Great Day Coming; Folk Music and the American Left PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Great Day Coming; Folk Music and the American Left PDF full book. Access full book title Great Day Coming; Folk Music and the American Left by R. Serge Denisoff. Download full books in PDF and EPUB format.
Author: R. Serge Denisoff
Publisher: Urbana, U. of Illinois P
ISBN:
Category : Music
Languages : en
Pages : 242
Get Book Here
Book Description
Author: R. Serge Denisoff
Publisher: Urbana, U. of Illinois P
ISBN:
Category : Music
Languages : en
Pages : 242
Get Book Here
Book Description
Author: R. Serge Denisoff
Publisher: Transaction Publishers
ISBN: 9781412835565
Category : Language Arts & Disciplines
Languages : en
Pages : 508
Get Book Here
Book Description
The great depression in the popular recording industry that began in 1979 still continues. There are signs, however, that the industry is adjusting to new technologies and may soon revive. R. Serge Denisoff documents the decline and possible revival of this comprehensive study of the recording business, a sequel to his widely acclaimed Solid Gold: The Popular Record Industry. Denisoff offers a brief history of popular music and then, in detail, traces the life cycle of a record, beginning with the artist in the studio and following the record until its purchase. He explains the relationships between artist, manager, producer, company, distributor, merchandiser, and media. They all play roles in the scenario of a hit record. He also discusses the new technologies and how they may affect record sales, especially round-the-clock rock and roll on cable television. Tarnished Gold joins Solid Gold as a staple in the popular culture literature.
Author: Richard A. Reuss
Publisher: Scarecrow Press
ISBN: 9780810836846
Category : History
Languages : en
Pages : 332
Get Book Here
Book Description
The 1930s and 1940s represented an era in United States history when large groups of citizens took political action in response to their social and economic circumstances. The vision, attitudes, beliefs and purposes of participants before, during, and after this time period played an important part of American cultural history. Richard and JoAnne Reuss expertly capture the personality of this era and the fascinating chronology of events in American Folk Music and Left-Wing Politics, 1927-1957, a historical analysis of singers, writers, union members and organizers and their connection to left-wing politics and folk music during this revolutionary time period. While scholarship on folk music, history, and politics is not unique in and of itself, Reuss' approach is noteworthy for its folklorist perspective and its long, encompassing assessment of a broad cross-section of participants and their interactions. An innovative and informative look into one of the most evocative and challenging eras in American history, American Folk Music and Left-Wing Politics, 1927-1957 stands as a historic milestone in this period's scholarship and evolution.
Author: Michael Scott Cain
Publisher: McFarland
ISBN: 1476674728
Category : Music
Languages : en
Pages : 206
Get Book Here
Book Description
Artists have often provided the earliest demonstrations of conscience and ethical examination in response to political events. The political shifts that took place in the 1960s were addressed by a revival of folk music as an expression of protest, hope and the courage to imagine a better world. This work explores the relationship between the cultural and political ideologies of the 1960s and the growing folk music movement, with a focus on musicians Phil Ochs; Joan Baez; Peter, Paul and Mary; Carolyn Hester and Bob Dylan.
Author: Cheryl Lynette Keyes
Publisher: University of Illinois Press
ISBN: 9780252072017
Category : Music
Languages : en
Pages : 340
Get Book Here
Book Description
In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. Rap music, according to Keyes, is a forum that addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Drawing on the music, lives, politics, and interests of figures including Afrika Bambaataa, the "godfather of hip-hop," and his Zulu Nation, George Clinton and Parliament-Funkadelic, Grandmaster Flash, Kool "DJ" Herc, MC Lyte, LL Cool J, De La Soul, Public Enemy, Ice-T, DJ Jazzy Jeff and the Fresh Prince, and The Last Poets, Rap Music and Street Consciousness challenges outsider views of the genre. The book also draws on ethnographic research done in New York, Los Angeles, Detroit and London, as well as interviews with performers, producers, directors, fans, and managers. Keyes's vivid and wide-ranging analysis covers the emergence and personas of female rappers and white rappers, the legal repercussions of technological advancements such as electronic mixing and digital sampling, the advent of rap music videos, and the existence of gangsta rap, Southern rap, acid rap, and dance-centered rap subgenres. Also considered are the crossover careers of rap artists in movies and television; rapper-turned-mogul phenomenons such as Queen Latifah; the multimedia empire of Sean "P. Diddy" Combs; the cataclysmic rise of Death Row Records; East Coast versus West Coast tensions; the deaths of Tupac Shakur and Christopher "The Notorious B.I.G." Wallace; and the unification efforts of the Nation of Islam and the Hip-Hop Nation.
