
Book Description
This is the first in this series of specialised reference works, each addressing a specific subfield within biblical studies. Books of the Bible is in depth, with articles on all of the canonical books, major apocryphal books of the New and Old Testaments, important noncanonical texts and some thematic essays.
Publisher:
ISBN: 0195377370
Category : Bibles
Languages : en
Pages : 1226
Book Description
This is the first in this series of specialised reference works, each addressing a specific subfield within biblical studies. Books of the Bible is in depth, with articles on all of the canonical books, major apocryphal books of the New and Old Testaments, important noncanonical texts and some thematic essays.
Descriptive Catalogue of the Great Pictures by Gustave Doré and Edwin Long on View at 35, New Bond Street, London
Author: Doré Gallery (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
Book Description
The Forge of Vision
Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520286952
Category : Religion
Languages : en
Pages : 312
Book Description
"Religions teach their adherents how to see and feel at the same time, so learning to see is not a disembodied process but one hammered out on the forge of human need, social relations, and material practice. Therefore, religions may be studied through the lens of salient visual themes. This book tells a history of Catholic and Protestant Christianity since the sixteenth century by selecting visual themes that have shaped the development of the religion throughout the modern era. Chapters examine a variety of visual practices, including imagination, envisioning nationhood, the likeness of Jesus, modern art as a spiritual quest, the material life of words, and the importance of images for education, devotion, worship, and domestic life."--Provided by publisher.
Publisher: Univ of California Press
ISBN: 0520286952
Category : Religion
Languages : en
Pages : 312
Book Description
"Religions teach their adherents how to see and feel at the same time, so learning to see is not a disembodied process but one hammered out on the forge of human need, social relations, and material practice. Therefore, religions may be studied through the lens of salient visual themes. This book tells a history of Catholic and Protestant Christianity since the sixteenth century by selecting visual themes that have shaped the development of the religion throughout the modern era. Chapters examine a variety of visual practices, including imagination, envisioning nationhood, the likeness of Jesus, modern art as a spiritual quest, the material life of words, and the importance of images for education, devotion, worship, and domestic life."--Provided by publisher.
The Bible
Author: Gustave Doré
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 116
Book Description
The Journal of Sacred Literature and Biblical Record
Author: B. Harris Cowper
Publisher: BoD – Books on Demand
ISBN: 3752591498
Category : Fiction
Languages : en
Pages : 526
Book Description
Reprint of the original, first published in 1864.
Publisher: BoD – Books on Demand
ISBN: 3752591498
Category : Fiction
Languages : en
Pages : 526
Book Description
Reprint of the original, first published in 1864.
The Journal of Sacred Literature and Biblical Record
Author: John Kitto
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 528
Book Description
The Journal of Sacred Literature and Biblical Record
Author:
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 532
Book Description