Great Masters Of Hindustani Music PDF Download
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Author: Dr. S.V.Brahaspati
Publisher: Abhishek Publications
ISBN: 8182478987
Category : Juvenile Nonfiction
Languages : en
Pages : 207
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Book Description
Author: Dr. S.V.Brahaspati
Publisher: Abhishek Publications
ISBN: 8182478987
Category : Juvenile Nonfiction
Languages : en
Pages : 207
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Book Description
Author: Susheela Misra
Publisher: New Delhi : Hem Publishers
ISBN:
Category : Hindustani music
Languages : en
Pages : 222
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Book Description
Author: Mohan Nadkarni
Publisher: HarperCollins Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 508
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Book Description
Author: Manorma Sharma
Publisher: APH Publishing
ISBN: 9788176489997
Category : Hindustani music
Languages : en
Pages : 280
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Book Description
Author: Raghu Rai
Publisher:
ISBN: 9788172239466
Category : Musicians
Languages : en
Pages : 167
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Book Description
Raghu Rai, India`s best known photographer, first shot a series of memorable photo essays on the masters of Indian classical music for India Today magazine in the mid- 980s. Since then, he has ever stopped shooting them in concerts, in their homes, with their gurus, and in special locations. Rai profiles only thirteen masters the greatest of the great nayak musicians who went much beyond their gharanas and broke new ground with their approach to music. They include Ravi Shankar, Ali Akbar Khan, M.S. Subbulakshmi, Mallikarjun Mansur, Kumar Gandharva, S. Balchander, Alla Rakha, Zakir Hussain, Vilayat Khan, Bismillah Khan, Kishori Amonkar, Hari Prasad Chaurasia and Bhimsen Joshi. Eight of these masters have passed away, so these portraits in turn affectionate, intense, playful, and reverent will remain their definitive ones, a precious and unsurpassable record of Indian musical heritage. Only a true rasik like Rai could have taken these pictures, for they required someone who possessed not only an understanding of classical music but also complete humility. Both aspects are evident in the extraordinary images that follow. The book is accompanied by a perceptive text written by noted writer and music expert Ashok Vajpeyi, chairman of Lalit Kala Akademi. His profiles of these musicians show what makes them great, alongside giving us remarkable snapshots of their lives, on and off the stage. A fonder photographic tribute to the custodians of Indian classical music could not have been possible. This is undoubtedly a collector`s edition.
Author: Kumāraprasāda Mukhopādhyāẏa
Publisher: Penguin Books India
ISBN: 9780143061991
Category : Music
Languages : en
Pages : 366
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Book Description
Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style.
Author: Amjad Ali Khan (Ustad)
Publisher:
ISBN: 9780670089543
Category : Music
Languages : en
Pages : 0
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Book Description
Veteran musician and sarod maestro Ustad Amjad Ali Khan writes a deeply personal book about the lives and times of some of the greatest icons of Indian classical music. Having known some of these stalwarts personally, he recalls anecdotes and details about their individual musical styles, bringing them alive.
Author: Pandit Amarnath
Publisher: India Viking
ISBN: 9780670092277
Category : Hindustani music
Languages : en
Pages : 240
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Book Description
Pandit Amarnath was regarded as a musicians' musician and the foremost interpreter of the Indore Gharana. In this book, he demystifies the many terms associated with Hindustani classical music for the common man interested in this art form. From crucial terms such as avaart and kharaj bharna to musicological terminology like moorchhana and shrutee to short profiles of stalwarts in the field and telling musical 'proverbs' and sayings of the great masters, this is a pathfinder to the otherwise closed traditions of Hindustani classical music whose secrets and philosophies have been restricted to masters and connoisseurs. Pandit Amarnath reveals the terms in both their etymology as well as their implications in musical practice and listening. First published twenty-five years ago to great critical acclaim and now being updated by Rekha and Vishal Bhardwaj, this will be a must-read for music lovers and musicologists, musicians and students, linguists and historians alike.
Author: W. van der Meer
Publisher: Springer Science & Business Media
ISBN: 9400987773
Category : Music
Languages : en
Pages : 267
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Book Description
AIM In spite of a reasonably extensive literature in English' and Indian vernaculars, there are extremely few books on Indian music that can be considered of a scientific standard. I found, when I took up an interest in Indian music in 1967, that even protracted reading of the studies in English was not conducive to an understanding of the principles of performance. Most of my study and research have been devoted to the gradual refinement of this very understanding. In the course of time it also became obvious that different scholars and different musicians held divergent views on many basic concepts of Indian music. Therefore, one of my tasks was to assess the degree of variability in Indian music. As a corollary I wanted to know how this variability could manifest itself as change in a relatively short and well-documented period. It is often assumed that traditional cultures, as e. g. in India, are rather inert and that the art forms hardly ever change. This study proves the contrary: Indian music has a strong vitality. If we examine the different treatises through the centuries this vitality would appear to be a basic characteristic. I felt that at least an effort to discover the roots of such change would be valuable as a contribution to the study of art history and possibly to the sociology of culture.
Author: Patrick Moutal
Publisher:
ISBN: 9782954124414
Category : Hindustani music
Languages : en
Pages : 369
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Book Description
The present work covers 454 gata-s on 164 raga-s. The core of this compilation comes from late Pandit Lal Mani Misra, Dr K. C. Gangrade, his late guru-s, Ustad Rustam Khan, Pt Dinkar Rao Patwardhan and Pt Shankar Rao Telang, whose traditional gata-s of the Gwalior gharana and Amirkhani-s are truly outstanding. Other gata-s proceed from my doctorate compositions, famous transcribed vocal bandisa-s and from various instrumentalists. They have all been written down in Bhatkhandeji's music notation system - svarlipi. For non-Hindi speaking readers, i twill be quite easy and fast to learn the mere twelve symbols needed to fully understand the themes (7 notes and 5 metric terms). This will also also the reader to browse through main Hindi literature on raga. The most challenging task will be to decode the skeletal form of the themes to bring them to life - to make them sing on the instrument. Although, in an Indian context, a " good " theme incorporates all the raga lakshana-s - characteristics, reader will have to recall in memory the rules of the raga it belongs, getting deeper and deeper into its form and spirit. Then only, its notes and movements will progressively come to life, making of the raga a living melodic being.
