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Author: Bharat Kala Bhavan
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 206
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Book Description
Author: Bharat Kala Bhavan
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 206
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
Author: Karl J. Khandalavala
Publisher:
ISBN:
Category : History
Languages : en
Pages : 152
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Book Description
Author: Bharat Kala Bhavan
Publisher:
ISBN:
Category : Buddhist gods, in art
Languages : en
Pages : 51
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Book Description
Author: James C. Harle
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 162
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Book Description
Author: Sara L Schastok
Publisher: BRILL
ISBN: 9004646515
Category : Social Science
Languages : en
Pages : 239
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Book Description
Author: Mihir Mohan Mukhopadhyay
Publisher: Abhinav Publications
ISBN: 9788170171898
Category : Ganges-Yamuna Doab (India)
Languages : en
Pages : 190
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Book Description
Stylistically Classical Indian Gupta Sculpture Admitted A Common Denominator Till The End Of The Sixth And The Beginning Of The Seventh Century A.D. This Was Felt Throughout The Sub-Continent In Different Degrees, According To The Strength Of The Regional Trends. The Gradual Thinning Down Or The Decline Of The Classical Gupta Concept Was Followed By An Emphasis On The Regional Factors Until They Dominated Over The Former. The Ganga-Yamuna Valley, The Hub Of Indian History And Culture Since The Early Times, Played An Important Part In The Medieval Phase. From The Point Of View Of Cultural History, Especially In The Field Of Art, Middle Of The Eighth Century May Be Considered As The Beginning Of The Medieval Phase Of Indian Sculpture. The Origin And Evolution Of The Medieval Indian Sculpture Of The Ganga-Yamuna Valley Has Been Studied From The Viewpoint Of Its Nearness To And Distance From The Classical Gupta Trend On The One Hand And Also To Identify The Local Or Regional Idiom Which Emerged During The Period On The Other. The Present Study Is The First Ever Full-Length Discussion On The Stylistic Analysis Of The Medieval Sculptures Of The Ganga-Yamuna Valley Region. With This Object In View Of A Wide And Extensive Survey Has Been Made From A Fairly Large Number Of Sculptures Available From The Region. The Study Has Brought Out The Importance Of The Region As A Center Of Significant Art Activity In The Medieval Phase When Some Interesting And Purposeful Art Forms Were Carved By The Creative Artists Of The Age. The Approach Of The Study Is An Objective Assessment Of The Sculptures In The Evolutionary Direction, Covering The Chronological Horizons Which Range In Dates From The Middle Of The Eight To The Twelfth Century A.D. The Analytical And Critical Study On The Subject Brings Out The Stylistic Features And Aesthetic Brilliance Of The Sculptures Of The Ganga-Yamuna Valley Of The Medieval Phase And Thereby Helps To Indicate Its Distinct Position In The Arena Of Medieval Indian Sculpture. Of The Large Number Of Sculptural Remains Available In This Region The Book Contains 96 Selective Illustrations. Besides, It Includes A Select Bibliography And An Outline Map Of The Region
Author: Cynthia Packert Atherton
Publisher: BRILL
ISBN: 9789004107892
Category : Art
Languages : en
Pages : 350
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Book Description
A survey of artistic, religious, and historical developments in early medieval Rajasthan. It analyzes patterns of change in temple sculpture and architecture, and argues for a reinterpretation of the relationship between art, religion, and politics.
Author: Susan L Huntington
Publisher: BRILL
ISBN: 9004646507
Category : Social Science
Languages : en
Pages : 458
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Book Description
Author: Los Angeles County Museum of Art
Publisher: Univ of California Press
ISBN: 9780520059917
Category : Art
Languages : en
Pages : 296
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Book Description
The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonne of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.