Author: Neil V. Rosenberg
Publisher: University of Illinois Press
ISBN: 025205623X
Category : Music
Languages : en
Pages : 456
Get Book Here
Book Description
Spanning over 1,000 separate performances, The Music of Bill Monroe presents a complete chronological list of all of Bill Monroe’s commercially released sound and visual recordings. Each chapter begins with a narrative describing Monroe’s life and career at that point, bringing in producers, sidemen, and others as they become part of the story. The narratives read like a “who’s who” of bluegrass, connecting Monroe to the music’s larger history and containing many fascinating stories. The second part of each chapter presents the discography. Information here includes the session’s place, date, time, and producer; master/matrix numbers, song/tune titles, composer credits, personnel, instruments, and vocals; and catalog/release numbers and reissue data. The only complete bio-discography of this American musical icon, The Music of Bill Monroe is the starting point for any study of Monroe’s contributions as a composer, interpreter, and performer.
Author: James J. Farrell
Publisher: Routledge
ISBN: 1136664912
Category : History
Languages : en
Pages : 367
Get Book Here
Book Description
The Spirit of the Sixties explains how and why the personal became political when Sixties activists confronted the institutions of American postwar culture. The Spirit of the Sixties uses political personalism to explain how and why the personal became political when Sixties activists confronted the institutions of American postwar culture. After establishing its origins in the Catholic Worker movement, the Beat generation, the civil rights movement, and Ban-the-Bomb protests, James Farrell demonstrates the impact of personalism on Sixties radicalism. Students, antiwar activists and counterculturalists all used personalist perspectives in the "here and now revolution" of the decade. These perspectives also persisted in American politics after the Sixties. Exploring the Sixties not just as history but as current affairs, Farrell revisits the perennial questions of human purpose and cultural practice contested in the decade.
Author: Mark Allan Jackson
Publisher: Univ. Press of Mississippi
ISBN: 160473146X
Category : Biography & Autobiography
Languages : en
Pages : 317
Get Book Here
Book Description
Prophet Singer: The Voice and Vision of Woody Guthrie examines the cultural and political significance of lyrics by beloved songwriter and activist Woodrow Wilson Woody Guthrie. The text traces how Guthrie documented the history of America's poor and disadvantaged through lyrics about topics as diverse as the Dust Bowl and the poll tax. Divided into chapters covering specific historical topics such as race relations and lynchings, famous outlaws, the Great Depression, and unions, the book takes an in-depth look at how Guthrie manipulated his lyrics to explore pressing issues and to bring greater political and economic awareness to the common people. Incorporating the best of both historical and literary perspectives, Mark Allan Jackson references primary sources including interviews, recordings, drawings, and writings. He includes a variety of materials from the Smithsonian Institution, the Library of Congress, and the Woody Guthrie Archives. Many of these have never before been widely available. The result provides new insights into one of America's most intriguing icons. Prophet Singer offers an analysis of the creative impulse behind and ideals expressed in Guthrie's song lyrics. Details from the artist's personal life as well as his interactions with political and artistic movements from the first half of the twentieth century afford readers the opportunity to understand how Guthrie's deepest beliefs influenced and found voice in the lyrics that are now known and loved by millions. Mark Allan Jackson is currently an assistant professor of English at DePauw University. His articles and reviews have been featured in Popular Music and Society and American Music .
Author:
Publisher: University of Illinois Press
ISBN: 0252053591
Category : Music
Languages : en
Pages : 537
Get Book Here
Book Description
This second volume of Music in Black American Life offers research and analysis that originally appeared in the journals American Music and Black Music Research Journal, and in two book series published by the University of Illinois Press: Music in American Life, and African American Music in Global Perspective. In this collection, a group of predominately Black scholars explores a variety of topics with works that pioneered new methodologies and modes of inquiry for hearing and studying Black music. These extracts and articles examine the World War II jazz scene; look at female artists like gospel star Shirley Caesar and jazz musician-arranger Melba Liston; illuminate the South Bronx milieu that folded many forms of black expressive culture into rap; and explain Hamilton's massive success as part of the "tanning" of American culture that began when Black music entered the mainstream. Part sourcebook and part survey of historic music scholarship, Music in Black American Life, 1945–2020 collects groundbreaking work that redefines our view of Black music and its place in American music history. Contributors: Nelson George, Wayne Everett Goins, Claudrena N. Harold, Eileen M. Hayes, Loren Kajikawa, Robin D. G. Kelley, Tammy L. Kernodle, Cheryl L. Keyes, Gwendolyn Pough, Bernice Johnson Reagon, Mark Tucker, and Sherrie Tucker
Author:
Publisher: University of Illinois Press
ISBN: 0252053583
Category : Music
Languages : en
Pages : 450
Get Book Here
Book Description
This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel. Eclectic and essential, Music in Black American Life, 1600–1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States. Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe
